Statements (34)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:film
|
| gptkbp:activePeriod |
1960s
1970s |
| gptkbp:characteristic |
political engagement
location shooting non-professional actors low-budget production |
| gptkbp:countryOfOrigin |
gptkb:Brazil
|
| gptkbp:focusesOn |
social issues
poverty rural life political issues |
| https://www.w3.org/2000/01/rdf-schema#label |
Cinema Novo
|
| gptkbp:influenced |
gptkb:Third_Cinema
Latin American cinema |
| gptkbp:influencedBy |
gptkb:French_New_Wave
gptkb:Italian_Neorealism |
| gptkbp:language |
Portuguese
|
| gptkbp:notableDirector |
gptkb:Carlos_Diegues
gptkb:Ruy_Guerra gptkb:Nelson_Pereira_dos_Santos gptkb:Glauber_Rocha |
| gptkbp:notableFilm |
gptkb:The_Guns
gptkb:Barren_Lives gptkb:Black_God,_White_Devil gptkb:Entranced_Earth |
| gptkbp:region |
gptkb:Latin_America
|
| gptkbp:relatedTo |
gptkb:Brazilian_Modernism
gptkb:Tropicalismo |
| gptkbp:slogan |
A camera in the hand and an idea in the head
|
| gptkbp:bfsParent |
gptkb:Tropicália
gptkb:Deus_e_o_Diabo_na_Terra_do_Sol gptkb:Italian_Neorealism |
| gptkbp:bfsLayer |
6
|