|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:activePeriod
|
1930s
|
|
gptkbp:characteristic
|
fatalism
working-class protagonists
melancholy tone
romanticized realism
|
|
gptkbp:countryOfOrigin
|
gptkb:France
|
|
gptkbp:genre
|
crime film
realism
romantic drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
French Poetic Realism
|
|
gptkbp:influenced
|
gptkb:Film_Noir
gptkb:Italian_Neorealism
|
|
gptkbp:influencedBy
|
gptkb:German_Expressionism
gptkb:French_Impressionist_Cinema
|
|
gptkbp:language
|
gptkb:French
|
|
gptkbp:notableActor
|
gptkb:Michèle_Morgan
gptkb:Arletty
gptkb:Simone_Signoret
gptkb:Jean_Gabin
|
|
gptkbp:notableCinematographers
|
gptkb:Roger_Hubert
gptkb:Eugen_Schüfftan
gptkb:Curt_Courant
|
|
gptkbp:notableContributor
|
gptkb:Jacques_Prévert
|
|
gptkbp:notableDirector
|
gptkb:Marcel_Carné
gptkb:Jean_Renoir
gptkb:Julien_Duvivier
gptkb:Jean_Vigo
|
|
gptkbp:notableFilm
|
gptkb:L'Atalante
gptkb:La_Bête_Humaine
gptkb:La_Grande_Illusion
gptkb:Le_Jour_se_lève
gptkb:Le_Quai_des_brumes
|
|
gptkbp:notableFor
|
gptkb:Tobis
gptkb:Pathé
gptkb:Gaumont
|
|
gptkbp:notableProduction
|
gptkb:Pierre_Braunberger
gptkb:André_Paulvé
|
|
gptkbp:theme
|
disillusionment
social alienation
doomed love
|
|
gptkbp:typicalSettings
|
urban environments
working-class neighborhoods
|
|
gptkbp:bfsParent
|
gptkb:Italian_Neorealism
|
|
gptkbp:bfsLayer
|
6
|