gptkbp:instance_of
|
gptkb:art
|
gptkbp:adapted_into
|
gptkb:films
gptkb:theater_productions
|
gptkbp:collection
|
gptkb:Los_Angeles_County_Museum_of_Art
gptkb:Tate_Gallery
gptkb:The_National_Gallery_of_Art,_Washington,_D._C.
gptkb:The_Royal_Collection
gptkb:British_Museum
gptkb:National_Gallery,_London
gptkb:The_Art_Institute_of_Chicago
gptkb:The_Metropolitan_Museum_of_Art
gptkb:The_Courtauld_Institute_of_Art
gptkb:Museum_of_Fine_Arts,_Boston
|
gptkbp:created_by
|
gptkb:William_Hogarth
|
gptkbp:depicted_in
|
prints
|
gptkbp:depicts
|
social issues
|
gptkbp:exhibits
|
moral lessons
|
gptkbp:features
|
characters from society
|
gptkbp:has_inspired
|
gptkb:literature
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hogarth's series of paintings
|
gptkbp:includes
|
gptkb:The_Rake's_Progress
gptkb:A_Harlot's_Progress
gptkb:The_Four_Times_of_the_Day
gptkb:Marriage_à_la_Mode
|
gptkbp:influenced
|
satirical art
|
gptkbp:is_a_subject_of
|
gptkb:documentaries
exhibitions
|
gptkbp:is_analyzed_in
|
gptkb:art_historians
its social critique
|
gptkbp:is_associated_with
|
gptkb:London
|
gptkbp:is_celebrated_in
|
its artistic innovation
|
gptkbp:is_characterized_by
|
gptkb:humor
|
gptkbp:is_displayed_in
|
gptkb:museums
|
gptkbp:is_known_for
|
narrative storytelling
|
gptkbp:is_often_compared_to
|
other satirical works
|
gptkbp:is_often_described_as
|
a significant contribution to art
|
gptkbp:is_often_discussed_in
|
gptkb:art_critics
|
gptkbp:is_often_featured_in
|
art history courses
|
gptkbp:is_often_referenced_in
|
academic papers
|
gptkbp:is_part_of
|
British art history
|
gptkbp:is_recognized_as
|
cultural commentary
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
gptkbp:is_reflected_in
|
18th-century England
|
gptkbp:is_studied_in
|
art education
|
gptkbp:often_includes
|
art anthologies
|
gptkbp:originated_in
|
gptkb:18th_century
|
gptkbp:style
|
gptkb:Rococo
|
gptkbp:was_a_precursor_to
|
modern graphic novels
|
gptkbp:bfsParent
|
gptkb:The_Rake's_Progress
|
gptkbp:bfsLayer
|
4
|