|
gptkbp:instanceOf
|
artwork
|
|
gptkbp:associatedWith
|
moral lessons
|
|
gptkbp:collection
|
gptkb:National_Gallery,_London
gptkb:Tate_Britain
gptkb:The_British_Museum
gptkb:The_Metropolitan_Museum_of_Art
gptkb:Museum_of_Fine_Arts,_Boston
|
|
gptkbp:createdBy
|
gptkb:William_Hogarth
|
|
gptkbp:culturalSignificance
|
reflected societal issues
|
|
gptkbp:depicts
|
moral decline
social classes
the consequences of actions
human vice
contemporary life
|
|
gptkbp:exhibitedAt
|
gptkb:Royal_Academy_of_Arts
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Hogarth's series of paintings
|
|
gptkbp:influenced
|
British_art
|
|
gptkbp:influencedBy
|
satire
Dutch_painting
Italian_art
European_art
|
|
gptkbp:inspiration
|
later artists
|
|
gptkbp:medium
|
oil on canvas
|
|
gptkbp:notableFeature
|
gptkb:Hogarth:_The_Man_Who_Knew_Too_Much
gptkb:Hogarth's_London
Hogarth:_A_New_Perspective
Hogarth_and_British_Art
William_Hogarth:_The_Artist_and_His_World
|
|
gptkbp:notableWork
|
gptkb:The_Rake's_Progress
gptkb:A_Harlot's_Progress
Industry and Idleness
The Four Stages of Cruelty
Marriage à la Mode
|
|
gptkbp:style
|
Rococo
|
|
gptkbp:technique
|
drawing
engraving
etching
narrative art
|
|
gptkbp:theme
|
social criticism
|
|
gptkbp:timePeriod
|
18th century
|