|
gptkbp:instance_of
|
gptkb:painting
gptkb:TV_series
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:mythological_figure
|
|
gptkbp:artist
|
gptkb:William_Hogarth
|
|
gptkbp:color
|
vibrant colors
|
|
gptkbp:composed_of
|
narrative scenes
|
|
gptkbp:creator
|
gptkb:William_Hogarth
|
|
gptkbp:cultural_significance
|
depicts 18th-century marriage customs
|
|
gptkbp:exhibition
|
exhibited in various museums
|
|
gptkbp:focus_area
|
characters' expressions
|
|
gptkbp:genre
|
satirical painting
|
|
gptkbp:historical_context
|
reflects social issues of the time
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Marriage à la Mode
|
|
gptkbp:influence
|
British art
inspired later artists
|
|
gptkbp:inspiration
|
inspired literature and theater adaptations
|
|
gptkbp:legacy
|
considered a masterpiece of English art
|
|
gptkbp:location
|
gptkb:National_Gallery,_London
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:notable_feature
|
satirical commentary
|
|
gptkbp:notable_performance
|
gptkb:6
six
|
|
gptkbp:notable_work
|
gptkb:The_Tête_à_Tête
gptkb:The_Marriage_Settlement
The Inspection
The Bagnio
The Toilette
The Death of the Earl
|
|
gptkbp:series
|
Marriage à la Mode series
|
|
gptkbp:stations
|
well-received by critics
|
|
gptkbp:style
|
gptkb:Rococo
|
|
gptkbp:subject
|
gptkb:award
|
|
gptkbp:symbolism
|
wealth and social status
|
|
gptkbp:technique
|
chiaroscuro
|
|
gptkbp:theme
|
marriage and social issues
|
|
gptkbp:year_created
|
1743
|