|
gptkbp:instance_of
|
gptkb:art
gptkb:painting
gptkb:opera
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:theatrical_performances
|
|
gptkbp:adapted_into
|
various forms of media
|
|
gptkbp:art_movement
|
British art
|
|
gptkbp:art_style
|
satirical art
use of allegory
|
|
gptkbp:artist
|
gptkb:William_Hogarth
|
|
gptkbp:artistic_expression
|
varied interpretations over time
part of Hogarth's oeuvre
|
|
gptkbp:artistic_influence
|
influenced later artists
inspired social reform movements
valued for its historical context
|
|
gptkbp:artistic_innovation
|
pioneered narrative art in painting
|
|
gptkbp:artistic_legacy
|
remains influential today
|
|
gptkbp:artistic_technique
|
gptkb:satire
gptkb:allegory
detailed realism
symbolism
|
|
gptkbp:artistic_vision
|
widely recognized work
|
|
gptkbp:author
|
gptkb:William_Hogarth
|
|
gptkbp:available_in
|
digital format
exhibition catalogs
print form
|
|
gptkbp:based_on
|
paintings by William Hogarth
|
|
gptkbp:case_analysis
|
socioeconomic discussions
|
|
gptkbp:character
|
gptkb:Moll_Hackabout
gptkb:The_Rake
The Landlord
Mr. Welles
Mother Needham
|
|
gptkbp:characters
|
gptkb:Moll_Hackabout
|
|
gptkbp:choreography
|
included
|
|
gptkbp:collection
|
gptkb:the_British_Museum
gptkb:the_National_Gallery
|
|
gptkbp:color_palette
|
vibrant colors
|
|
gptkbp:composed_by
|
dynamic arrangements
|
|
gptkbp:composer
|
gptkb:David_Bruce
|
|
gptkbp:consists_of
|
five paintings
|
|
gptkbp:created_by
|
gptkb:William_Hogarth
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:cultural_impact
|
inspired literature and art
influenced literature
influenced visual arts
discussed in academic circles
influenced theater
|
|
gptkbp:cultural_references
|
referenced in popular culture
|
|
gptkbp:cultural_significance
|
reflects societal issues
|
|
gptkbp:depicts
|
the struggle for survival
prostitution
the role of women
the life of a young woman
the fall from grace
the consequences of vice
the dangers of urban life
the downfall of a young woman
|
|
gptkbp:depicts_the_downfall_of
|
gptkb:Moll_Hackabout
|
|
gptkbp:director
|
gptkb:John_Fulljames
|
|
gptkbp:exhibited_at
|
gptkb:the_Foundling_Hospital
1732
|
|
gptkbp:exhibition_history
|
exhibited in various museums
|
|
gptkbp:exhibition_location
|
shown in major galleries
|
|
gptkbp:explores_themes
|
redemption
poverty
vice
|
|
gptkbp:famous_for
|
gptkb:character_development
social commentary
visual storytelling
|
|
gptkbp:features
|
moral lessons
|
|
gptkbp:film
|
gptkb:betrayal
temptation
despair
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_been_restored
|
recent years
|
|
gptkbp:has_culture
|
analyzed in art history courses
|
|
gptkbp:has_exhibited_at
|
various art galleries
|
|
gptkbp:has_inspired
|
modern artists
|
|
gptkbp:has_reception
|
critically acclaimed
|
|
gptkbp:historical_context
|
18th century England
|
|
gptkbp:historical_figures
|
depicts real societal roles
|
|
gptkbp:historical_impact
|
significant in art history
|
|
gptkbp:historical_significance
|
reflects 18th-century morals
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
A Harlot's Progress
|
|
gptkbp:influence
|
social commentary
|
|
gptkbp:influenced
|
gptkb:theater_productions
social commentary
|
|
gptkbp:influenced_by
|
gptkb:Hogarth's_moral_tales
gptkb:the_Enlightenment
gptkb:literary_work
gptkb:historical_context
gptkb:historical_figures
cultural movements
social commentary
opera tradition
18th-century art
the rise of the middle class
Hogarth's art style
|
|
gptkbp:inspired
|
gptkb:various_adaptations
modern adaptations
|
|
gptkbp:inspired_by
|
gptkb:Hogarth's_series_of_paintings
real-life events
|
|
gptkbp:is_a_subject_of
|
gptkb:academic_research
|
|
gptkbp:is_a_visual_narrative_about
|
the consequences of choices.
|
|
gptkbp:is_analyzed_in
|
its symbolism
|
|
gptkbp:is_associated_with
|
the 18th century
|
|
gptkbp:is_available_in
|
digital format
print format
|
|
gptkbp:is_considered_as
|
gptkb:historical_documents
|
|
gptkbp:is_critiqued_by
|
the church
the legal system
the economy
|
|
gptkbp:is_featured_in
|
gptkb:documentaries
|
|
gptkbp:is_known_for
|
its critique of society
|
|
gptkbp:is_often_discussed_in
|
art critiques
|
|
gptkbp:is_part_of
|
gptkb:Hogarth's_series
British art history
|
|
gptkbp:is_recognized_for
|
its narrative structure
|
|
gptkbp:is_referenced_in
|
gptkb:literature
|
|
gptkbp:is_reflected_in
|
societal norms of the time
|
|
gptkbp:is_set_in
|
gptkb:London
|
|
gptkbp:is_significant_for
|
Western art history
|
|
gptkbp:is_studied_in
|
art history courses
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
considered a classic
influenced modern artists
studied in art history
|
|
gptkbp:librettist
|
gptkb:David_Bruce
|
|
gptkbp:location
|
gptkb:Sir_John_Soane's_Museum
gptkb:British_Museum
gptkb:Tate_Britain
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:moral
|
warning against vice
|
|
gptkbp:narrative
|
chronological
sequential storytelling
tells a story through images
|
|
gptkbp:notable_awards
|
various nominations
|
|
gptkbp:notable_cast
|
various singers
|
|
gptkbp:notable_characters
|
gptkb:Moll_Hackabout
gptkb:the_Procuress
the Merchant
the Rake
the Landlady
|
|
gptkbp:notable_collaborators
|
various artists
|
|
gptkbp:notable_conductors
|
gptkb:David_Bruce
|
|
gptkbp:notable_figures
|
gptkb:Moll_Hackabout
|
|
gptkbp:notable_performance
|
gptkb:Royal_Opera_House
|
|
gptkbp:notable_performers
|
featured in productions
|
|
gptkbp:notable_products
|
gptkb:narrative_structure
gptkb:character_development
cultural references
artistic expression
symbolism
audience engagement
emotional depth
visual storytelling
musical innovation
historical accuracy
motifs
theatrical techniques
dramatic tension
|
|
gptkbp:notable_speakers
|
class struggle
morality
gender roles
|
|
gptkbp:notable_themes
|
human condition
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:often_includes
|
art history textbooks
|
|
gptkbp:orchestration
|
full orchestra
|
|
gptkbp:parodied_in
|
various media
|
|
gptkbp:performance
|
approximately 2 hours
|
|
gptkbp:performers
|
gptkb:5
|
|
gptkbp:premiere
|
gptkb:2013
|
|
gptkbp:premiere_location
|
gptkb:London
|
|
gptkbp:print_versions
|
engraved reproductions
|
|
gptkbp:published_in
|
1732
|
|
gptkbp:recordings
|
available on CD
|
|
gptkbp:related_to
|
gptkb:art_critics
moral tales
social reform movements
|
|
gptkbp:related_works
|
gptkb:The_Rake's_Progress
gptkb:A_Rake's_Progress
|
|
gptkbp:reviews
|
published in journals
|
|
gptkbp:series
|
A Harlot's Progress series
|
|
gptkbp:setting
|
gptkb:London
|
|
gptkbp:sings
|
English
|
|
gptkbp:style
|
gptkb:Rococo
modern opera
|
|
gptkbp:symbolism
|
moral lessons
|
|
gptkbp:technique
|
chiaroscuro
|
|
gptkbp:thematic_element
|
social issues
|
|
gptkbp:theme
|
gptkb:feminism
morality
redemption
poverty
prostitution
exploitation
|
|
gptkbp:themes
|
morality
social criticism
social critique
prostitution
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:was_a_precursor_to
|
modern graphic novels
|
|
gptkbp:writings
|
analyzed in feminist art criticism
|
|
gptkbp:year_created
|
1732
|
|
gptkbp:bfsParent
|
gptkb:The_Rake's_Progress
|
|
gptkbp:bfsLayer
|
4
|