Properties (50)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:Film_Director
Film director Producer |
| gptkbp:activeYears |
1916
1946 |
| gptkbp:awards |
Academy Award for Best Adapted Screenplay
Academy Award for Best Original Screenplay 2 Academy Awards Multiple_Academy_Award_nominations |
| gptkbp:birthDate |
1888-08-18
|
| gptkbp:birthPlace |
San_Francisco,_California,_USA
|
| gptkbp:burialPlace |
gptkb:Forest_Lawn_Memorial_Park,_Glendale,_California,_USA
|
| gptkbp:children |
1
|
| gptkbp:collaboratedWith |
gptkb:Douglas_Fairbanks
gptkb:Mary_Pickford George Cukor |
| gptkbp:contributedTo |
The development of the screenplay as a profession
|
| gptkbp:deathDate |
1973-05-12
|
| gptkbp:education |
gptkb:University_of_California,_Berkeley
|
| gptkbp:famousFor |
Her work in silent films
Her work in early sound films |
| gptkbp:genre |
Comedy
Drama Romance |
| https://www.w3.org/2000/01/rdf-schema#label |
Frances Marion
|
| gptkbp:influenced |
Screenwriting techniques
Character development in screenwriting Film narrative structure Many female screenwriters |
| gptkbp:influencedBy |
gptkb:D.W._Griffith
|
| gptkbp:involvedIn |
gptkb:Hollywood's_Golden_Age
Women’s rights in film industry |
| gptkbp:knownFor |
Innovative storytelling techniques
Strong female characters in her scripts Her_contributions_to_early_Hollywood |
| gptkbp:legacy |
Paved the way for women in film
|
| gptkbp:nationality |
American
|
| gptkbp:notableEvent |
First woman to win an Academy Award for screenwriting
|
| gptkbp:notableWork |
The Big House
The Wind The_Champ |
| gptkbp:occupation |
Film director
Producer Screenwriter |
| gptkbp:produces |
gptkb:The_Man_Who_Came_Back
|
| gptkbp:recognizedBy |
gptkb:Writers_Guild_of_America
gptkb:Academy_of_Motion_Picture_Arts_and_Sciences |
| gptkbp:spouse |
gptkb:Fred_Thomson
|
| gptkbp:wrote |
Silent film stars
Talkie film stars |