|
gptkbp:instance_of
|
gptkb:play
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:stage_play
|
|
gptkbp:art_style
|
gptkb:Hans_Dreier
gptkb:Robert_Usher
|
|
gptkbp:aspect_ratio
|
1.37:1
|
|
gptkbp:audience
|
well-received
mixed.
|
|
gptkbp:awards
|
gptkb:None
|
|
gptkbp:box_office
|
$1.5 million
$1 million
successful
$1,500,000
successful.
Paramount Pictures.
|
|
gptkbp:budget
|
$1 million
$1,000,000
$1 million.
|
|
gptkbp:character
|
gptkb:Mary_Smith
gptkb:Lady
gptkb:Mary
gptkb:Bobby
gptkb:comic_relief
gptkb:The_Doctor
gptkb:The_Judge
gptkb:Duke
gptkb:Mrs._Mc_Gowan
gptkb:The_Lady
gptkb:Cowboy
gptkb:supporting_character
The Cowboy
The Rancher
The Townsfolk
The Sheriff
Mr. Mc Gowan
|
|
gptkbp:character_arc
|
Duke learns to adapt to high society.
Duke's growth
Mary's independence
|
|
gptkbp:character_development
|
gptkb:N/_A
romantic hero
strong female lead
Mary grows to appreciate the cowboy lifestyle.
|
|
gptkbp:character_motivation
|
Duke seeks love.
|
|
gptkbp:character_relationships
|
social class differences.
Duke and Mary.
|
|
gptkbp:character_traits
|
Duke is rugged.
Mary is sophisticated.
|
|
gptkbp:cinematography
|
gptkb:John_F._Seitz
John F. Seitz.
|
|
gptkbp:color
|
gptkb:Black_and_White
Black and white
Black-and-white
black and white
black-and-white
|
|
gptkbp:costume_design
|
gptkb:Edith_Head
Edith Head.
|
|
gptkbp:country
|
gptkb:United_States
United States.
|
|
gptkbp:country_of_origin
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
mixed reviews
|
|
gptkbp:criticism
|
varied opinions.
|
|
gptkbp:cultural_impact
|
gptkb:N/_A
influenced later romantic comedies
inspired future films
classic romantic comedy
inspired future Western films
depicted cowboy culture
Classic film status
|
|
gptkbp:cultural_significance
|
depicts American values
represents 1940s cinema.
|
|
gptkbp:demographics
|
general audience
general public.
|
|
gptkbp:design
|
gptkb:Hans_Dreier
art deco.
|
|
gptkbp:directed_by
|
gptkb:H._C._Potter
|
|
gptkbp:director
|
gptkb:H._C._Potter
gptkb:H._Bruce_Humberstone
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:William_Hamilton
|
|
gptkbp:editing
|
gptkb:Ellsworth_Hoagland
|
|
gptkbp:famous_quote
|
" I’m a cowboy, and I’m proud of it!"
|
|
gptkbp:film
|
happy ending
English.
Texas.
Paramount Pictures.
|
|
gptkbp:film_art_direction
|
Hans Dreier.
|
|
gptkbp:film_awards
|
gptkb:none
gptkb:N/_A
none.
|
|
gptkbp:film_color_process
|
black and white.
|
|
gptkbp:film_debut
|
gptkb:New_York_City
1946
|
|
gptkbp:film_editing
|
gptkb:Ellsworth_Hoagland
yes
Elmo Veron
Elmo Veron.
|
|
gptkbp:film_festival
|
gptkb:None
gptkb:none
gptkb:Cannes_Film_Festival
gptkb:Academy_Awards
gptkb:N/_A
|
|
gptkbp:film_length
|
90 minutes
90 minutes.
|
|
gptkbp:film_release_type
|
gptkb:film
|
|
gptkbp:film_score
|
gptkb:original_score
gptkb:N/_A
Approved
Victor Young's score
Victor Young.
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:film_technique
|
comedic elements
romantic comedy.
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:genre
|
gptkb:romantic_comedy
gptkb:comedy
romantic comedy.
M. M. Mc Gowan.
|
|
gptkbp:has_adaptation
|
yes
|
|
gptkbp:historical_context
|
Great Depression era
1940s America
post-war America.
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
gptkb:2005
gptkb:N/_A
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cowboy and the Lady
|
|
gptkbp:influenced
|
later romantic comedies
|
|
gptkbp:influenced_by
|
gptkb:folklore
American music
vaudeville
Western genre
screwball comedy
Romantic comedy genre
Romantic comedies of the 1940s
|
|
gptkbp:influences
|
Western genre
romantic comedy genre
screwball comedy
Romantic comedy genre
|
|
gptkbp:inspiration
|
gptkb:American_West
gptkb:N/_A
The Cowboy and the Lady (play)
American Westerns.
|
|
gptkbp:inspired_by
|
Western films
|
|
gptkbp:is_decorated_with
|
gptkb:Hans_Dreier
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a classic
influenced later films
Classic romantic comedy
classic romantic comedy
influential in romantic comedies.
|
|
gptkbp:music
|
gptkb:Victor_Young
|
|
gptkbp:music_by
|
gptkb:Harry_Warren
gptkb:Victor_Young
gptkb:Al_Dubin
|
|
gptkbp:narrative
|
romantic plot
|
|
gptkbp:narrative_style
|
linear
|
|
gptkbp:notable_actor
|
gptkb:Cary_Grant
gptkb:Marlene_Dietrich
|
|
gptkbp:notable_awards
|
gptkb:none
gptkb:N/_A
Nominated for Academy Award for Best Original Song
|
|
gptkbp:notable_film
|
Gary Cooper's character is a cowboy.
It includes comedic elements.
It reflects the cultural attitudes of the time.
It was a box office success.
It was well-received by audiences.
Miriam Hopkins plays a socialite.
The film features a love story.
The film has a runtime of 90 minutes.
The film was released during the Great Depression.
The film was shot in black and white.
|
|
gptkbp:notable_production
|
gptkb:Broadway
|
|
gptkbp:notable_quote
|
" You can’t change who you are."
" I’m a cowboy, and I’m proud of it!"
" Love knows no boundaries."
" I’m just a cowboy, but I love you."
|
|
gptkbp:notable_scene
|
The proposal scene
courtroom scene
The final confrontation
dance scene
finale scene
romantic scene
The dance scene
The introduction of characters
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance_style
|
gptkb:musical_comedy
|
|
gptkbp:plot
|
gptkb:adventure
cultural misunderstandings
romantic entanglement
A cowboy falls in love with a high-society woman.
|
|
gptkbp:premiere
|
gptkb:1944
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
1938
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:produces
|
gptkb:N/_A
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
gptkb:Paramount_Pictures
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1942
gptkb:1944
gptkb:December
1938
1941
1943
1945
1946
|
|
gptkbp:release_format
|
gptkb:DVD
Theatrical
theatrical
|
|
gptkbp:release_year
|
1938
1941.
|
|
gptkbp:released_in
|
1938
|
|
gptkbp:remake
|
gptkb:None
gptkb:none
gptkb:N/_A
|
|
gptkbp:role
|
Dan Duryea as the antagonist
Gary Cooper as the Cowboy
Merle Oberon as the Lady
Walter Brennan as the father
|
|
gptkbp:runtime
|
90 minutes
80 minutes
|
|
gptkbp:screenings
|
gptkb:N/_A
35mm.
|
|
gptkbp:screenplay
|
gptkb:Charles_Kenyon
gptkb:Billy_Wilder
gptkb:Charles_Brackett
gptkb:Walter_Reisch
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Brackett
|
|
gptkbp:sequel
|
gptkb:None
gptkb:N/_A
|
|
gptkbp:setting
|
gptkb:Texas
gptkb:American_West
|
|
gptkbp:sound
|
gptkb:Mono
gptkb:M._M._Mc_Gowan
L. A. M. M. A.
|
|
gptkbp:soundtrack
|
gptkb:original_score
gptkb:Original_score
gptkb:N/_A
original score.
|
|
gptkbp:starring
|
gptkb:Merle_Oberon
gptkb:Gary_Cooper
gptkb:Dan_Duryea
gptkb:Walter_Brennan
gptkb:Miriam_Hopkins
|
|
gptkbp:theme
|
love across social classes.
|
|
gptkbp:themes
|
gptkb:adventure
gptkb:identity
love
love and conflict
class differences
love and adventure
cultural clash
love and class.
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:viewing_format
|
theatrical release.
|
|
gptkbp:written_by
|
gptkb:Charles_Mac_Arthur
|
|
gptkbp:bfsParent
|
gptkb:Gary_Cooper
gptkb:Tom_Mix
|
|
gptkbp:bfsLayer
|
4
|