|
gptkbp:instance_of
|
gptkb:musical
gptkb:novel
gptkb:film
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:King_Vidor
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:television_series
gptkb:theatre
gptkb:radio_station
gptkb:film
1938
adapted into a radio play
|
|
gptkbp:author
|
gptkb:Olive_Higgins_Prouty
|
|
gptkbp:awards
|
gptkb:award
gptkb:Best_Actress
Nominated for 1 Academy Award
|
|
gptkbp:based_on
|
a novel by Olive Higgins Prouty
novel by Olive Higgins Prouty
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:Christine_Ebersole
gptkb:Billie_Lourd
gptkb:Rico_Nasty
gptkb:The_Band_Perry
gptkb:Caitlyn_Smith
gptkb:Kaitlyn_Dever
gptkb:Grimes
gptkb:Haim
gptkb:Kerry_Butler
gptkb:Loretta_Lynn
gptkb:Samantha_Barks
gptkb:Tenille_Townes
gptkb:Zac_Brown_Band
gptkb:Kali_Uchis
gptkb:Bernadette_Peters
gptkb:Kaitlyn_Baker
gptkb:Kaitlyn_Ziegler
gptkb:Sutton_Foster
gptkb:Kaitlyn_Davis
gptkb:Brittany_Howard
gptkb:Kaitlyn_Quinn
gptkb:Kaitlyn_Campbell
gptkb:Kaitlyn_King
gptkb:Ashnikko
gptkb:Bebe_Rexha
gptkb:Charli_XCX
gptkb:Cyndi_Lauper
gptkb:Demi_Lovato
gptkb:Diana_Krall
gptkb:Dolly_Rebecca_Parton
gptkb:FKA_Twigs
gptkb:H._E._Megan_Thee_Stallion
gptkb:Janelle_Monáe
gptkb:Kacey_Lee_Musgraves
gptkb:Lady_A
gptkb:Lorde
gptkb:Miley_Ray_Cyrus
gptkb:Reba_Mc_Entire
gptkb:SZA
gptkb:Selena_Marie_Gomez
gptkb:Tammy_Wynette
gptkb:Tove_Lo
gptkb:MUNA
gptkb:Robert_Cuccioli
gptkb:Ariana_Grande
gptkb:Brandi_Carlile
gptkb:Dua_Lipa
gptkb:Fire_Department
gptkb:Kaitlyn_Black
gptkb:Katy_Perry
gptkb:Lana_Del_Rey
gptkb:Megan_Hilty
gptkb:Miranda_Lambert
gptkb:Olivia_Rodrigo
gptkb:Patsy_Cline
gptkb:Rina_Sawayama
gptkb:Sabrina_Carpenter
gptkb:Taylor_Swift
gptkb:The_Chicks
gptkb:Clairo
gptkb:Lea_Salonga
gptkb:Tinashe
gptkb:Angela_Lansbury
gptkb:Halsey
gptkb:Kaitlyn_Maher
gptkb:Liza_Minnelli
gptkb:Phoebe_Bridgers
gptkb:Alison_Krauss
gptkb:Doja_Cat
gptkb:Kaitlyn_Johnson
gptkb:Lindsay_Mendez
gptkb:Alessia_Cara
gptkb:Billie_Eilish
gptkb:Camila_Cabello
gptkb:Cynthia_Erivo
gptkb:Faith_Hill
gptkb:Kristin_Chenoweth
gptkb:Shania_Twain
gptkb:Jenna_Ushkowitz
gptkb:Kelsea_Ballerini
gptkb:Kaitlyn_Edwards
gptkb:Margo_Price
gptkb:Emmylou_Harris
gptkb:Sara_Bareilles
gptkb:Judy_Kaye
gptkb:Shoshana_Bean
gptkb:Carrie_Marie_Underwood
gptkb:Kaitlyn_Bristowe
gptkb:Chita_Rivera
gptkb:Ashley_Mc_Bryde
gptkb:Kelli_O'_Hara
gptkb:Bebe_Neuwirth
gptkb:Lianne_La_Havas
gptkb:The_Aces
gptkb:Kaitlyn_Garcia
gptkb:Kaitlyn_Martinez
gptkb:Kaitlyn_Harris
gptkb:Kaitlyn_Perez
gptkb:Kaitlyn_Tatum
gptkb:Kaitlyn_Upton
gptkb:Nina_Nesbitt
gptkb:Renée_Elise_Goldsberry
gptkb:Kaitlyn_Lee
gptkb:Kaitlyn_Taylor
gptkb:Kaitlyn_Nelson
gptkb:Audra_Mc_Donald
gptkb:Chvrches
gptkb:Idina_Menzel
gptkb:Jessie_Wares
gptkb:Jorja_Smith
gptkb:Laura_Benanti
gptkb:Little_Big_Town
gptkb:Patti_Lu_Pone
gptkb:John_Mc_Martin
gptkb:Kaitlyn_Smith
gptkb:Betty_Buckley
gptkb:Kaitlyn_Fisher
gptkb:Mitski
gptkb:Kaitlyn_O'_Connor
gptkb:Michael_Mc_Grath
gptkb:Mary_Testa
Kaitlyn Williams
Kaitlyn Adams
Kaitlyn Stokes
Kaitlyn Vance
Kaitlyn Lussier
Kaitlyn Mc Culloch
Kaitlyn Reddick
Kaitlyn Young
Kaitlyn Ortiz
Kaitlyn Velez
Kaitlyn Wiggins
Kaitlyn Anderson
Kaitlyn Roberts
|
|
gptkbp:character
|
gptkb:The_Narrator
gptkb:Stella
gptkb:The_Judge
gptkb:Mrs._Mc_Gowan
gptkb:Laurel_Dallas
Mr. Mc Gowan
Dr. Mc Gowan
Mrs. Dallas
Stephen Dallas
Mr. Mc Gowan's Mother
|
|
gptkbp:character_arc
|
Stella's transformation
Stella's struggles
|
|
gptkbp:character_development
|
Stella's growth
|
|
gptkbp:character_relationships
|
Stella and her daughter
Stella vs society
Stella's impulsiveness
|
|
gptkbp:characteristics
|
Stella Dallas is a complex character.
|
|
gptkbp:cinematography
|
gptkb:Gregg_Toland
Gregg Toland is known for his work.
recognized for its innovative techniques.
|
|
gptkbp:composer
|
gptkb:Harold_Arlen
|
|
gptkbp:conflict
|
personal vs societal expectations
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
generally positive reviews
|
|
gptkbp:cultural_impact
|
influenced later works
influenced future films about motherhood
|
|
gptkbp:cultural_references
|
referenced in other media
referenced in various other media.
|
|
gptkbp:cultural_significance
|
considered a classic of American cinema
|
|
gptkbp:died_in
|
gptkb:2004
|
|
gptkbp:directed_by
|
gptkb:King_Vidor
|
|
gptkbp:director
|
gptkb:King_Vidor
King Vidor is recognized for his direction.
|
|
gptkbp:edited_by
|
gptkb:Daniel_Mandell
|
|
gptkbp:editor
|
noted for its pacing and emotional impact.
|
|
gptkbp:features
|
music by Charles Strouse
|
|
gptkbp:film_score
|
notable for its emotional depth
|
|
gptkbp:filmography
|
gptkb:NBC
gptkb:Barbara_Stanwyck
adapted into a stage play
inspired melodramas
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_cameo
|
features several notable actors of the era.
|
|
gptkbp:historical_context
|
1920s America
reflects societal views of the 1930s.
|
|
gptkbp:historical_significance
|
important in the evolution of film narratives.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Stella Dallas
|
|
gptkbp:influenced
|
the portrayal of women in film
the development of character-driven narratives.
the genre of melodrama
the portrayal of single mothers in film
|
|
gptkbp:influenced_artists
|
gptkb:Fannie_Hurst
|
|
gptkbp:influenced_by
|
the 1925 film adaptation
|
|
gptkbp:influences
|
social issues
|
|
gptkbp:inspiration
|
Prouty's own experiences
|
|
gptkbp:inspired
|
numerous adaptations and interpretations.
|
|
gptkbp:is_critical_for
|
feminist perspectives
|
|
gptkbp:is_motivated_by
|
love for her daughter
|
|
gptkbp:isbn
|
978-1-60381-123-4
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
remains a classic
remains a reference point in film studies.
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:lyricist
|
gptkb:E._Y._Harburg
|
|
gptkbp:main_character
|
gptkb:Stella_Dallas
|
|
gptkbp:media_adaptations
|
gptkb:Olive_Higgins_Prouty
|
|
gptkbp:motif
|
class differences
|
|
gptkbp:music_by
|
gptkb:Martin_Charnin
gptkb:Miklós_Rózsa
|
|
gptkbp:narrative_style
|
third-person
|
|
gptkbp:narrative_theme
|
redemption
sacrifice and love
|
|
gptkbp:next_edition
|
1923 edition
|
|
gptkbp:notable_appearance
|
the final scene is iconic.
|
|
gptkbp:notable_performance
|
Barbara Stanwyck's performance is highly acclaimed.
|
|
gptkbp:notable_quote
|
" I want my daughter to have a better life than I did."
' I want to be a good mother.'
|
|
gptkbp:notable_song
|
' The Way It Is'
' I Want to Be a Mother'
' The Girl Who Came to Stay'
|
|
gptkbp:page_count
|
320
|
|
gptkbp:plot_summary
|
A mother's sacrifices for her daughter.
|
|
gptkbp:plot_twist
|
Stella's ultimate sacrifice
|
|
gptkbp:premiered_on
|
gptkb:1984
|
|
gptkbp:produced_by
|
gptkb:Samuel_Goldwyn
gptkb:The_New_York_Theatre_Workshop
|
|
gptkbp:production_company
|
produced by Samuel Goldwyn Productions.
|
|
gptkbp:published_year
|
1923
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
|
|
gptkbp:reader_demographic
|
widely read
|
|
gptkbp:release_date
|
December 31, 1937
|
|
gptkbp:release_year
|
gptkb:1960
1924
1937
|
|
gptkbp:released_in
|
1937
|
|
gptkbp:remake
|
gptkb:Stella_Dallas_(1990)
gptkb:Stella_Dallas_(1990_TV_film)
|
|
gptkbp:restoration
|
preserved by the Academy Film Archive
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Frances_Marion
|
|
gptkbp:setting
|
gptkb:United_States
|
|
gptkbp:significance
|
explores women's roles
|
|
gptkbp:starring
|
gptkb:Anne_Shirley
gptkb:Barbara_Stanwyck
gptkb:John_Boles
|
|
gptkbp:stations
|
gptkb:CBS
|
|
gptkbp:symbol
|
Stella as a mother figure
|
|
gptkbp:symbolism
|
gptkb:Saint
|
|
gptkbp:thematic_element
|
gptkb:Saint
class struggle
motherhood
|
|
gptkbp:theme
|
motherhood
|
|
gptkbp:themes
|
gptkb:Saint
love
class struggle
motherhood
explores themes of social class.
|
|
gptkbp:writer
|
Frances Marion is noted for her screenplay.
|
|
gptkbp:year_composed
|
gptkb:1954
|