|
gptkbp:instance_of
|
gptkb:novel
gptkb:short_story
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:thriller
gptkb:film
film noir
film.
successful film adaptation.
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:art_style
|
stylized
stylized cinematography
|
|
gptkbp:aspect_ratio
|
1.66:1
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:William_Irish
gptkb:François_Truffaut
gptkb:Cornell_Woolrich
|
|
gptkbp:award
|
gptkb:Best_Director
|
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Actress
César Award nomination
César Award nominations
none.
|
|
gptkbp:based_on
|
gptkb:novel
The Bride Wore Black (novel)
novel by William Irish
|
|
gptkbp:box_office
|
$1.2 million
$1.5 million
$1 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:cast
|
gptkb:François_Truffaut
|
|
gptkbp:character
|
gptkb:Catherine
gptkb:The_Father
gptkb:The_Friend
gptkb:The_Mother
gptkb:The_Bride
gptkb:The_Detective
gptkb:Julie_Kohler
gptkb:Juliet
gptkb:The_Lover
gptkb:The_Inspector
gptkb:Inspector
gptkb:Mademoiselle
gptkb:Monsieur
gptkb:The_Witness
gptkb:The_Husband
The Accomplice
The four men
Monsieur B.
Monsieur B. (the husband)
|
|
gptkbp:character_arc
|
gptkb:transformation
from victim to avenger.
transformation from grief to empowerment.
|
|
gptkbp:character_development
|
gptkb:complex
complex characters
Julie evolves from grief to vengeance.
|
|
gptkbp:character_motivation
|
gptkb:revenge
justice for her husband's murder.
to kill her husband's murderers.
|
|
gptkbp:character_relationships
|
obsession
interpersonal dynamics
antagonistic
Julie and her victims.
Julie vs. her own grief.
complex relationships with victims.
obsessive.
|
|
gptkbp:character_traits
|
determined and resourceful.
|
|
gptkbp:cinematography
|
gptkb:Raoul_Coutard
Hichame Alaouie
|
|
gptkbp:cinematography_by
|
gptkb:Raoul_Coutard
Bernard Zitzermann
|
|
gptkbp:climax
|
Julie confronts her final target.
confrontation with killers
|
|
gptkbp:color
|
black and white
black-and-white
|
|
gptkbp:conflict
|
gptkb:murder_mystery
internal and external conflicts of the protagonist.
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:critical_analysis
|
feminist interpretation
examines morality.
|
|
gptkbp:critical_reception
|
positive
generally positive
mixed reviews
|
|
gptkbp:criticism
|
analyzed for themes
|
|
gptkbp:cultural_impact
|
gptkb:significant
cult classic
cult following
inspired other films
referenced in popular culture
widely referenced
analyzed in film studies
influential in cinema
influenced later films
influential in French cinema
influenced revenge thrillers
influenced later revenge films
|
|
gptkbp:cultural_references
|
referenced in other media.
|
|
gptkbp:depicts
|
the nature of justice
the impact of trauma
the consequences of obsession
|
|
gptkbp:directed_by
|
gptkb:François_Truffaut
|
|
gptkbp:director
|
gptkb:François_Truffaut
gptkb:François_Ozon
|
|
gptkbp:distributor
|
gptkb:IFC_Films
gptkb:CIC
gptkb:Universal_Pictures
gptkb:Cinemascope
|
|
gptkbp:edited_by
|
gptkb:Sophie_Coudray
Jacques Witta
|
|
gptkbp:editing
|
gptkb:Agnes_Guillemot
gptkb:Marion_Monnier
|
|
gptkbp:element
|
the wedding dress.
|
|
gptkbp:features
|
gptkb:murder_mystery
dark humor
symbolic imagery
|
|
gptkbp:film_awards
|
gptkb:Cannes_Film_Festival_Award
|
|
gptkbp:film_editing
|
gptkb:Agnes_Guillemot
gptkb:Sophie_Coudray
The Bride Wore Black (1968)
|
|
gptkbp:film_festival
|
gptkb:Cannes
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
gptkb:Cannes_Film_Festival_1968
|
|
gptkbp:film_score
|
gptkb:Bernard_Herrmann
|
|
gptkbp:film_technique
|
gptkb:Double_Indemnity
slow motion
French New Wave.
|
|
gptkbp:filming_location
|
gptkb:France
gptkb:Paris
|
|
gptkbp:follows
|
gptkb:The_400_Blows
a woman seeking revenge
|
|
gptkbp:genre
|
gptkb:mystery
gptkb:drama
gptkb:detective_fiction
gptkb:thriller
|
|
gptkbp:has
|
a cult following
|
|
gptkbp:has_backstory
|
Julie was a devoted wife.
|
|
gptkbp:historical_context
|
post-war America
|
|
gptkbp:historical_legacy
|
remains a significant work in French literature.
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Bride Wore Black
|
|
gptkbp:influence_on_films
|
gptkb:Kill_Bill
|
|
gptkbp:influenced
|
gptkb:French_New_Wave
gptkb:Kill_Bill
thriller genre
the horror genre
directors like Quentin Tarantino
The Bride Wore Black (2019 film)
|
|
gptkbp:influenced_artists
|
gptkb:The_Great_Gatsby
gptkb:Stephen_King
psychological thriller.
classic revenge tales.
|
|
gptkbp:influenced_by
|
gptkb:Orson_Welles
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:Henri-Georges_Clouzot
film noir
noir genre
noir fiction.
François Truffaut's own works
|
|
gptkbp:influences
|
gptkb:The_Talented_Mr._Ripley
gptkb:Les_Diaboliques
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:Kill_Bill
gptkb:The_Hand_That_Rocks_the_Cradle
gptkb:The_Hunger_Games
film noir
The Bride Wore Black (1968 film)
|
|
gptkbp:inspiration
|
real-life events
The Bride Wore Black (1968)
The short story ' The Bride Wore Black' by Cornell Woolrich
The Bride Wore Black (play)
The Bride Wore Black (novel) by William Irish
|
|
gptkbp:inspired
|
gptkb:Kill_Bill
the 1990 film adaptation
|
|
gptkbp:inspired_by
|
The Bride Wore Black (short story)
|
|
gptkbp:is
|
considered a masterpiece
a film that critiques societal norms
a classic of French cinema
a film that blends genres
a film that explores female agency
a notable example of revenge narratives
a significant work in Truffaut's filmography
|
|
gptkbp:is_symbolic_of
|
loss and grief
|
|
gptkbp:isbn
|
978-0-312-42780-0
978-2-07-036823-0
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:legacy
|
influential film
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:literary_significance
|
explores themes of loss and vengeance.
|
|
gptkbp:main_character
|
gptkb:Julie_Kohler
gptkb:Juliet
gptkb:Julie
|
|
gptkbp:mood
|
anger and sorrow.
|
|
gptkbp:motif
|
gptkb:wedding
gptkb:death
death and retribution.
the wedding dress as a motif.
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
gptkb:Philippe_Rombi
gptkb:Antoine_Duhamel
|
|
gptkbp:music_composer
|
gptkb:Bernard_Herrmann
|
|
gptkbp:narrative
|
gptkb:The_Best_American_Mystery_Stories
third-person
non-linear
non-linear storytelling
third-person.
|
|
gptkbp:narrative_style
|
non-linear
suspenseful
dark and atmospheric.
|
|
gptkbp:narrative_theme
|
justice and morality
|
|
gptkbp:notable_awards
|
gptkb:Cannes_Film_Festival_Best_Actress
César Award nomination
Cannes Film Festival nomination
|
|
gptkbp:notable_cast
|
gptkb:Jeanne_Moreau
|
|
gptkbp:notable_quote
|
" I will kill them all."
' I will kill them all.'
|
|
gptkbp:notable_scene
|
final confrontation
climactic ending
flashback sequences
murder scenes
wedding scene
|
|
gptkbp:page_count
|
256
192
|
|
gptkbp:plot
|
non-linear
linear with flashbacks.
A woman seeks revenge on the men who caused her husband's death.
A woman seeks revenge on the men who killed her husband.
A woman seeks revenge on the men who wronged her.
|
|
gptkbp:plot_twist
|
unexpected
unexpected ending
unexpected deaths.
|
|
gptkbp:precedes
|
gptkb:Day_for_Night
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:1968
|
|
gptkbp:produced_by
|
gptkb:Les_Films_du_Carrosse
|
|
gptkbp:production_company
|
gptkb:Mandarin_Films
gptkb:Les_Films_du_Carrosse
|
|
gptkbp:protagonist
|
gptkb:Female
widow
|
|
gptkbp:published_by
|
gptkb:Random_House
|
|
gptkbp:published_in
|
gptkb:1940
|
|
gptkbp:published_year
|
gptkb:1940
gptkb:1968
|
|
gptkbp:publisher
|
gptkb:Éditions_Robert_Laffont
|
|
gptkbp:rating
|
gptkb:PG
7.0/10
|
|
gptkbp:reader_demographic
|
varied
engaging
cult following.
varied interpretations of revenge.
|
|
gptkbp:release_country
|
gptkb:France
|
|
gptkbp:release_date
|
gptkb:1968
May 2019
1968-10-16
April 12, 2006
October 1968
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1968
gptkb:2006
gptkb:2019
gptkb:2023
|
|
gptkbp:remake
|
The Bride Wore Black (2023)
The Bride Wore Black (2006)
The Bride Wore Black (2019 film)
|
|
gptkbp:resolution
|
justice served
Julie achieves her revenge.
|
|
gptkbp:runtime
|
107 minutes
102 minutes
106 minutes
108 minutes
|
|
gptkbp:screenplay
|
gptkb:François_Ozon
|
|
gptkbp:screenplay_by
|
gptkb:François_Truffaut
|
|
gptkbp:set_in
|
gptkb:France
|
|
gptkbp:setting
|
gptkb:France
gptkb:New_York_City
gptkb:Paris
gptkb:United_States
|
|
gptkbp:setting_time
|
mid-20th century
1960s.
|
|
gptkbp:soundtrack
|
Bernard Herrmann's score
|
|
gptkbp:starring
|
gptkb:Juliet_Berto
gptkb:Jeanne_Moreau
gptkb:Anaïs_Demoustier
gptkb:Michel_Bouquet
gptkb:Jean-Claude_Drouot
gptkb:Charles_Denner
|
|
gptkbp:start_location
|
Paris.
|
|
gptkbp:style
|
gptkb:French_New_Wave
dark and atmospheric
suspenseful.
|
|
gptkbp:symbolism
|
gptkb:clothing
black dress
Julie as a symbol of vengeance.
black dress symbolizes mourning and revenge.
|
|
gptkbp:thematic_element
|
explores the nature of justice.
justice vs. revenge.
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:justice
gptkb:loss
gptkb:revenge
gptkb:vengeance
gptkb:death
gptkb:fate
gptkb:identity
gptkb:sacrifice
love
morality
|
|
gptkbp:themes
|
gptkb:justice
gptkb:loss
gptkb:revenge
gptkb:vengeance
gptkb:feminism
love
grief
|
|
gptkbp:written_by
|
gptkb:François_Truffaut
|
|
gptkbp:bfsParent
|
gptkb:François_Truffaut
gptkb:Truffaut
gptkb:The_Kill_Bill_Series
gptkb:Cornell_Woolrich
|
|
gptkbp:bfsLayer
|
5
|