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gptkbp:instance_of
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gptkb:Actor
gptkb:Film_Director
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|
gptkbp:active_years_end
|
gptkb:1957
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gptkbp:active_years_start
|
gptkb:1914
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gptkbp:awards
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gptkb:Best_Director
gptkb:Academy_Award_nomination
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gptkbp:birth_date
|
1885-09-22
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gptkbp:birth_place
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gptkb:Vienna
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gptkbp:child
|
gptkb:Erich_von_Stroheim_Jr.
gptkb:Edith_von_Stroheim
gptkb:Ruth_von_Stroheim
|
|
gptkbp:collaborated_with
|
gptkb:Rudolph_Valentino
gptkb:George_Cukor
gptkb:Cecil_B._De_Mille
|
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gptkbp:death_date
|
1957-05-12
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gptkbp:death_place
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gptkb:Maurepas,_France
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|
gptkbp:famous_for
|
his meticulous attention to detail
his controversial filmmaking style
his innovative storytelling techniques
his portrayal of aristocratic characters
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gptkbp:film
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gptkb:The_Man_Who_Laughs
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|
gptkbp:film_debut
|
gptkb:The_Devil's_Passkey
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Erich von Stroheim
|
|
gptkbp:influenced
|
gptkb:Orson_Welles
gptkb:Martin_Scorsese
|
|
gptkbp:influenced_by
|
gptkb:Fritz_Lang
gptkb:D._W._Griffith
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|
gptkbp:known_for
|
silent films
realism in film
expressionist cinema
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|
gptkbp:legacy
|
influence on film noir
cult status among film enthusiasts
influence on modern filmmaking techniques
pioneering director in early cinema
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|
gptkbp:nationality
|
gptkb:American
gptkb:Austrian
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|
gptkbp:notable_work
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gptkb:The_Wedding_March
gptkb:Greed
gptkb:Sunrise:_A_Song_of_Two_Humans
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|
gptkbp:occupation
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gptkb:Film_Director
gptkb:Screenwriter
|
|
gptkbp:role
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gptkb:The_Baron_in_'_The_Wedding_March'
Count in ' The Merry Widow'
Maximilian von Mayerling in ' The Merry Widow'
The Director in ' Sunrise'
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|
gptkbp:spouse
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gptkb:Frances_Marion
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gptkbp:bfsParent
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gptkb:Marlene_Dietrich
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gptkbp:bfsLayer
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4
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