|
gptkbp:instance_of
|
gptkb:musical
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
concert version
|
|
gptkbp:adapted_into
|
gptkb:film_adaptation
gptkb:radio_station
gptkb:graphic_novel
gptkb:video_game
gptkb:stage_play
concert version
|
|
gptkbp:afi's_100_years...100_movies_(10th_anniversary_edition)
|
Ranked 16
|
|
gptkbp:art_style
|
gptkb:Robert_F._Boyle
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
gptkb:Streaming_services
|
|
gptkbp:awards
|
gptkb:Tony_Award_for_Best_Musical
gptkb:3
gptkb:Drama_Desk_Award_for_Outstanding_Musical
|
|
gptkbp:based_on
|
gptkb:Original_Story_by_Billy_Wilder
1950 film of the same name
original story by Billy Wilder
|
|
gptkbp:box_office
|
gptkb:$5_million
$2.5 million
$1.5 million
|
|
gptkbp:budget
|
$1.75 million
|
|
gptkbp:character
|
gptkb:Hedda_Hopper
gptkb:Artie_Green
gptkb:Betty_Schaefer
gptkb:Max_von_Mayerling
gptkb:Cecil_B._De_Mille
|
|
gptkbp:cinematography_by
|
gptkb:John_F._Seitz
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:costume_design
|
gptkb:Edith_Head
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Lloyd_Webber
|
|
gptkbp:critical_reception
|
widely acclaimed
Highly praised by critics
|
|
gptkbp:cultural_impact
|
considered a classic
Critically acclaimed
inspired academic studies
inspired documentaries
inspired books
inspired parodies
considered a classic of American cinema
influenced other musicals
influential in film history
|
|
gptkbp:cultural_references
|
Referenced in various media
|
|
gptkbp:cultural_significance
|
explores themes of fame and obsession
|
|
gptkbp:directed_by
|
gptkb:Billy_Wilder
|
|
gptkbp:director
|
gptkb:Billy_Wilder
|
|
gptkbp:distributor
|
gptkb:Paramount_Pictures
|
|
gptkbp:edited_by
|
gptkb:Arthur_Schmidt
|
|
gptkbp:famous_quote
|
I am big! It's the pictures that got small.
|
|
gptkbp:featured_in
|
gptkb:AFI's_100_Years...100_Thrills
gptkb:AFI's_100_Years...100_Movies
Sight & Sound's Greatest Films of All Time
AFI's 100 Years...100 Quotes
|
|
gptkbp:features
|
a faded silent film star
a famous line ' I’m ready for my close-up, Mr. De Mille'.
|
|
gptkbp:film_awards
|
gptkb:Best_Actress
gptkb:Best_Director
gptkb:Best_Screenplay
|
|
gptkbp:film_editing
|
gptkb:Arthur_Schmidt
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
Orchestral score
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
gptkb:Sunset_Boulevard,_Los_Angeles
|
|
gptkbp:follows
|
gptkb:Norma_Desmond
gptkb:Joe_Gillis
a screenwriter
|
|
gptkbp:genre
|
gptkb:musical_theatre
gptkb:Film_Noir
gptkb:drama
film noir
Ranked 12
|
|
gptkbp:has_awards
|
gptkb:BAFTA_Awards
gptkb:Golden_Globe_Award
|
|
gptkbp:has_cameo
|
gptkb:Lillian_Gish
gptkb:Buster_Keaton
gptkb:Jack_Webb
gptkb:Cecil_B._De_Mille
gptkb:Nancy_Olson
gptkb:Anna_Q._Nilsson
gptkb:Franklyn_Farnum
gptkb:H._B._Warner
gptkb:Ernest_Borgnine
Gloria Swanson's real-life friends
|
|
gptkbp:has_character
|
gptkb:Norma_Desmond
gptkb:Joe_Gillis
gptkb:Max_von_Mayerling
|
|
gptkbp:has_cultural_impact
|
inspired other works
exploration of celebrity culture
discussions on aging in Hollywood
|
|
gptkbp:has_editing_by
|
gptkb:Arthur_Schmidt
|
|
gptkbp:has_legacy
|
inspired musicals and adaptations
|
|
gptkbp:has_library
|
gptkb:Don_Black
gptkb:Christopher_Hampton
|
|
gptkbp:has_quote
|
I am big! It's the pictures that got small.
I used to be in pictures.
|
|
gptkbp:has_setting
|
a decaying mansion
|
|
gptkbp:has_song
|
gptkb:Don_Black
gptkb:Christopher_Hampton
|
|
gptkbp:has_soundtrack
|
gptkb:Lloyd_Webber
|
|
gptkbp:has_theme
|
the passage of time
the role of the artist in society
the relationship between art and life
the consequences of isolation
the pursuit of success
the nature of reality and illusion
the dark side of Hollywood
the impact of aging on identity
the dark side of fame
obsession and madness
the decline of Hollywood stars
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Sunset Boulevard
|
|
gptkbp:included
|
gptkb:National_Film_Registry
gptkb:AFI's_100_Years...100_Thrills
gptkb:AFI's_100_Years...100_Movies
BFI Top 100 British Films
|
|
gptkbp:influenced
|
Cinematic storytelling
film criticism
Future filmmakers
Film Noir genre
directors like Quentin Tarantino
many filmmakers
directors like Martin Scorsese
musicals about Hollywood
directors like David Lynch
subsequent films about Hollywood
musicals with dark themes
|
|
gptkbp:influenced_by
|
Silent Film Era
film noir
silent film era
|
|
gptkbp:inspiration
|
gptkb:musical_adaptation
Hollywood's treatment of aging stars
|
|
gptkbp:inspired
|
documentaries about Hollywood
books about film history
academic studies on cinema
the musical ' Sunset Boulevard'
the 1950s television series ' The Twilight Zone'.
|
|
gptkbp:inspired_by
|
real-life figures
|
|
gptkbp:is_available_on
|
gptkb:DVD
gptkb:Blu-ray
streaming services
|
|
gptkbp:is_cited_in
|
one of the greatest films ever made
|
|
gptkbp:is_considered
|
a classic
|
|
gptkbp:is_part_of
|
gptkb:National_Film_Registry
gptkb:American_Film_Institute's_100_Years...100_Movies
|
|
gptkbp:is_referenced_in
|
gptkb:The_Artist
gptkb:The_Disaster_Artist
gptkb:The_Simpsons
gptkb:The_Player
gptkb:The_Last_Action_Hero
|
|
gptkbp:is_set_in
|
gptkb:Hans_Dreier
|
|
gptkbp:language
|
English
|
|
gptkbp:legacy
|
Considered a classic
|
|
gptkbp:location
|
gptkb:London
gptkb:Los_Angeles
|
|
gptkbp:main_character
|
gptkb:Norma_Desmond
gptkb:Joe_Gillis
|
|
gptkbp:music_by
|
gptkb:Franz_Waxman
|
|
gptkbp:music_style
|
dramatic
romantic
operatic
|
|
gptkbp:narrated_by
|
gptkb:William_Holden
|
|
gptkbp:nominated_for
|
gptkb:Academy_Award_for_Best_Picture
|
|
gptkbp:notable_character
|
gptkb:Norma_Desmond
gptkb:Betty_Schaefer
gptkb:Joe_Gillis
gptkb:Max_von_Mayerling
gptkb:Cecil_B._De_Mille
|
|
gptkbp:notable_production
|
2016 revival
2008 revival
2019 revival
|
|
gptkbp:notable_quote
|
I am big! It's the pictures that got small!
All right, Mr. De Mille, I'm ready for my close-up.
|
|
gptkbp:notable_song
|
gptkb:As_If_We_Never_Said_Goodbye
gptkb:The_Perfect_Year
gptkb:With_One_Look
gptkb:Sunset_Boulevard
The Greatest Star of All
|
|
gptkbp:notable_themes
|
gptkb:Isolation
Fame and Obsession
The Illusion of Hollywood
|
|
gptkbp:parodied_in
|
various media
|
|
gptkbp:performed_in
|
gptkb:West_End
gptkb:Broadway
international tours
|
|
gptkbp:plot
|
A screenwriter develops a dangerous relationship with a faded film star.
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premiere_date
|
August 10, 1950
|
|
gptkbp:premiered_on
|
gptkb:1993
|
|
gptkbp:produced_by
|
gptkb:Billy_Wilder
gptkb:Paramount_Pictures
|
|
gptkbp:production_company
|
gptkb:Paramount_Pictures
|
|
gptkbp:production_years
|
multiple international productions
revivals in various languages
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
1950-08-10
|
|
gptkbp:released_by
|
gptkb:Paramount_Pictures
|
|
gptkbp:released_in
|
1950
|
|
gptkbp:remake
|
gptkb:television_series
gptkb:Sunset_Boulevard_(2010_film)
gptkb:Sunset_Boulevard_(musical)
a 1993 musical adaptation
|
|
gptkbp:revived_in
|
gptkb:2008
gptkb:2016
gptkb:2020
|
|
gptkbp:runtime
|
110 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Billy_Wilder
gptkb:Charles_Brackett
|
|
gptkbp:set_in
|
gptkb:Hollywood
gptkb:Los_Angeles
|
|
gptkbp:setting
|
gptkb:Hollywood,_California
|
|
gptkbp:starring
|
gptkb:Gloria_Swanson
gptkb:William_Holden
gptkb:Erich_von_Stroheim
|
|
gptkbp:thematic_element
|
gptkb:illusion
fame
obsolescence
|
|
gptkbp:themes
|
gptkb:illusion
obsession
fame
|
|
gptkbp:won
|
gptkb:Academy_Award_for_Best_Writing,_Story_and_Screenplay
gptkb:Academy_Award_for_Best_Original_Screenplay
|
|
gptkbp:won_award
|
gptkb:Olivier_Awards
gptkb:Academy_Award_for_Best_Actress
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Original_Screenplay
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:11
gptkb:Tony_Award
|
|
gptkbp:bfsParent
|
gptkb:Hollywood_Sign
gptkb:Billy_Wilder
gptkb:Hollywood_Golden_Age
gptkb:campaign
gptkb:Film_Noir
gptkb:Film_noir
gptkb:Hollywood
gptkb:Los_Angeles
gptkb:Edith_Head
gptkb:Hollywood_Hills
gptkb:Lloyd_Webber
|
|
gptkbp:bfsLayer
|
4
|