|
gptkbp:instance_of
|
gptkb:musical
gptkb:operetta
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:film_adaptations
gptkb:ballet
gptkb:film
television adaptations
stage adaptations
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:musical
gptkb:film_adaptations
gptkb:ballet
gptkb:musical_theatre
gptkb:stage_adaptation
gptkb:film
stage productions
stage adaptations
adapted into operas.
adapted into radio plays.
adapted into ballets.
adapted into musicals.
adapted into television productions.
|
|
gptkbp:adapted_into
|
ballet adaptations
|
|
gptkbp:artistic_influence
|
inspired fashion trends
|
|
gptkbp:based_on
|
L'attaché d'ambassade
|
|
gptkbp:character
|
gptkb:Baron_Zeta
gptkb:Camille_de_Rosillon
gptkb:Danilo_Danilowitsch
gptkb:Hanna_Glawari
gptkb:Countess_Aurelia
Mireille
Pritschitsch
Valencienne
|
|
gptkbp:character_development
|
complex character arcs
|
|
gptkbp:character_motivation
|
driven by love and desire
|
|
gptkbp:character_relationships
|
social dynamics
romantic entanglements
comedic misunderstandings
|
|
gptkbp:choreography
|
gptkb:Jerome_Robbins
gptkb:Peter_Wright
gptkb:John_Neumeier
gptkb:Alvin_Ailey
gptkb:George_Balanchine
gptkb:Kenneth_Mac_Millan
gptkb:Christopher_Wheeldon
gptkb:Mikhail_Baryshnikov
gptkb:Peter_Martins
gptkb:Matthew_Bourne
gptkb:Robert_Joffrey
gptkb:Frederick_Ashton
dance numbers included
choreographed by famous dancers
|
|
gptkbp:composed_by
|
gptkb:Franz_Lehár
|
|
gptkbp:composer
|
gptkb:Franz_Lehár
|
|
gptkbp:created_by
|
gptkb:Franz_Lehár
|
|
gptkbp:critical_reception
|
well-received by audiences
|
|
gptkbp:cultural_impact
|
inspired films
performed worldwide
inspired adaptations
featured in films
popular in Europe
influenced musical theatre
influenced musical theater
influenced other musicals
influenced other operettas
popular in cabaret performances
popular in operetta repertoire
popular in operatic repertoire
|
|
gptkbp:cultural_references
|
referenced in popular culture
referenced in various media
referenced in films and literature
|
|
gptkbp:cultural_significance
|
performed at festivals
revived in modern productions
popular in the early 20th century
reflects social changes in early 20th century Europe
explores themes of love and money
symbol of the Belle Époque
part of operetta repertoire
popular in the operetta repertoire
widely performed operetta
iconic operetta of the 20th century
symbol of Viennese operetta
|
|
gptkbp:director
|
gptkb:John_Cox
gptkb:Terry_Gilliam
gptkb:Max_Reinhardt
gptkb:Franz_Lehár
gptkb:David_Mc_Vicar
|
|
gptkbp:famous_event
|
featured in music festivals.
|
|
gptkbp:famous_for
|
waltz music
|
|
gptkbp:famous_person
|
gptkb:Baron_Zeta
gptkb:Danilo_Danilowitsch
gptkb:Hanna_Glawari
Valencienne
|
|
gptkbp:famous_song
|
gptkb:Vilja_Lied
|
|
gptkbp:famous_waltz
|
' Waltz of the Merry Widow'.
|
|
gptkbp:film_editing
|
gptkb:The_Merry_Widow_(2001)
|
|
gptkbp:film_technique
|
inspired film adaptations
|
|
gptkbp:first_performance
|
gptkb:Theater_an_der_Wien
gptkb:Vienna
|
|
gptkbp:genre
|
gptkb:operetta
gptkb:musical_theatre
gptkb:romantic_comedy
romantic operetta
|
|
gptkbp:has_character
|
gptkb:Countess_Valencienne
gptkb:Mademoiselle_Olga
gptkb:Vicomte_Cascada
gptkb:Baron_Zeta
gptkb:Camille_de_Rosillon
gptkb:Hanna_Glawari
Mireille
Pritschitsch
Danilo Danilovitch
Mademoiselle Renée
|
|
gptkbp:historical_context
|
early 20th century Europe
set in the early 20th century
set in early 20th century Europe
|
|
gptkbp:historical_interpretation
|
interpreted in various styles.
|
|
gptkbp:historical_legacy
|
remains popular today
|
|
gptkbp:historical_significance
|
important work in operetta history
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Merry Widow
|
|
gptkbp:influence
|
gptkb:popular_culture
inspired other composers
inspired contemporary composers
inspired adaptations in various languages
inspired modern musicals
inspired musical theatre
inspired operetta revival
|
|
gptkbp:influenced
|
gptkb:musical_theatre
popular music
musical theatre composers
subsequent operettas
later musical composers
|
|
gptkbp:influenced_by
|
operatic traditions
Viennese operetta
Viennese operetta tradition
|
|
gptkbp:influences
|
Viennese operetta
Viennese operetta tradition
|
|
gptkbp:inspiration
|
based on a play
based on a play by Henri Meilhac
|
|
gptkbp:inspired_by
|
the life of a wealthy widow
|
|
gptkbp:language
|
gptkb:German
|
|
gptkbp:librettist
|
gptkb:Victor_Léon
gptkb:Leo_Stein
|
|
gptkbp:libretto
|
gptkb:Victor_Léon
gptkb:Leo_Stein
|
|
gptkbp:lyricist
|
gptkb:Victor_Léon
gptkb:Leo_Stein
|
|
gptkbp:main_character
|
gptkb:Hanna_Glawari
|
|
gptkbp:music_composer
|
gptkb:Royal_Concertgebouw_Orchestra
gptkb:New_York_Philharmonic
gptkb:Berlin_Philharmonic
gptkb:Vienna_Philharmonic
gptkb:London_Symphony_Orchestra
|
|
gptkbp:music_style
|
gptkb:dance
romantic melodies
|
|
gptkbp:notable_aria
|
gptkb:Lippen_schweigen
gptkb:Vilja_Lied
|
|
gptkbp:notable_awards
|
won several awards.
awarded in various categories
|
|
gptkbp:notable_character
|
gptkb:Countess_Valencienne
gptkb:Baron_Zeta
gptkb:Danilo_Danilowitsch
gptkb:Hanna_Glawari
gptkb:Countess_Aurelia
Valencienne
Countess Mitzi
|
|
gptkbp:notable_collaborations
|
collaborated with various artists.
' Lippen schweigen'
' Ich bin ein glücklicher Mann'.
' Lippen schweigen'.
' Ich bin ein glücklicher Zigeuner'.
|
|
gptkbp:notable_collaborators
|
collaborated with various artists
|
|
gptkbp:notable_collection
|
' Das ist die Liebe'.
' Die lustige Witwe'.
|
|
gptkbp:notable_conductors
|
gptkb:Herbert_von_Karajan
conducted by famous conductors.
|
|
gptkbp:notable_influence
|
influenced other operettas
|
|
gptkbp:notable_performance
|
performed by famous opera singers.
|
|
gptkbp:notable_performances
|
gptkb:Thomas_Hampson
gptkb:Bryan_Hymel
gptkb:Anna_Netrebko
gptkb:Diana_Damrau
gptkb:Natalie_Dessay
gptkb:Angela_Gheorghiu
gptkb:Renée_Fleming
gptkb:Renee_Fleming
gptkb:Katherine_Jenkins
gptkb:Plácido_Domingo
performed at major opera houses
performed by famous opera singers
performed in major opera houses
|
|
gptkbp:notable_performers
|
gptkb:Thomas_Hampson
gptkb:Elīna_Garanča
gptkb:Renée_Fleming
gptkb:José_Carreras
performed by many famous artists
|
|
gptkbp:notable_production
|
gptkb:Glastonbury_Festival
gptkb:2017_Metropolitan_Opera_production
gptkb:Theatre_des_Champs-Élysées
gptkb:Lyric_Opera_of_Chicago
gptkb:Canadian_Opera_Company
gptkb:Opera_Australia
gptkb:Royal_Opera_House
gptkb:Vienna_State_Opera
gptkb:San_Francisco_Opera
gptkb:Scottish_Opera
gptkb:Opera_North
gptkb:opera
gptkb:2008_London_revival
Royal Opera House production
Metropolitan Opera production
Vienna State Opera production
2006 Broadway revival
2010 New York City Opera production
2017 Royal Opera House production
2019 Vienna State Opera production
|
|
gptkbp:notable_recordings
|
recorded by various artists
recorded by famous orchestras.
|
|
gptkbp:notable_song
|
gptkb:Schwipslied
gptkb:Maxim's_Waltz
gptkb:Meine_Lippen,_sie_küssen_so_heiß
gptkb:Vilja_Lied
' Grüß mir die süße, liebe Heimat'.
' Ich bin ein glücklicher Mann'.
' Lippen schweigen'.
' Meine Lippen, sie küssen so heiß'.
' Vilja'.
Drei Lieder
Lippen schweigen, Lippen schweigen
|
|
gptkbp:notable_songs
|
gptkb:Lippen_schweigen
gptkb:Meine_Lippen,_sie_küssen_so_heiß
gptkb:Vilja_Lied
' Meine Lippen, sie küssen so heiß'.
' Vilja'.
' Komm mit nach Varasdin'.
' Das ist die Liebe'.
' Die lustige Witwe'.
' Da geh' ich zu Maxim'.
' Die Liebe ist ein seltsames Spiel'.
' Die ganze Welt ist himmelblau'.
' Grüß dich Gott, du mein lieb Heimatland'.
' Hab' ich nur deine Liebe'.
' Ich bin die fesche Lola'.
' Ich hab' das Fräulein Helen'.
' Ich lade gern mir Gäste ein'.
' Liebeslied'.
' Schwips'.
' So ein Lied'.
|
|
gptkbp:notable_themes
|
wealth and social status
|
|
gptkbp:number_of_acts
|
gptkb:3
|
|
gptkbp:opened
|
December 30, 1905
|
|
gptkbp:orchestration
|
large orchestra
orchestrated for large orchestra
|
|
gptkbp:original_language
|
gptkb:German
|
|
gptkbp:performance
|
performed worldwide
|
|
gptkbp:performance_style
|
gptkb:comics
romantic
light-hearted
|
|
gptkbp:performance_venue
|
gptkb:London
gptkb:New_York
gptkb:Vienna
|
|
gptkbp:performances
|
performed worldwide
|
|
gptkbp:performed_at
|
festivals worldwide
|
|
gptkbp:performed_by
|
various opera companies
|
|
gptkbp:performed_in
|
internationally
many languages
in multiple languages
theaters worldwide
|
|
gptkbp:premiere
|
1905
|
|
gptkbp:premiere_date
|
1905
|
|
gptkbp:premiere_location
|
gptkb:Vienna,_Austria
|
|
gptkbp:premiered_on
|
1905
December 28, 1905
1905-12-28
January 28, 1905
|
|
gptkbp:produced_by
|
gptkb:Theater_an_der_Wien
|
|
gptkbp:recordings
|
live performances
film soundtracks
solo performances
numerous recordings exist
multiple orchestral recordings
orchestral recordings
multiple cast recordings
numerous cast recordings
various cast recordings
|
|
gptkbp:revival
|
frequent revivals worldwide
frequent revivals
|
|
gptkbp:set_in
|
gptkb:Paris
|
|
gptkbp:setting
|
gptkb:Paris
|
|
gptkbp:thematic_element
|
gptkb:marriage
gptkb:wealth
gptkb:national_identity
gptkb:comedy
gptkb:social_class
love
romance
wealth and love
|
|
gptkbp:theme
|
romantic and comedic elements
|
|
gptkbp:themes
|
gptkb:social_class
gptkb:identity
romance
romance and comedy
love and wealth
|
|
gptkbp:title
|
gptkb:Die_lustige_Witwe
|
|
gptkbp:written_by
|
gptkb:Franz_Lehár
|
|
gptkbp:bfsParent
|
gptkb:Bernstein
|
|
gptkbp:bfsLayer
|
3
|