|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:associated_with
|
gptkb:Futurism
gptkb:Weimar_Republic
gptkb:Surrealism
Constructivism
Political satire
Cultural critique
Anti-war sentiment
|
|
gptkbp:characterized_by
|
anti-art
|
|
gptkbp:declined_in
|
1924
|
|
gptkbp:exhibited_at
|
gptkb:New_York_Dada
gptkb:Berlin_Dada
gptkb:Cabaret_Voltaire
|
|
gptkbp:fosters
|
Interdisciplinary collaboration
Public engagement
Artistic experimentation
|
|
gptkbp:influenced
|
gptkb:performance_art
gptkb:conceptual_art
Postmodern Art
|
|
gptkbp:influenced_by
|
gptkb:World_War_I
|
|
gptkbp:legacy
|
Cultural movements
Artistic freedom
Influence on contemporary art
Critique of traditional aesthetics
Emphasis on absurdity
|
|
gptkbp:notable_artists
|
gptkb:Kurt_Schwitters
gptkb:Marcel_Duchamp
gptkb:Hannah_Höch
gptkb:Jean_Arp
gptkb:Tristan_Tzara
|
|
gptkbp:notable_works
|
gptkb:Cut_with_the_Kitchen_Knife
gptkb:The_Bride_Stripped_Bare_by_Her_Bachelors,_Even
gptkb:Merzbau
gptkb:fountain
|
|
gptkbp:premiered_on
|
1916
|
|
gptkbp:promoted
|
spontaneity
nonsense
irrationality
|
|
gptkbp:utilized
|
gptkb:Collage
gptkb:photography
Ready-made objects
|
|
gptkbp:bfsParent
|
gptkb:Hannah_Höch
|
|
gptkbp:bfsLayer
|
4
|