Statements (46)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
art movement
|
| gptkbp:associatedWith |
Dadaism
|
| gptkbp:characterizedBy |
collage
performance art absurdity anti-art sentiment |
| https://www.w3.org/2000/01/rdf-schema#label |
New York Dada
|
| gptkbp:influencedBy |
gptkb:European_Dada
|
| gptkbp:keyIssues |
gptkb:collaboration
humor spontaneity chaos nonsense political commentary interdisciplinary approaches irony multimedia randomness social critique rejection of traditional aesthetics anti-bourgeois |
| gptkbp:legacy |
influenced performance art
influenced conceptual art influenced postmodern art |
| gptkbp:notableArtists |
gptkb:Francis_Picabia
gptkb:Marcel_Duchamp Man Ray |
| gptkbp:notableFeature |
gptkb:The_First_International_Dada_Fair
Dada_in_New_York |
| gptkbp:notableWorks |
gptkb:Dada's_New_York
gptkb:The_New_York_Dada_Exhibition gptkb:The_Dada_Movement_in_New_York gptkb:Dada_in_America Fountain The Gift L.H.O.O.Q. The Bride Stripped Bare by Her Bachelors, Even Dada and Surrealism Reviewed Dada: Art and Anti-Art Rrose Sélavy |
| gptkbp:originatedIn |
gptkb:New_York_City
|
| gptkbp:relatedPatent |
gptkb:Fluxus
Pop Art Surrealism |
| gptkbp:timePeriod |
1920s
1910s |