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gptkbp:instance_of
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gptkb:art_installation
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gptkbp:bfsLayer
|
4
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|
gptkbp:bfsParent
|
gptkb:Knife_Behind_Back
gptkb:Kurt_Schwitters
gptkb:Dada
|
|
gptkbp:associated_with
|
gptkb:modernism
avant-garde art
|
|
gptkbp:characteristics
|
site-specific art
|
|
gptkbp:constructed_in
|
gptkb:the_Weimar_Republic
gptkb:Hannover,_Germany
the 1920s
|
|
gptkbp:contains
|
sculptural elements
|
|
gptkbp:created_by
|
gptkb:Kurt_Schwitters
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|
gptkbp:debut_year
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1923
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gptkbp:defeated
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gptkb:World_War_II
|
|
gptkbp:examines
|
art theory discussions
|
|
gptkbp:exhibited_at
|
gptkb:Kunstmuseum_Hannover
various galleries
|
|
gptkbp:explores
|
themes of chaos and order
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|
gptkbp:features
|
found objects
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|
gptkbp:has_influence_on
|
installation artists
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|
https://www.w3.org/2000/01/rdf-schema#label
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Merzbau
|
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gptkbp:influenced
|
gptkb:art_installation
gptkb:artwork
|
|
gptkbp:influenced_by
|
gptkb:sports_team
gptkb:Artist
gptkb:Monarch
|
|
gptkbp:inspired
|
environmental art
later artists
|
|
gptkbp:involves
|
audience interaction
|
|
gptkbp:is
|
a significant cultural artifact
a symbol of artistic freedom
a landmark in art history
a testament to creativity
a reflection of the artist's psyche
a unique artistic statement
a representation of personal expression
|
|
gptkbp:is_a
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gptkb:art_installation
gptkb:archaeological_site
|
|
gptkbp:is_associated_with
|
Kurt Schwitters' Merz philosophy
|
|
gptkbp:is_celebrated_in
|
art exhibitions
|
|
gptkbp:is_characterized_by
|
spatial complexity
|
|
gptkbp:is_cited_in
|
art critiques
|
|
gptkbp:is_considered
|
a landmark in art history
a precursor to installation art
one of the first immersive environments
|
|
gptkbp:is_described_as
|
a chaotic environment
|
|
gptkbp:is_documented_in
|
art history texts
|
|
gptkbp:is_explored_in
|
documentaries about art history
|
|
gptkbp:is_influential_in
|
contemporary art practices
|
|
gptkbp:is_known_for
|
its chaotic aesthetic
|
|
gptkbp:is_noted_for
|
its innovative use of space
|
|
gptkbp:is_part_of
|
gptkb:Artist
the history of modern art
Kurt Schwitters' legacy
Schwitters' artistic legacy
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
a precursor to installation art.
|
|
gptkbp:is_referenced_in
|
literature about Dadaism
|
|
gptkbp:is_reflected_in
|
Schwitters' personal experiences
|
|
gptkbp:is_studied_in
|
art schools
|
|
gptkbp:is_symbolic_of
|
avant-garde art
|
|
gptkbp:located_in
|
a house in Hannover
|
|
gptkbp:location
|
gptkb:Hannover
|
|
gptkbp:material
|
found objects
|
|
gptkbp:notable_feature
|
three-dimensional collage
|
|
gptkbp:notable_for
|
its innovative use of space
|
|
gptkbp:part_of
|
gptkb:Merz_movement
Schwitters' larger body of work
|
|
gptkbp:publishes
|
other installations
|
|
gptkbp:represents
|
the merging of art and life
|
|
gptkbp:restoration
|
various forms
|
|
gptkbp:significance
|
pioneering work in modern art
pioneering work in installation art
|
|
gptkbp:style
|
gptkb:Dada
collage
|
|
gptkbp:type
|
collage
|
|
gptkbp:utilizes
|
mixed media
|
|
gptkbp:was
|
a personal project
|
|
gptkbp:year
|
1937
|
|
gptkbp:year_created
|
1923
|