Contrapuntal Technique in the Sixteenth Century
GPTKB entity
Statements (22)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:musicological_concept
|
| gptkbp:associatedWith |
Renaissance music
|
| gptkbp:characterizedBy |
imitative counterpoint
modal harmony strict voice leading |
| gptkbp:codifiedIn |
gptkb:Gioseffo_Zarlino
|
| gptkbp:contrastsWith |
homophonic texture
|
| gptkbp:emphasizes |
independent melodic lines
consonance and dissonance treatment |
| gptkbp:example |
gptkb:Josquin_des_Prez
gptkb:Orlando_di_Lasso Palestrina style |
| gptkbp:focusesOn |
counterpoint
|
| gptkbp:influencedBy |
gptkb:Franco-Flemish_school
|
| gptkbp:period |
16th century
|
| gptkbp:studiedIn |
Fux's Gradus ad Parnassum (historically retrospective)
|
| gptkbp:usedIn |
gptkb:Carnatic_music
gptkb:orchestra gptkb:marina |
| gptkbp:bfsParent |
gptkb:R.O._Morris
|
| gptkbp:bfsLayer |
7
|
| https://www.w3.org/2000/01/rdf-schema#label |
Contrapuntal Technique in the Sixteenth Century
|