|
gptkbp:instance_of
|
gptkb:musical_composition
|
|
gptkbp:arrangements
|
piano arrangement by Robert Levin
|
|
gptkbp:artistic_influence
|
early music revival
|
|
gptkbp:competitors
|
featured in international music competitions
|
|
gptkbp:composer
|
gptkb:Carl_Philipp_Emanuel_Bach
|
|
gptkbp:critical_reception
|
well-received by audiences and critics alike
|
|
gptkbp:cultural_significance
|
important work in the harpsichord repertoire
|
|
gptkbp:dedication
|
gptkb:Frederick_the_Great
|
|
gptkbp:duration
|
approximately 15 minutes
|
|
gptkbp:famous_event
|
performed at music festivals worldwide
|
|
gptkbp:features_song
|
use of ornamentation
|
|
gptkbp:form
|
three-movement concerto
|
|
gptkbp:genre
|
gptkb:Concerto_for_Orchestra
classical music
|
|
gptkbp:historical_context
|
written during the transition from Baroque to Classical
|
|
gptkbp:historical_significance
|
reflects the evolution of concerto form
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Concerto in E major for Harpsichord, H. 427
|
|
gptkbp:influenced_artists
|
gptkb:Wolfgang_Amadeus_Mozart
|
|
gptkbp:influenced_by
|
galant style
|
|
gptkbp:influences
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:instrumentation
|
harpsichord
|
|
gptkbp:instruments
|
gptkb:orchestra
|
|
gptkbp:key
|
E major
|
|
gptkbp:legacy
|
remains a staple in harpsichord repertoire
|
|
gptkbp:music_composer
|
gptkb:Domenico_Scarlatti
gptkb:English_Baroque_Soloists
|
|
gptkbp:next_edition
|
edited by Kenneth Gilbert
|
|
gptkbp:notable_artists
|
gptkb:Mitsuko_Uchida
|
|
gptkbp:notable_chamber_groups
|
gptkb:The_English_Concert
|
|
gptkbp:notable_collaborations
|
with various orchestras
|
|
gptkbp:notable_conductors
|
gptkb:John_Eliot_Gardiner
gptkb:Bernstein
|
|
gptkbp:notable_music_festivals
|
gptkb:Bachfest_Leipzig
|
|
gptkbp:notable_music_series
|
gptkb:Bach's_Concertos_Series
|
|
gptkbp:notable_musicologists
|
gptkb:Robert_Marshall
|
|
gptkbp:notable_performances
|
gptkb:Berlin_Philharmonic
|
|
gptkbp:notable_performers
|
gptkb:Christophe_Rousset
|
|
gptkbp:notable_recordings
|
gptkb:Andreas_Staier
performed by the Academy of Ancient Music
|
|
gptkbp:number_of_movements
|
three
|
|
gptkbp:opus_number
|
H. 427
|
|
gptkbp:performance
|
historically informed performance
harpsichordists and pianists
|
|
gptkbp:performer
|
gptkb:Murray_Perahia
|
|
gptkbp:premiere_date
|
1747
|
|
gptkbp:premiere_location
|
gptkb:Berlin
|
|
gptkbp:published
|
1750
|
|
gptkbp:publisher
|
Bärenreiter
|
|
gptkbp:record_label
|
gptkb:Deutsche_Grammophon
|
|
gptkbp:recording_artist
|
gptkb:Angela_Hewitt
|
|
gptkbp:related_works
|
gptkb:Symphony_in_E_major,_H._653
|
|
gptkbp:second_movement
|
gptkb:Allegro
gptkb:Adagio
Allegro assai
|
|
gptkbp:style
|
gptkb:Baroque
|
|
gptkbp:year_composed
|
1747
|
|
gptkbp:bfsParent
|
gptkb:C._P._E._Bach
|
|
gptkbp:bfsLayer
|
5
|