Concerto in D major for Harpsichord and Strings
GPTKB entity
Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:musical_composition
|
| gptkbp:arrangements |
for piano
for chamber ensemble |
| gptkbp:associated_with |
gptkb:Bach's_keyboard_works
Bach's orchestral works |
| gptkbp:characteristic |
fast-slow-fast structure
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:cultural_significance |
important work in harpsichord repertoire
|
| gptkbp:duration |
approximately 15 minutes
|
| gptkbp:first_performance |
1738
|
| gptkbp:form |
concerto grosso
|
| gptkbp:genre |
gptkb:Concerto_for_Orchestra
|
| gptkbp:historical_context |
written during the Baroque period
|
| https://www.w3.org/2000/01/rdf-schema#label |
Concerto in D major for Harpsichord and Strings
|
| gptkbp:influenced |
later composers
harpsichord performance practice |
| gptkbp:influenced_by |
Baroque music
Italian concerto style |
| gptkbp:instrumentation |
strings
harpsichord |
| gptkbp:key |
D major
|
| gptkbp:legacy |
remains popular in classical music repertoire
|
| gptkbp:notable_aspect |
use of counterpoint
emotional depth thematic development dynamic contrasts cultural impact stylistic diversity expressive melodies use of ornamentation rhythmic vitality textural variety interplay between soloist and orchestra harmonic richness structural clarity |
| gptkbp:notable_feature |
orchestral dialogue
virtuosic harpsichord passages |
| gptkbp:notable_recordings |
gptkb:Murray_Perahia
gptkb:Andreas_Staier gptkb:Angela_Hewitt |
| gptkbp:number_of_movements |
three
|
| gptkbp:part_of |
gptkb:BWV_1052
|
| gptkbp:performed_at |
music festivals
concert halls |
| gptkbp:performed_by |
gptkb:orchestra
soloist |
| gptkbp:published |
after 1738
|
| gptkbp:related_to |
gptkb:Brandenburg_Concertos
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:bfsParent |
gptkb:Carl_Friedrich_Abel
|
| gptkbp:bfsLayer |
5
|