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gptkbp:instanceOf
|
gptkb:literature
|
|
gptkbp:characteristic
|
social commentary
satirical tone
blend of comedy and drama
|
|
gptkbp:countryOfOrigin
|
gptkb:Italy
|
|
gptkbp:declinedAfter
|
late 1970s
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|
gptkbp:feature
|
contemporary Italy
|
|
gptkbp:firstMajorFilm
|
gptkb:I_soliti_ignoti
|
|
gptkbp:genre
|
gptkb:Italian_Neorealism
gptkb:Commedia_sexy_all'italiana
|
|
gptkbp:influenced
|
modern Italian comedy
|
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gptkbp:influencedBy
|
gptkb:Italian_Neorealism
|
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gptkbp:mainLanguage
|
gptkb:Italian
|
|
gptkbp:notableActor
|
gptkb:Vittorio_Gassman
gptkb:Ugo_Tognazzi
gptkb:Alberto_Sordi
gptkb:Marcello_Mastroianni
|
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gptkbp:notableContributor
|
gptkb:Age_&_Scarpelli
Ruggero Maccari
Sergio Amidei
|
|
gptkbp:notableDirector
|
gptkb:Dino_Risi
gptkb:Ettore_Scola
gptkb:Pietro_Germi
Mario Monicelli
|
|
gptkbp:notableFilm
|
gptkb:The_Great_War
gptkb:Big_Deal_on_Madonna_Street
gptkb:Il_Sorpasso
gptkb:The_Easy_Life
gptkb:Sedotta_e_abbandonata
gptkb:Divorce_Italian_Style
gptkb:The_Organizer
gptkb:We_All_Loved_Each_Other_So_Much
gptkb:The_Traffic_Policeman
My Friends
|
|
gptkbp:notableFor
|
1950s
1960s
1970s
|
|
gptkbp:notableWinner
|
gptkb:David_di_Donatello_awards
gptkb:Nastro_d'Argento_awards
gptkb:Cannes_Film_Festival_awards
gptkb:Academy_Award_for_Best_Original_Screenplay_(Divorce_Italian_Style)
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|
gptkbp:popularFor
|
1960s
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|
gptkbp:theme
|
gptkb:family
gptkb:political_party
gptkb:politics
gptkb:economic_crisis
love
morality
hypocrisy
|
|
gptkbp:bfsParent
|
gptkb:Dino_Risi
gptkb:Nino_Manfredi
gptkb:Antonio_Pietrangeli
|
|
gptkbp:bfsLayer
|
7
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Commedia all'italiana
|