gptkbp:instance_of
|
gptkb:film
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Rai_2
|
gptkbp:awards
|
gptkb:Nastro_d'_Argento_for_Best_Director
gptkb:Nastro_d'_Argento_for_Best_Screenplay
gptkb:David_di_Donatello
|
gptkbp:box_office
|
gptkb:unknown
successful
|
gptkbp:budget
|
gptkb:unknown
|
gptkbp:character
|
gptkb:faction
gptkb:The_Accountant
gptkb:The_Boss
gptkb:The_Friend
gptkb:The_Informer
gptkb:Giovanni
gptkb:Michele
gptkb:The_Assistant
gptkb:The_Judge
gptkb:The_Mentor
gptkb:The_Detective
gptkb:The_Lookout
gptkb:Lina
gptkb:The_Neighbor
gptkb:The_Professor
gptkb:The_Thief
gptkb:The_Driver
gptkb:The_Informant
gptkb:The_Witness
gptkb:Toto
The Widow
The Lawyer
The Rival
The Cop
The Bystander
Ferdinando
The Accomplice
The Partner
The Girlfriend
The Bystander's Friend
The Family Member
Ciccio
The Bystander's Partner
The Bystander's Child
Carmine
The Rival Thief
The Rival Gang
The Bystander's Neighbor
The Bystander's Spouse
The Bystander's Acquaintance
The Bystander's Colleague
The Bystander's Associate
The Bystander's Companion
The Bystander's Peer
The Bystander's Relative
Ninì
Peppe
|
gptkbp:cinematography
|
gptkb:Giuseppe_Rotunno
Gianni Di Venanzo
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:Italy
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
gptkb:Italian_cinema
Considered a classic of Italian cinema.
|
gptkbp:director
|
gptkb:Mario_Monicelli
|
gptkbp:distributor
|
Cineriz
|
gptkbp:editor
|
Franco Arcalli
|
gptkbp:film_series
|
gptkb:CEO
|
gptkbp:filmography
|
gptkb:Franco_Fraticelli
|
gptkbp:followed_by
|
gptkb:I_soliti_ignoti_-Colpo_gobbo_a_Milano
I soliti ignoti -1961
I soliti ignoti -1964
|
gptkbp:genre
|
gptkb:musical
gptkb:Police_Department
|
https://www.w3.org/2000/01/rdf-schema#label
|
I soliti ignoti
|
gptkbp:influenced
|
subsequent Italian comedies
Subsequent heist films.
|
gptkbp:influenced_by
|
gptkb:The_Lavender_Hill_Mob
gptkb:Italian_Neorealism
neorealism
|
gptkbp:inspiration
|
heist films
|
gptkbp:language
|
gptkb:Italian
|
gptkbp:legacy
|
cult classic
|
gptkbp:music
|
gptkb:Piero_Piccioni
|
gptkbp:music_by
|
gptkb:Piero_Piccioni
|
gptkbp:notable_quote
|
" The best laid plans of mice and men often go awry."
|
gptkbp:plot
|
A group of thieves plan a heist.
|
gptkbp:premiere
|
gptkb:film_festival
|
gptkbp:production_company
|
gptkb:Cinematografica_Associati
|
gptkbp:release_date
|
gptkb:1960
gptkb:1961
|
gptkbp:release_format
|
Theatrical
|
gptkbp:release_region
|
gptkb:Italy
|
gptkbp:release_year
|
gptkb:1958
|
gptkbp:remake
|
gptkb:The_Italian_Job_(2003)
gptkb:The_Italian_Job
|
gptkbp:runtime
|
105 minutes
106 minutes
|
gptkbp:screenings
|
gptkb:Film_festivals
|
gptkbp:screenplay_by
|
Age & Scarpelli
|
gptkbp:set_in
|
gptkb:Rome
|
gptkbp:setting
|
gptkb:Rome
|
gptkbp:starring
|
gptkb:Giuseppe_Maffioli
gptkb:Marcello_Mastroianni
gptkb:Nino_Manfredi
gptkb:Renato_Salvatori
gptkb:Claudia_Cardinale
gptkb:Vittorio_Gassman
gptkb:Toto
gptkb:Sandro_Panseri
|