|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Luigi_Bartolini
|
|
gptkbp:awarded
|
gptkb:Academy_Award_for_Best_Picture
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Foreign_Language_Film
|
|
gptkbp:basedOn
|
gptkb:Ladri_di_biciclette_(novel)
|
|
gptkbp:boxOfficeGross
|
$1.5 million (US/Canada rentals)
|
|
gptkbp:budget
|
133 million lire
|
|
gptkbp:cinematography
|
Carlo Montuori
|
|
gptkbp:color
|
black-and-white
|
|
gptkbp:countryOfOrigin
|
gptkb:Italy
|
|
gptkbp:director
|
gptkb:Vittorio_De_Sica
|
|
gptkbp:distributedBy
|
gptkb:Ente_Nazionale_Industrie_Cinematografiche
|
|
gptkbp:editingBy
|
gptkb:Eraldo_Da_Roma
|
|
gptkbp:filmingLocation
|
gptkb:Rome
|
|
gptkbp:format
|
35 mm
|
|
gptkbp:genre
|
drama
neorealism
|
|
gptkbp:hasAllMovieId
|
v6122
|
|
gptkbp:hasPoster
|
Bicycle Thieves poster.jpg
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bicycle Thieves (film)
|
|
gptkbp:imdbID
|
tt0040522
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:mainCharacter
|
gptkb:Antonio_Ricci
Bruno Ricci
|
|
gptkbp:musicBy
|
gptkb:Alessandro_Cicognini
|
|
gptkbp:notableFor
|
gptkb:Italian_neorealism
influence on world cinema
|
|
gptkbp:originalTitle
|
gptkb:Ladri_di_biciclette
|
|
gptkbp:preservedIn
|
gptkb:National_Film_Registry_(USA)
|
|
gptkbp:producer
|
gptkb:Vittorio_De_Sica
gptkb:Giuseppe_Amato
|
|
gptkbp:productionCompany
|
gptkb:Produzioni_De_Sica
|
|
gptkbp:rank
|
gptkb:Sight_&_Sound_Greatest_Films_of_All_Time
|
|
gptkbp:releaseDate
|
1948-11-24
|
|
gptkbp:RottenTomatoesScore
|
bicycle_thieves
|
|
gptkbp:runtime
|
89 minutes
|
|
gptkbp:screenwriter
|
gptkb:Suso_Cecchi_d'Amico
gptkb:Vittorio_De_Sica
gptkb:Cesare_Zavattini
gptkb:Oreste_Biancoli
Adolfo Franci
Gherardo Gherardi
|
|
gptkbp:setInPeriod
|
post-World War II
|
|
gptkbp:starring
|
gptkb:Enzo_Staiola
gptkb:Lamberto_Maggiorani
gptkb:Lianella_Carell
|
|
gptkbp:theme
|
poverty
father-son relationship
unemployment
|
|
gptkbp:bfsParent
|
gptkb:Ladri_di_biciclette_(novel)
|
|
gptkbp:bfsLayer
|
8
|