Properties (53)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
film movement
|
| gptkbp:characterizedBy |
non-professional actors
on-location shooting realistic storytelling |
| gptkbp:criticism |
limited commercial appeal
seen as overly pessimistic |
| gptkbp:culturalImpact |
influenced literature
influenced visual arts influenced theater |
| https://www.w3.org/2000/01/rdf-schema#label |
Italian neorealism
|
| gptkbp:influencedBy |
gptkb:World_War_II
|
| gptkbp:keyIssues |
gptkb:Miracle_in_Milan
gptkb:Riso_Amaro gptkb:The_Leopard gptkb:Bicycle_Thieves gptkb:Rome,_Open_City gptkb:Umberto_D. gptkb:The_Children_Are_Watching_Us gptkb:La_Terra_Trema gptkb:The_Conformist The Stranger The Last Judgment The Innocent The Night The Garden of the Finzi-Continis The Bicycle Thief The Devil Is a Woman The Earth Trembles The Roof Ladri di biciclette Senso Death_of_a_Cyclist |
| gptkbp:legacy |
inspired filmmakers
influenced global cinema |
| gptkbp:notableEvent |
Vittorio De Sica
Roberto Rossellini Luchino Visconti |
| gptkbp:notableFeature |
Academy Awards
Golden Lion Cannes_Film_Festival_awards |
| gptkbp:notableFilm |
gptkb:Bicycle_Thieves
gptkb:Rome,_Open_City gptkb:Umberto_D. |
| gptkbp:originatedIn |
gptkb:Italy
|
| gptkbp:relatedPatent |
gptkb:French_New_Wave
Dogme 95 |
| gptkbp:technique |
natural lighting
long takes improvised dialogue |
| gptkbp:theme |
social issues
human struggle poverty |
| gptkbp:timePeriod |
1940s to 1950s
|