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gptkbp:instance_of
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gptkb:character
|
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
|
gptkb:Striscia_la_notizia
gptkb:Striscia_la_Notizia
gptkb:Bicycle_Thieves
gptkb:Paperissima_Sprint
gptkb:Ladri_di_biciclette
gptkb:The_Bicycle_Thief
gptkb:Emilio_De_Sica
gptkb:Capo_Plaza
|
|
gptkbp:appears_in
|
gptkb:Bicycle_Thieves
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:community_involvement
|
adversity
|
|
gptkbp:conflict
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gptkb:Police_Department
|
|
gptkbp:defines
|
his circumstances
|
|
gptkbp:depicted_in
|
film history
desperate
|
|
gptkbp:examines
|
sociological studies
socioeconomic contexts
his motivations
|
|
gptkbp:faced
|
moral dilemmas
moral choices
|
|
gptkbp:family
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gptkb:Bruno_Ricci
|
|
gptkbp:famous_quote
|
" I need a bicycle to work."
|
|
gptkbp:fate
|
loses his job
|
|
gptkbp:goal
|
find a bicycle
|
|
gptkbp:has
|
a son named Bruno
|
|
gptkbp:has_conflict_with
|
poverty
|
|
gptkbp:has_occupation
|
gptkb:father
worker
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Antonio Ricci
|
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gptkbp:influence
|
gptkb:Italian_neorealism
|
|
gptkbp:insignia
|
post-war disillusionment
|
|
gptkbp:interacts_with
|
with his son
|
|
gptkbp:is_a
|
gptkb:fictional_character
gptkb:earthquake
|
|
gptkbp:is_acharacter_in
|
Italian cinema.
|
|
gptkbp:is_affected_by
|
economic hardship
|
|
gptkbp:is_analyzed_in
|
film critiques
|
|
gptkbp:is_arepresentation_of
|
the struggle for dignity
|
|
gptkbp:is_associated_with
|
social realism
neorealism movement
|
|
gptkbp:is_challenged_by
|
gptkb:personal_loss
societal expectations
economic hardship
societal pressures
the loss of his bicycle
|
|
gptkbp:is_character_in
|
post-World War II Italy
|
|
gptkbp:is_chronicled_in
|
cinematic history
|
|
gptkbp:is_cited_in
|
film studies
|
|
gptkbp:is_connected_to
|
the theme of hope
the theme of fatherhood
the concept of survival
|
|
gptkbp:is_considered
|
an iconic character
|
|
gptkbp:is_evaluated_by
|
realistic portrayal
his depth
|
|
gptkbp:is_explored_in
|
gptkb:church
gptkb:book
thematic studies
film analysis
the lens of family dynamics
|
|
gptkbp:is_featured_in
|
film history
|
|
gptkbp:is_influenced_by
|
gptkb:historical_event
real-life experiences
|
|
gptkbp:is_influential_in
|
cinematic storytelling
cinematic history.
|
|
gptkbp:is_involved_in
|
a quest
theft of a bicycle
|
|
gptkbp:is_known_for
|
his resilience
struggling to find work
|
|
gptkbp:is_linked_to
|
the struggle for dignity
|
|
gptkbp:is_motivated_by
|
love for his family
support his family
desire to provide for his son
|
|
gptkbp:is_often_compared_to
|
other neorealist characters
|
|
gptkbp:is_part_of
|
gptkb:Italian_neorealism
cultural discussions
cultural narratives
a larger narrative
the film's climax
a critical social commentary
Bicycle Thieves narrative
Italian film canon
|
|
gptkbp:is_reflected_in
|
Italian culture
audience reactions
audience empathy
|
|
gptkbp:is_represented_in
|
gptkb:artistic_expressions
gptkb:literary_work
gptkb:film
the film's narrative arc
Lamberto Maggiorani's performance
neorealist cinema
|
|
gptkbp:is_sought_after_by
|
his stolen bicycle
|
|
gptkbp:is_symbolic_of
|
the human condition
working-class struggles
the plight of the poor
post-war disillusionment
|
|
gptkbp:meets
|
a thief
|
|
gptkbp:mood
|
frustration
|
|
gptkbp:nationality
|
gptkb:Italian
|
|
gptkbp:occupation
|
gptkb:father
|
|
gptkbp:occurs_in
|
moral dilemmas
|
|
gptkbp:portrayed_by
|
gptkb:various_adaptations
gptkb:Lamberto_Maggiorani
a loving father
a relatable character
a desperate man
a relatable figure
|
|
gptkbp:relationship
|
gptkb:Person
|
|
gptkbp:represents
|
the human condition
|
|
gptkbp:set_in
|
gptkb:Rome
|
|
gptkbp:setting
|
post-World War II Italy
|
|
gptkbp:symbol
|
the bicycle
the bicycle theft
|
|
gptkbp:symbolizes
|
working-class struggles
|
|
gptkbp:theme
|
desperation
|
|
gptkbp:user_experience
|
disappointment
loss of his bicycle
|
|
gptkbp:was_affecting
|
audiences
|
|
gptkbp:was_akey_figure_in
|
the narrative of Bicycle Thieves
|