|
gptkbp:instance_of
|
gptkb:choir
|
|
gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Cantata_BWV_10
|
|
gptkbp:associated_with
|
Weimar court
|
|
gptkbp:composer
|
gptkb:Johann_Sebastian_Bach
|
|
gptkbp:first_performance
|
1708
|
|
gptkbp:historical_period
|
gptkb:Baroque
|
|
gptkbp:historical_significance
|
Development of cantata form
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Bach's Weimar Cantatas
|
|
gptkbp:influence
|
Lutheran church music
|
|
gptkbp:influenced_by
|
gptkb:Johann_Walter
gptkb:Martin_Luther
|
|
gptkbp:instrument
|
gptkb:Brass
Continuo
Strings
Woodwinds
|
|
gptkbp:is_available_on
|
gptkb:Streaming_services
CD
|
|
gptkbp:language
|
gptkb:Native_American_tribe
|
|
gptkbp:location
|
gptkb:Weimar
|
|
gptkbp:music_style
|
gptkb:choir
Sacred music
|
|
gptkbp:notable_traits
|
Emotional depth
Complex harmonies
Use of motifs
Use of counterpoint
Emphasis on faith
Thematic development
Orchestration techniques
Choral writing
Variety of moods
Use of soloists
Celebration of religious events
Text painting
Dramatic elements
Use of recitative
Vocal and instrumental interplay
Connection to the liturgical calendar
Integration of scripture
Liturgical function
Reflection of personal beliefs
Use of aria
Use of chorales
|
|
gptkbp:notable_work
|
gptkb:Cantata_BWV_147
gptkb:Cantata_BWV_140
gptkb:Cantata_BWV_21
gptkb:Cantata_BWV_106
|
|
gptkbp:performance
|
Church services
|
|
gptkbp:performed_by
|
gptkb:Gewandhausorchester
gptkb:Thomanerchor
|
|
gptkbp:product_line
|
approximately 30
|
|
gptkbp:recorded_by
|
gptkb:Various_artists
|