Statements (59)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:choir
|
| gptkbp:bfsLayer |
6
|
| gptkbp:bfsParent |
gptkb:Bach's_Weimar_Cantatas
|
| gptkbp:analysis |
Often studied in musicology
|
| gptkbp:artist |
Use of counterpoint
Rich harmonic language Many renowned artists have recorded it |
| gptkbp:artistic_influence |
Influenced choral music
|
| gptkbp:artistic_legacy |
Part of the Western classical canon
|
| gptkbp:associated_band |
SATB
|
| gptkbp:audience |
Appeals to classical music audiences
|
| gptkbp:author |
gptkb:Salomo_Franck
|
| gptkbp:character_development |
Common in Baroque music
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
Influenced later composers |
| gptkbp:critical_reception |
Generally well-received
|
| gptkbp:cultural_impact |
Influential in sacred music
Reflects Lutheran beliefs |
| gptkbp:cultural_significance |
Represents Baroque sacred music
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:filming_location |
gptkb:Weimar
|
| gptkbp:first_performance |
August 2, 1704
|
| gptkbp:focuses_on |
Used in music education
|
| gptkbp:historical_context |
Various interpretations exist
Composed during Bach's early career |
| gptkbp:historical_significance |
Important work in Bach's oeuvre
|
| https://www.w3.org/2000/01/rdf-schema#label |
Cantata BWV 106
|
| gptkbp:influences |
Lutheran tradition
|
| gptkbp:innovation |
Innovative for its time
|
| gptkbp:instrument |
Strings, Organ
|
| gptkbp:is_influential_in |
Ich will den Kreuzstab gerne tragen
|
| gptkbp:language |
gptkb:Native_American_tribe
|
| gptkbp:movement |
gptkb:6
|
| gptkbp:music |
Part of the Western art music tradition
|
| gptkbp:music_style |
Examined for its structure
Chorale cantata Structured in several movements Written in score format |
| gptkbp:notable_performance |
Performed at major festivals
Various choirs and orchestras Part of Bach's cantata tradition |
| gptkbp:notable_recordings |
Numerous recordings available
|
| gptkbp:opening_ceremony |
11th Sunday after Trinity
|
| gptkbp:orchestration |
Soprano, Alto, Tenor, Bass, Strings, Continuo
|
| gptkbp:performance |
Historically informed performance
Historically informed performance practices Choral and orchestral performance Performed regularly since its composition |
| gptkbp:performed_by |
gptkb:Weimar
|
| gptkbp:record_label |
Various labels
|
| gptkbp:related_works |
Other cantatas by Bach
|
| gptkbp:scholarly_analysis |
Subject of extensive research
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:thematic_element |
Focus on suffering and faith
Themes of hope and perseverance |
| gptkbp:theme |
gptkb:organization
Explores themes of suffering |
| gptkbp:wrote |
Analyzed for its lyrical content
|
| gptkbp:year_composed |
1704
|