Statements (55)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:choir
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:artist |
Rich melodic lines
|
| gptkbp:artistic_influence |
Influenced composers after Bach
|
| gptkbp:artistic_legacy |
Legacy in choral and orchestral music
|
| gptkbp:associated_band |
Complex choral writing
|
| gptkbp:audience |
Well-received by audiences
|
| gptkbp:author |
gptkb:Christian_Friedrich_Henrici
|
| gptkbp:command_structure |
Varied harmonic progressions
|
| gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
| gptkbp:critical_reception |
Critically acclaimed in music literature
|
| gptkbp:cultural_heritage |
Part of Germany's cultural heritage
|
| gptkbp:cultural_impact |
Part of the Western classical canon
Impact on Western classical tradition |
| gptkbp:cultural_significance |
Significant in Bach's oeuvre
|
| gptkbp:duration |
approximately 20 minutes
|
| gptkbp:filming_location |
gptkb:Weimar
|
| gptkbp:first_performance |
1714-06-13
|
| gptkbp:focuses_on |
Used in music education
|
| gptkbp:genre |
Sacred music
|
| gptkbp:historical_context |
Various interpretations by different artists
Written during Bach's Weimar period |
| https://www.w3.org/2000/01/rdf-schema#label |
Cantata BWV 21
|
| gptkbp:influence |
Influenced later sacred music
|
| gptkbp:instrumentation |
Soprano, Alto, Tenor, Bass, Choir, Orchestra
|
| gptkbp:is_influential_in |
1, 2, 4
|
| gptkbp:isotopes |
Da capo arias present
|
| gptkbp:language |
gptkb:Native_American_tribe
Complex harmonic language |
| gptkbp:movement |
gptkb:6
|
| gptkbp:music_style |
Multi-movement structure
Analyzed for its compositional techniques Secco and accompagnato recitatives |
| gptkbp:notable_conductors |
Conducted by many renowned conductors
|
| gptkbp:notable_performance |
Regularly performed in concerts
|
| gptkbp:notable_performers |
Often performed in modern settings
|
| gptkbp:notable_recordings |
Numerous recordings available
|
| gptkbp:notable_work |
Surviving manuscript exists
|
| gptkbp:opening_ceremony |
Lutheran worship
|
| gptkbp:orchestration |
Strings, woodwinds, brass, continuo
|
| gptkbp:performance |
Baroque performance techniques
Long performance history since its premiere Performed in historically informed practices |
| gptkbp:performed_by |
Sunday after Trinity
|
| gptkbp:record_label |
Various classical music labels
|
| gptkbp:related_works |
Other cantatas by Bach
|
| gptkbp:scholarly_analysis |
Extensively studied by musicologists
|
| gptkbp:style |
gptkb:Baroque
|
| gptkbp:thematic_element |
Motivic development throughout
Themes of redemption and grace |
| gptkbp:theme |
Repentance and faith
Explores themes of faith and doubt |
| gptkbp:wrote |
Text set to music with deep meaning
|
| gptkbp:year_composed |
1714
|