Statements (55)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:hymns
|
gptkbp:aria_structure |
Da capo arias present
|
gptkbp:artistic_influence |
Influenced composers after Bach
|
gptkbp:artistic_legacy |
Legacy in choral and orchestral music
|
gptkbp:associated_band |
Complex choral writing
|
gptkbp:audience |
Well-received by audiences
|
gptkbp:author |
gptkb:Christian_Friedrich_Henrici
|
gptkbp:chord_structure |
Varied harmonic progressions
|
gptkbp:composer |
gptkb:Johann_Sebastian_Bach
|
gptkbp:critical_reception |
Critically acclaimed in music literature
|
gptkbp:cultural_heritage |
Part of Germany's cultural heritage
|
gptkbp:cultural_impact |
Part of the Western classical canon
Impact on Western classical tradition |
gptkbp:cultural_significance |
Significant in Bach's oeuvre
|
gptkbp:duration |
approximately 20 minutes
|
gptkbp:educational_use |
Used in music education
|
gptkbp:features_song |
Rich melodic lines
|
gptkbp:first_performance |
1714-06-13
|
gptkbp:genre |
Sacred music
|
gptkbp:historical_context |
Written during Bach's Weimar period
|
gptkbp:historical_interpretation |
Various interpretations by different artists
|
https://www.w3.org/2000/01/rdf-schema#label |
Cantata BWV 21
|
gptkbp:influence |
Influenced later sacred music
|
gptkbp:instrumentation |
Soprano, Alto, Tenor, Bass, Choir, Orchestra
|
gptkbp:language |
gptkb:German
Complex harmonic language |
gptkbp:music_style |
Multi-movement structure
Analyzed for its compositional techniques |
gptkbp:notable_conductors |
Conducted by many renowned conductors
|
gptkbp:notable_influence |
1, 2, 4
|
gptkbp:notable_publication |
Surviving manuscript exists
|
gptkbp:number_of_movements |
gptkb:6
|
gptkbp:opening_ceremony |
Lutheran worship
|
gptkbp:orchestration |
Strings, woodwinds, brass, continuo
|
gptkbp:performance |
Baroque performance techniques
Long performance history since its premiere Performed in historically informed practices |
gptkbp:performance_tradition |
Regularly performed in concerts
|
gptkbp:performances |
Often performed in modern settings
|
gptkbp:performed_in |
Sunday after Trinity
|
gptkbp:premiere_location |
gptkb:Weimar
|
gptkbp:recitative_style |
Secco and accompagnato recitatives
|
gptkbp:record_label |
Various classical music labels
|
gptkbp:recordings |
Numerous recordings available
|
gptkbp:related_works |
Other cantatas by Bach
|
gptkbp:scholarly_analysis |
Extensively studied by musicologists
|
gptkbp:style |
gptkb:Baroque
|
gptkbp:thematic_element |
Motivic development throughout
Themes of redemption and grace |
gptkbp:theme |
Repentance and faith
Explores themes of faith and doubt |
gptkbp:writings |
Text set to music with deep meaning
|
gptkbp:year_composed |
1714
|
gptkbp:bfsParent |
gptkb:Johann_Sebastian_Bach
|
gptkbp:bfsLayer |
4
|