Statements (59)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:soundtrack
|
gptkbp:associated_with |
gptkb:church
gptkb:Notre_Dame_School |
gptkbp:composer |
gptkb:Pérotin
gptkb:Leonin |
gptkbp:cultural_impact |
gptkb:church
medieval society |
gptkbp:developed_by |
gptkb:sports_team
|
gptkbp:emphasizes |
rhythmic complexity
|
gptkbp:features |
organum
|
gptkbp:followed_by |
Renaissance music
|
gptkbp:genre |
gptkb:music_festival
secular music |
gptkbp:historical_period |
Medieval music
12th to 13th centuries |
gptkbp:historical_significance |
foundation for later styles
|
https://www.w3.org/2000/01/rdf-schema#label |
Ars Antiqua
|
gptkbp:includes |
chant melodies
|
gptkbp:influenced |
Western classical music
|
gptkbp:influenced_by |
gptkb:Ars_Nova
Romanesque art |
gptkbp:is_characterized_by |
polyphony
|
gptkbp:notable_features |
cultural exchange in music
melodic development contrapuntal techniques preservation of musical heritage use of drones influence on later composers influence on folk music harmonic exploration integration of text and music text setting emphasis on vocal music impact on music theory influence on choral music role in community gatherings influence on modern music genres development of musical forms development of musical instruments development of rhythmic notation emergence of secular themes evolution of musical notation influence on polyphonic music integration of cultural elements relationship with poetry role in music education use of notation |
gptkbp:notable_traits |
use of parallel fifths
use of rhythmic modes |
gptkbp:notable_work |
gptkb:Magnus_Liber_Organi
|
gptkbp:performed_by |
gptkb:church
|
gptkbp:preceded_by |
Early Medieval music
|
gptkbp:technique |
gptkb:benchmark
gptkb:musical_composition chanting improvisation |
gptkbp:uses |
modal scales
|
gptkbp:bfsParent |
gptkb:Ars_Nova
|
gptkbp:bfsLayer |
6
|