|
gptkbp:instance_of
|
gptkb:manuscripts
|
|
gptkbp:associated_with
|
gptkb:Notre_Dame_Cathedral
|
|
gptkbp:author
|
gptkb:Anonymous
|
|
gptkbp:contains
|
polyphonic music
|
|
gptkbp:cultural_impact
|
influenced church music
|
|
gptkbp:educational_focus
|
medieval liturgical practices
|
|
gptkbp:genre
|
gptkb:Christian_liturgy
|
|
gptkbp:historical_context
|
medieval music tradition
|
|
gptkbp:historical_significance
|
foundation for later polyphony
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Magnus Liber Organi
|
|
gptkbp:influenced
|
Renaissance music
|
|
gptkbp:influenced_by
|
gptkb:Gregorian_chant
Byzantine chant
|
|
gptkbp:language
|
gptkb:Latin
|
|
gptkbp:location
|
gptkb:France
|
|
gptkbp:music_composer
|
gptkb:Perotin
gptkb:Leonin
|
|
gptkbp:notable_feature
|
use of organum
|
|
gptkbp:notable_publication
|
gptkb:Codex_Calixtinus
W1 manuscript
W10 manuscript
W11 manuscript
W12 manuscript
W13 manuscript
W14 manuscript
W15 manuscript
W16 manuscript
W17 manuscript
W18 manuscript
W19 manuscript
W2 manuscript
W20 manuscript
W3 manuscript
W4 manuscript
W5 manuscript
W6 manuscript
W7 manuscript
W8 manuscript
W9 manuscript
|
|
gptkbp:notable_traits
|
melismatic passages
|
|
gptkbp:notable_work
|
Organum
|
|
gptkbp:performance
|
early music ensembles
|
|
gptkbp:preservation_efforts
|
musicology studies
|
|
gptkbp:preserved_by
|
various manuscripts
|
|
gptkbp:related_to
|
Notre Dame school of polyphony
|
|
gptkbp:research_interest
|
music historians
|
|
gptkbp:significance
|
important for the development of Western music
|
|
gptkbp:style
|
early polyphony
|
|
gptkbp:transcribed_for
|
modern editions
|
|
gptkbp:used_in
|
liturgical services
|
|
gptkbp:year_created
|
12th century
|
|
gptkbp:bfsParent
|
gptkb:Notre_Dame_School_of_Polyphony
gptkb:Notre_Dame_School
gptkb:Ars_Antiqua
|
|
gptkbp:bfsLayer
|
8
|