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gptkbp:instance_of
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gptkb:musical_composition
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gptkbp:collaborated_with
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gptkb:Robert_Wilson
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gptkbp:composer
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gptkb:John_Adams
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gptkbp:dedicated_to
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the American experience
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gptkbp:duration
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approximately 30 minutes
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gptkbp:first_performance
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gptkb:San_Francisco_Symphony
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gptkbp:genre
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gptkb:classical
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gptkbp:influenced_by
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gptkb:jazz
gptkb:rock_music
American folk music
minimalism
European classical traditions
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gptkbp:notable_feature
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rhythmic complexity
dynamic contrasts
lyrical melodies
use of silence
orchestral color
textural variety
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gptkbp:notable_production
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gptkb:I_Still_Believe
gptkb:Absolute_Jest
gptkb:On_the_Transmigration_of_Souls
gptkb:The_Dharma_at_Big_Sur
gptkb:Shaker_Loops
gptkb:Harmonielehre
gptkb:The_Flowering_Tree
gptkb:The_Gospel_According_to_the_Other_Mary
gptkb:The_Wound-Dresser
gptkb:City_Noir
Must the Devil Have All the Good Tunes?
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gptkbp:performed_at
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gptkb:Lincoln_Center
gptkb:Carnegie_Hall
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gptkbp:performer
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gptkb:orchestra
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gptkbp:premiere
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gptkb:1985
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gptkbp:record_label
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gptkb:Nonesuch_Records
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gptkbp:style
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post-minimalism
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gptkbp:bfsParent
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gptkb:Adams:_Piano_Works
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gptkbp:bfsLayer
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6
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