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gptkbp:instance_of
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gptkb:musical_composition
gptkb:orchestral_music
gptkb:composition
gptkb:novel
gptkb:music_genre
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|
gptkbp:adaptation
|
film rights sold
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|
gptkbp:associated_with
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gptkb:mystery
gptkb:crime
socio-political commentary
dystopian elements
|
|
gptkbp:characteristic
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dark themes
urban settings
|
|
gptkbp:commissioned
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gptkb:Los_Angeles_Philharmonic
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gptkbp:composer
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gptkb:John_Adams
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gptkbp:created_by
|
gptkb:John_Adams
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|
gptkbp:critical_reception
|
positive
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gptkbp:dedicated_to
|
gptkb:Garry_Marshall
|
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gptkbp:dedication
|
gptkb:Los_Angeles_Philharmonic
to the memory of the late conductor and composer, Leonard Bernstein
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|
gptkbp:director
|
gptkb:Jean-Pierre_Jeunet
gptkb:David_Fincher
gptkb:Frank_Miller
gptkb:Ridley_Scott
gptkb:Alex_Proyas
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gptkbp:duration
|
approximately 30 minutes
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|
gptkbp:genre
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gptkb:detective_fiction
contemporary classical
Orchestral work
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|
gptkbp:held_in
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futuristic cities
post-apocalyptic worlds
decaying urban environments
|
|
https://www.w3.org/2000/01/rdf-schema#label
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City Noir
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gptkbp:influenced_by
|
gptkb:German_Expressionism
gptkb:Film_noir
film noir
cyberpunk
|
|
gptkbp:influences
|
hardboiled fiction
film noir
|
|
gptkbp:inspired_by
|
American urban life
|
|
gptkbp:is_popular_in
|
1990s
2000s
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gptkbp:isbn
|
978-1-23456-789-0
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|
gptkbp:language
|
English
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gptkbp:main_character
|
gptkb:Detective
|
|
gptkbp:narrative_style
|
noir
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|
gptkbp:notable_actor
|
gptkb:Jessica_Alba
gptkb:Ron_Perlman
gptkb:Bruce_Willis
gptkb:Vincent_Cassel
gptkb:Rutger_Hauer
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|
gptkbp:notable_film
|
gptkb:V_for_Vendetta
gptkb:Minority_Report
gptkb:The_Fifth_Element
gptkb:The_Matrix
gptkb:Ghost_in_the_Shell
gptkb:The_Adjustment_Bureau
gptkb:Alita:_Battle_Angel
gptkb:A_Scanner_Darkly
gptkb:Children_of_Men
gptkb:Dredd
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|
gptkbp:notable_performances
|
gptkb:Los_Angeles_Philharmonic
|
|
gptkbp:notable_work
|
gptkb:The_Crow
gptkb:Blade_Runner
gptkb:The_City_of_Lost_Children
gptkb:Sin_City
gptkb:Dark_City
|
|
gptkbp:number_of_stages
|
gptkb:orchestra
|
|
gptkbp:often_features
|
gptkb:moral_ambiguity
gptkb:corruption
violence
anti-heroes
femme fatales
|
|
gptkbp:orchestration
|
gptkb:orchestra
|
|
gptkbp:page_count
|
320
|
|
gptkbp:premiere
|
gptkb:2009
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|
gptkbp:premiere_date
|
gptkb:2009
|
|
gptkbp:premiere_location
|
gptkb:Los_Angeles_Philharmonic
gptkb:Walt_Disney_Concert_Hall
|
|
gptkbp:premiered_on
|
gptkb:2009
|
|
gptkbp:published_in
|
gptkb:2010
|
|
gptkbp:publisher
|
Fiction House
|
|
gptkbp:recordings
|
gptkb:2010
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|
gptkbp:related_works
|
gptkb:The_Wound-Dresser
|
|
gptkbp:series
|
standalone
|
|
gptkbp:setting
|
gptkb:Los_Angeles
|
|
gptkbp:structure
|
three movements
|
|
gptkbp:style
|
minimalism
|
|
gptkbp:theme
|
gptkb:corruption
redemption
|
|
gptkbp:written_by
|
gptkb:John_Adams
|
|
gptkbp:bfsParent
|
gptkb:John_Adams
|
|
gptkbp:bfsLayer
|
3
|