Statements (46)
Predicate | Object |
---|---|
gptkbp:collaborated_with |
various artists
|
gptkbp:ended |
gptkb:1990
|
gptkbp:featured_in |
live performances
DJ sets guest appearances visual art elements |
gptkbp:has_culture |
in the early 90s
|
gptkbp:highlights |
the KLF's history
|
https://www.w3.org/2000/01/rdf-schema#label |
the KLF's 1990 tour
|
gptkbp:included |
multiple venues
the use of pyrotechnics unique stage designs the song ' Last Train to Trancentral' the song ' What Time Is Love?' |
gptkbp:influenced |
the rave culture
|
gptkbp:inspired |
future electronic acts
|
gptkbp:is_a_blend_of |
performance art and music.
|
gptkbp:is_a_celebration_of |
the rave scene
|
gptkbp:is_a_fusion_of |
music and art
|
gptkbp:is_a_showcase_of |
the KLF's creativity
|
gptkbp:is_attended_by |
thousands of fans
|
gptkbp:is_criticized_for |
due to its unconventional style
|
gptkbp:is_documented_in |
in various media
|
gptkbp:is_influential_in |
shaping the music industry
|
gptkbp:is_remembered_for |
its innovative approach
|
gptkbp:is_significant_for |
its impact on pop culture
|
gptkbp:landmark |
in the history of electronic music
|
gptkbp:notable_event |
in the UK music scene
performed at the Brit Awards |
gptkbp:promoted |
the album ' The White Room'
|
gptkbp:was_a_commercial_success |
in the UK
|
gptkbp:was_a_defining_moment |
for the KLF's identity
|
gptkbp:was_a_precursor_to |
future electronic music festivals
|
gptkbp:was_a_turning_point_for |
for the KLF's career
|
gptkbp:was_characterized_by |
high energy performances
|
gptkbp:was_followed_by |
the KLF's subsequent projects
|
gptkbp:was_known_for |
its theatricality
its use of multimedia |
gptkbp:was_marked_by |
audience participation
|
gptkbp:was_part_of |
the KLF's legacy
the KLF's artistic evolution the KLF's artistic statement the KLF's overall narrative the KLF's promotional strategy |
gptkbp:bfsParent |
gptkb:The_KLF
|
gptkbp:bfsLayer |
5
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