Statements (46)
| Predicate | Object |
|---|---|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:The_KLF
|
| gptkbp:collaborated_with |
various artists
|
| gptkbp:composed_of |
performance art and music.
|
| gptkbp:ends_at |
gptkb:1990
|
| gptkbp:first_introduced |
future electronic music festivals
|
| gptkbp:followed_by |
the KLF's subsequent projects
|
| gptkbp:highlights |
the KLF's history
|
| https://www.w3.org/2000/01/rdf-schema#label |
the KLF's 1990 tour
|
| gptkbp:includes |
multiple venues
the use of pyrotechnics unique stage designs the song ' Last Train to Trancentral' the song ' What Time Is Love?' |
| gptkbp:influenced |
the rave culture
|
| gptkbp:inspired |
future electronic acts
|
| gptkbp:is_a_fusion_of |
music and art
|
| gptkbp:is_attended_by |
thousands of fans
|
| gptkbp:is_celebrated_in |
the rave scene
|
| gptkbp:is_characterized_by |
high energy performances
|
| gptkbp:is_criticized_for |
due to its unconventional style
|
| gptkbp:is_documented_in |
in various media
|
| gptkbp:is_featured_in |
live performances
DJ sets guest appearances visual art elements |
| gptkbp:is_influential_in |
shaping the music industry
|
| gptkbp:is_known_for |
its theatricality
its innovative approach its use of multimedia |
| gptkbp:is_part_of |
the KLF's legacy
the KLF's artistic evolution the KLF's artistic statement the KLF's overall narrative the KLF's promotional strategy |
| gptkbp:is_promoted_by |
the album ' The White Room'
|
| gptkbp:landmark |
in the history of electronic music
|
| gptkbp:language |
in the early 90s
|
| gptkbp:marketed_as |
in the UK
|
| gptkbp:notable_event |
in the UK music scene
performed at the Brit Awards |
| gptkbp:showcases |
the KLF's creativity
|
| gptkbp:significance |
its impact on pop culture
|
| gptkbp:was_a_turning_point_for |
for the KLF's career
for the KLF's identity |
| gptkbp:was_marked_by |
audience participation
|