Statements (1,513)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:band
gptkb:musical_group |
gptkbp:bfsLayer |
3
|
gptkbp:bfsParent |
gptkb:Brian_Eno
gptkb:museum gptkb:event |
gptkbp:active_years |
gptkb:1987
gptkb:1992 1988-1992 1987-1992 1987-1991 |
gptkbp:album |
gptkb:The_KLF:_The_Album
gptkb:Chill_Out gptkb:The_KLF:_The_Singles_1988-1991 gptkb:The_KLF:_1987-1992 gptkb:The_KLF:_The_Best_Of gptkb:The_KLF:_The_Collection gptkb:The_KLF:_The_Remixes gptkb:The_White_Room gptkb:The_Black_Room gptkb:The_KLF:_1987-1991 gptkb:The_KLF:_The_Best_Of_(Remastered) gptkb:The_KLF:_The_Singles_1988-1991_(Remastered) Live at the S. S. Great Britain The KLF: The Complete Works The KLF: 1991-1992 |
gptkbp:art_style |
gptkb:artwork
multimedia satirical provocative |
gptkbp:artwork |
gptkb:The_KLF's_'_The_Black_Room'
gptkb:The_KLF's_'_The_Justified_Ancients_of_Mu_Mu' gptkb:The_K_Foundation_Burn_a_Million_Quid gptkb:The_KLF's_'_The_White_Room' |
gptkbp:associated_act |
gptkb:The_KLF's_The_White_Room_Tour
gptkb:The_Black_Room gptkb:The_Justified_Ancients gptkb:The_K_Foundation gptkb:The_Timelords gptkb:The_Orb gptkb:K_Foundation gptkb:The_KLF_Communications gptkb:Bill_Drummond gptkb:Jimmy_Cauty gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:The_JAMS gptkb:The_KLF's_The_Justified_Ancients_of_Mu_Mu The KLF's various collaborations The JA Ms |
gptkbp:associated_with |
gptkb:political_movement
gptkb:K_Foundation's_'_The_KLF:_The_Analysis'_project gptkb:postmodernism gptkb:comic_book gptkb:acid_house gptkb:The_K_Foundation gptkb:music_video gptkb:archaeological_site gptkb:K_Foundation gptkb:Bill_Drummond gptkb:Jimmy_Cauty gptkb:KLF_Communications gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:The_Second_Summer_of_Love gptkb:artwork ambient music electronic music art and culture experimental music social commentary avant-garde music history art and performance mystique internet culture digital culture house music techno post-punk cultural commentary British music scene cultural critique meme culture avant-garde art self-promotion the underground music scene media manipulation 1990s music the 1990s music scene The British music scene ambient house artistic activism the British music scene sample-based music the rave culture music industry critique the rave scene the ' K Foundation' the 1990s rave scene the acid house movement the Justified Ancients of Mu Mu the ' Justified Ancients of Mu Mu' persona the British rave scene the UK rave scene the acid house movement. the concept of 'the music industry' the British music industry the concept of the ' KLF' brand |
gptkbp:attendance |
gptkb:2000
|
gptkbp:awards |
gptkb:award
gptkb:Ivor_Novello_Award_for_International_Achievement gptkb:1992 gptkb:Brit_Award_for_Best_British_Group gptkb:Brit_Award_for_Best_British_Dance_Act gptkb:BRIT_Award_for_Best_British_Group Best British Group Best British Dance Act performed with a live sheep |
gptkbp:can_be |
one million pounds
|
gptkbp:chart_performance |
gptkb:UK_Albums_Chart
gptkb:Billboard_Hot_100 gptkb:UK_Singles_Chart Billboard Hot Dance Club Songs |
gptkbp:collaborated_with |
gptkb:Extreme_Noise_Terror
gptkb:Tammy_Wynette gptkb:The_Timelords gptkb:The_Orb gptkb:The_KLF_Communications gptkb:Bill_Drummond gptkb:Jimmy_Cauty gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:The_Black_Angels various artists The Children of the Revolution |
gptkbp:collaborations |
gptkb:Extreme_Noise_Terror
gptkb:Tammy_Wynette gptkb:The_Orb gptkb:The_Justified_Ancients_of_Mu_Mu |
gptkbp:created |
gptkb:The_KLF's_book
gptkb:The_KLF's_merchandise gptkb:The_K_Foundation's_art_awards gptkb:K_Foundation_Awards gptkb:the_K_Foundation_Awards gptkb:The_K_Foundation gptkb:The_K_Foundation_Awards gptkb:K_Foundation gptkb:The_KLF_Communications gptkb:the_K_Foundation gptkb:the_KLF_Communications_label gptkb:The_Justified_Ancients_of_Mu_Mu art installations The KLF's legacy The KLF's artistic vision The KLF's manifesto The KLF's public persona The KLF's website the ' K Foundation' art project the ' K Foundation' art group the fictional character ' The Timelords' the fictional character ' The Justified Ancients of Mu Mu' the ' K Foundation' art movement |
gptkbp:cultural_impact |
gptkb:documentaries
gptkb:fandom gptkb:film_production_company gptkb:significant gptkb:comic_book gptkb:media_representation gptkb:artwork live performances music festivals art installations social commentary political commentary 1990s music scene audience engagement cult following pop culture music videos British pop culture internet culture Inspiration for artists influence on pop culture cultural commentary fan interaction British music scene Influence on pop culture viral marketing cultural critique influenced electronic music music marketing strategies inspired merchandise influenced pop music Influence on art Influence on pop music Influence on the music industry inspired academic studies inspired art exhibitions inspired documentaries inspired fan communities inspired books music marketing art world influence on performance art influence on music videos Memes and internet culture Influence on music videos music industry practices inspired art projects books about music Legacy in pop culture Influence on electronic music music and identity music and politics music and technology inspired music festivals humor in music influence on multimedia art created a cult following influence on electronic music impact on the music industry influence on internet culture influence on conceptual art pioneered the use of sampling controversial act influenced the music industry influence on marketing strategies influence on the music industry DIY ethic in music significant in 1990s music scene influence on music marketing known for controversial performances Influence on rave culture known for their music videos known for their live performances Influence on art and performance influence on DIY music production influence on independent labels influence on rave culture influence on social commentary in music influence on the concept of celebrity influence on the use of cultural references in music influence on the 90s music scene influence on the DIY ethic in music influence on the rave scene influence on the use of absurdity in music influence on the use of avant-garde in music influence on the use of experimentalism in music influence on the use of genre-blending in music influence on the use of humor in music influence on the use of irony in music influence on the use of media in music influence on the use of narrative in music influence on the use of nostalgia in music influence on the use of parody in music influence on the use of pastiche in music influence on the use of performance in music influence on the use of satire in music influence on the use of social commentary in music influence on the use of spectacle in music influence on the use of surrealism in music influence on the use of technology in music influence on the use of visuals in music influence on the use of audience participation in music influence on the use of political commentary in music in the 1990s music scene influenced the rave scene known for their controversial performances challenged the music business norms inspired the rave culture known for their anarchic approach known for their artistic statements known for their conceptual art projects known for their satirical commentary known for their use of humor in music. Influence on the use of social media in music promotion Influence on marketing in music Influence on sampling in music Influence on the DIY ethic in music production Influence on the concept of the 'one-hit wonder'. Influence on the concept of the artist as brand commercialism in music created a fictional mythology inspired later electronic acts involved in the ' K Foundation Awards' known for burning a million pounds known for their ' K Foundation' art project known for their publicity stunts used the concept of 'the KLF' as a brand significant in the 1990s music scene known for their use of pseudonyms art and music intersection known for their album art known for their art and media projects known for their collaborations known for their marketing strategies known for their public persona |
gptkbp:disbanded |
gptkb:1992
1992. |
gptkbp:disbandment_date |
gptkb:1992
artistic differences Bill Drummond's art projects Jimmy Cauty's art projects |
gptkbp:dissolved |
gptkb:1992
|
gptkbp:documentary |
KLF: The Documentary
The KLF: How to Be a Millionaire Who Killed The KLF? Welcome to the Dark Ages |
gptkbp:economy |
1 million pounds
|
gptkbp:events |
gptkb:The_K_Foundation_Burn_a_Million_Quid
|
gptkbp:exhibition |
gptkb:The_KLF:_1987-1992
|
gptkbp:famous_for |
gptkb:the_K_Foundation_Awards
gptkb:the_K_Foundation gptkb:the_KLF_Communications_label live performances music videos their music videos controversial performances their unique sound provocative performances their use of humor burning a million pounds the KLF Book the KLF logo the KLF's use of samples their legacy in music history burning one million pounds the use of pseudonyms their artistic vision the White Room their elaborate live performances the KLF's ' The Manual' book the KLF's live shows the KLF's use of pseudonyms mixing genres the ' KLF' brand the ' KLF' logo their controversial image their controversial performances their enigmatic public persona their unique marketing strategies their use of pseudonyms their use of sampling burning £1 million the ' K Foundation' the song '3 a.m. Eternal' burning money their enigmatic persona their eclectic style the ' Justified Ancients of Mu Mu' concept the burning of £1 million the song ' Justified and Ancient' their engagement with fans their multimedia projects their public stunts the Black Room the ' Justified Ancients of Mu Mu' persona the KLF's 1992 Brit Awards performance the song ' Last Train to Trancentral' the song ' What Time Is Love?' using samples in music their collaborations with other artists creating the K Foundation burning a million pounds. the phrase ' Justified and Ancient' their impact on the 90s music scene their commentary on fame and success their commentary on the music industry their exploration of identity in music their exploration of spirituality in music their influence on rave culture their innovative approach to music production their lyrical themes their marketing strategies their use of technology in music their use of visual art in music the ' KLF' name creating a fictional band the ' KLF' aesthetic the ' Justified Ancients of Mu Mu' controversy the ' KLF' sound |
gptkbp:fan_base |
music industry professionals
music enthusiasts |
gptkbp:formed |
gptkb:1987
gptkb:1988 gptkb:Bill_Drummond gptkb:Jimmy_Cauty |
gptkbp:founded |
gptkb:1987
gptkb:1988 gptkb:K_Foundation gptkb:Bill_Drummond gptkb:Jimmy_Cauty by Bill Drummond and Jimmy Cauty |
gptkbp:genre |
gptkb:ballet
gptkb:Pop gptkb:electronic gptkb:acid_house gptkb:archaeological_site Electronic House music Techno Ambient ambient music electronic music hip hop synth-pop pop music dance music new wave ambient house music techno ambient house Ambient house |
gptkbp:has_album |
multiple albums
numerous singles |
gptkbp:has_exhibition |
gptkb:The_K_Foundation:_A_History
|
gptkbp:has_feature |
gptkb:studio
|
gptkbp:has_film |
their career
|
gptkbp:has_single |
gptkb:It's_Grim_Up_North
gptkb:America:_What_Time_Is_Love? gptkb:Justified_and_Ancient gptkb:Kylie_Said_to_Jason gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? The KLF vs. The Black Angels |
gptkbp:has_website |
merchandise for fans
information about their projects |
gptkbp:hit_single |
gptkb:Justified_&_Ancient
gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? |
https://www.w3.org/2000/01/rdf-schema#label |
The KLF
|
gptkbp:impact |
cult following
|
gptkbp:influenced |
gptkb:artistic_expressions
gptkb:cultural_discourse gptkb:newspaper gptkb:The_Chemical_Brothers gptkb:High_School gptkb:Fatboy_Slim gptkb:The_Orb gptkb:artwork Electronic music Pop music House music Ambient music ambient music cultural movements electronic music hip hop electronic dance music music festivals pop music art installations avant-garde music dance music music analysis music streaming services pop culture art movements music videos DJ culture techno music British pop culture alternative music internet culture house music rave culture cultural commentary electronic music artists the music industry viral marketing artistic movements Techno music Big Beat music marketing strategies music production techniques music criticism music collaborations Pop music artists dance music scene art music electronic music scene pop music artists music industry practices music theory discussions music history studies Electronic music artists dance music culture independent music labels postmodern music Big Beat genre music technology advancements the electronic dance music scene art and music culture music licensing practices artistic expression in music music distribution methods music production education the rave culture the evolution of pop music. various electronic music genres music copyright discussions the rave scene alternative music scenes cultural commentary in music ambient house music the concept of the artist as a brand music sampling practices future music genres music rights advocacy. ambient house genre the electronic music genre later electronic artists British rave culture later electronic acts the acid house movement the development of electronic dance music music remix culture the concept of the 'artistic persona' in music music fandom culture sound design in music the UK music scene in the 90s the rave culture of the early 90s the concept of the artist as brand |
gptkbp:influenced_artists |
gptkb:Chemical_Brothers
gptkb:spacecraft gptkb:Daft_Punk gptkb:Moby gptkb:The_Prodigy gptkb:The_Chemical_Brothers gptkb:Aphex_Twin gptkb:deity gptkb:Fatboy_Slim gptkb:The_Orb |
gptkbp:influenced_by |
gptkb:Chemical_Brothers
gptkb:spacecraft gptkb:Blur gptkb:Coldplay gptkb:Daft_Punk gptkb:Moby gptkb:Pulp gptkb:The_Beach_Boys gptkb:The_Cure gptkb:The_Doors gptkb:The_Prodigy gptkb:The_Rolling_Stones gptkb:The_Sex_Pistols gptkb:The_Velvet_Underground gptkb:The_Verve gptkb:The_Who gptkb:film_production_company gptkb:Massive_Attack gptkb:Artist gptkb:David_Bowie gptkb:Lana_Del_Rey gptkb:band gptkb:The_Clash gptkb:The_Human_League gptkb:Radiohead gptkb:The_Smiths gptkb:Arctic_Monkeys gptkb:Billie_Eilish gptkb:Brian_Eno gptkb:Florence_and_the_Machine gptkb:The_Beatles gptkb:Aphex_Twin gptkb:Portishead gptkb:Leftfield gptkb:beach gptkb:deity gptkb:Depeche_Mode gptkb:New_Order gptkb:Public_Enemy gptkb:Tricky gptkb:Fatboy_Slim Hip hop Punk rock House music ambient music electronic music hip hop pop music Dub music house music |
gptkbp:influences |
gptkb:Chemical_Brothers
gptkb:Blur gptkb:Coldplay gptkb:Daft_Punk gptkb:Moby gptkb:Pulp gptkb:The_Beach_Boys gptkb:The_Cure gptkb:The_Doors gptkb:The_Prodigy gptkb:The_Rolling_Stones gptkb:The_Sex_Pistols gptkb:The_Velvet_Underground gptkb:The_Verve gptkb:The_Who gptkb:film_production_company gptkb:Massive_Attack gptkb:Artist gptkb:David_Bowie gptkb:Lana_Del_Rey gptkb:band gptkb:The_Clash gptkb:Radiohead gptkb:The_Smiths gptkb:Arctic_Monkeys gptkb:Billie_Eilish gptkb:Florence_and_the_Machine gptkb:The_Beatles gptkb:Aphex_Twin gptkb:Portishead gptkb:beach gptkb:deity gptkb:Public_Enemy gptkb:Fatboy_Slim gptkb:The_Orb ambient music hip hop house music |
gptkbp:inspired |
gptkb:books
gptkb:KLF:_The_Manual gptkb:The_KLF:_The_Book gptkb:documentaries gptkb:films gptkb:K_Foundation gptkb:KLF_Communications various artists art movements numerous artists music videos other artists pop culture references subsequent artists artistic movements various art movements artistic movements. future generations of musicians documentaries about music pop music artists the electronic music scene the electronic dance music scene future electronic artists artistic expression in music the rave culture music videos of the 1990s the concept of the artist as a brand future electronic acts the use of multimedia in performances future generations of musicians. the electronic music genre the DIY ethic in music production the Britpop movement later electronic artists KLF's live performances later electronic acts KLF's cultural impact KLF's artistic legacy KLF's collaborations KLF's fanbase KLF's media appearances KLF's merchandise KLF's music videos KLF's public persona KLF's remixes KLF's sampling techniques KLF's use of humor KLF's use of irony KLF's use of multimedia KLF's use of satire KLF's use of shock value the genre of techno various artists in electronic music the genre of rave the ' Chill Out' genre the blending of genres in music the concept of the 'hit' single the integration of art and music the use of humor in music. the use of sampling in music KLF: The History of the KLF |
gptkbp:inspired_by |
situationist movement
|
gptkbp:is_a |
gptkb:band
|
gptkbp:is_active_in |
gptkb:1987
1987-1992 |
gptkbp:is_associated_with |
the concept of the 'hit' record
the genre of ambient music the genre of electronic music the genre of house music |
gptkbp:is_cited_in |
a pioneering act in the music industry
|
gptkbp:is_discussed_in |
music history courses
|
gptkbp:is_engaged_in |
pranks
|
gptkbp:is_explored_in |
the nature of reality
cultural commentary the concept of fame the impact of technology on art the relationship between art and commerce the concept of the artist's role |
gptkbp:is_featured_in |
the ' KLF Choir' in performances
|
gptkbp:is_from |
gptkb:Scotland
|
gptkbp:is_involved_in |
gptkb:award
gptkb:studio art exhibitions charity events cultural events art and literature community projects music festivals political statements social commentary social initiatives artistic collaborations music videos artistic movements various charitable activities cultural phenomena cultural critiques publicity stunts media manipulation music industry activism music industry debates art world controversies |
gptkbp:is_known_for |
their innovative music videos
their performance art their live performances burning a million pounds their use of humor in music their anarchic approach to music their controversial marketing strategies their eclectic music style their enigmatic public persona their provocative statements their unconventional business practices their use of pseudonyms their use of sampling their eclectic style the hit single '3 a.m. Eternal' |
gptkbp:is_often_compared_to |
other influential music acts.
|
gptkbp:is_referenced_in |
various media
|
gptkbp:is_worshipped_by |
nan
|
gptkbp:known_for |
gptkb:Chill_Out
gptkb:The_White_Room gptkb:The_Black_Room gptkb:acid_house gptkb:The_Timelords gptkb:the_K_Foundation gptkb:the_KLF_Communications_label gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:artwork Conceptual art ambient music cultural references electronic music live performances avant-garde music collaborative projects social commentary visual aesthetics art projects music videos their music videos techno music cultural impact techno chart-topping singles artistic innovation collaborative albums cultural commentary innovative music videos experimental sound controversial performances hit singles their unique sound cultural critique concept albums Controversial performances satirical approach unique soundscapes self-promotion cultural critiques Innovative music videos pushing boundaries avant-garde performances artistic statements publicity stunts blending genres media manipulation influencing future artists creating immersive experiences artistic rebellion exploring identity avant-garde style provocative performances ambient house their unpredictability their avant-garde performances their cultural significance their legacy creating a legacy unique marketing strategies their cultural impact challenging norms media stunts their enigmatic nature their iconic status sample-based music their innovative music videos their iconic logo their distinctive sound their unique identity their memorable quotes their social commentary their unique performances their use of humor provocative statements creating a mythos irony and humor exploring art their artistic legacy their use of technology their influence on future generations exploring fame their public persona their iconic imagery their anonymity using humor their impact on future generations their live performances using samples avant-garde approach burning a million pounds the KLF Book the KLF logo the KLF's use of beats the KLF's use of collaboration the KLF's use of creativity the KLF's use of experimentation the KLF's use of humor the KLF's use of influence the KLF's use of innovation the KLF's use of instruments the KLF's use of irony the KLF's use of legacy the KLF's use of lyrics the KLF's use of media the KLF's use of mystique the KLF's use of mythology the KLF's use of narrative the KLF's use of originality the KLF's use of performance the KLF's use of production techniques the KLF's use of rhythm the KLF's use of samples the KLF's use of sound the KLF's use of storytelling the KLF's use of technology the KLF's use of visuals the KLF's use of vocals ambient house music influential live performances their memorable performances their DIY ethic their use of humor in music their legacy in music history their unique blend of genres using technology in music the use of pseudonyms their use of irony their artistic vision their artistic integrity their influence on music videos the KLF's unique blend of music and art their impact on pop culture pranksterism their memorable slogans their influence on pop culture the KLF's use of pseudonyms mixing genres Burning a million pounds Use of sampling blending music with art and literature the ' KLF Communications' label the ' KLF' brand the ' KLF' identity the ' KLF' logo the ' KLF' phenomenon the K Foundation's art projects their anarchic approach to music their controversial image their controversial marketing strategies their controversial performances their enigmatic public persona their provocative statements their unique marketing strategies their use of pseudonyms their use of sampling their impact on music videos their innovative concepts mystique and anonymity their cultural commentary burning £1 million the ' K Foundation' the song '3 a.m. Eternal' the KLF aesthetic the KLF sound using loops using unconventional instruments their innovative sound mixing music with art their controversial statements their enigmatic persona their innovative marketing strategies their unique visual style their eclectic style controversial media stunts the KLF's 1991 tour the KLF's manifesto the song ' Justified and Ancient' their anarchic approach their anti-commercial stance their artistic collaborations their artistic statements their collaborations their commentary on capitalism their cultural critiques their engagement with fans their enigmatic public image their exploration of fame their exploration of identity their exploration of sound their impact on the rave scene their influence on electronic dance music their influence on future artists their legacy in pop culture their legacy in the 90s music scene their media manipulation their multimedia projects their provocative actions their public stunts their satirical commentary their unique branding their use of mythology their use of performance art their use of samples their visual art their visual art projects using pseudonyms controversial publicity stunts the Black Room the Justified Ancients of Mu Mu their artistic philosophy their experimental approach to music their impact on the music industry the KLF's role in the evolution of electronic music mixing music and art the ' Justified Ancients of Mu Mu' persona the ' K Foundation' art project the ' KLF' artistic collaborations the ' KLF' artistic vision the ' KLF' awards the ' KLF' book the ' KLF' collaborations the ' KLF' cultural commentary the ' KLF' cultural impact the ' KLF' documentaries the ' KLF' fanbase the ' KLF' film the ' KLF' influence on culture the ' KLF' influence on later artists the ' KLF' interviews the ' KLF' legacy the ' KLF' live performances the ' KLF' live shows the ' KLF' manifesto the ' KLF' merchandise the ' KLF' music videos the ' KLF' political statements the ' KLF' radio shows the ' KLF' remixes the ' KLF' reunions the ' KLF' social commentary the KLF's cultural commentary the KLF's engagement with fans the KLF's impact on music history the KLF's influence on rave culture the KLF's innovative marketing strategies the KLF's legacy the KLF's legacy in the UK music scene the KLF's media stunts the KLF's public persona the KLF's satirical approach the KLF's unique branding the hit single '3 a.m. Eternal' the song ' Last Train to Trancentral' the song ' What Time Is Love?' using samples in music creating alter egos their art and media projects their catchy choruses their collaborations with other artists their concept albums their elaborate music videos their experimental approach to music production their impact on rave culture their influence on the 90s music scene their innovative sound design their legacy in British pop culture their legacy in electronic music their memorable hooks their political statements in music their use of irony in lyrics their use of visual art their live shows their audience interaction their cult following their elaborate stage setups their legacy of innovation their multimedia approach their political statements their satirical approach their unpredictable performances their use of costumes their use of props their use of video projections creating a fictional mythology the KLF's artistic collaborations the KLF's legacy in electronic music the KLF's use of performance art their avant-garde approach their engagement with media the KLF's eclectic style the ' Justified Ancients of Mu Mu' the KLF's ' The Manual' their art installations their eclectic influences their engagement with the audience their experimental sound their exploration of fame and celebrity their exploration of spirituality their innovative music production techniques their legacy in the UK music scene their use of technology in music. media hoaxes music industry commentary the KLF's contribution to pop culture the KLF's contribution to the music industry the KLF's cultural impact the KLF's experimental approach the KLF's impact on music marketing the KLF's impact on rave culture the KLF's impact on the British music scene the KLF's influence on DJ culture the KLF's influence on music festivals the KLF's influence on the 90s music scene the KLF's innovative music videos the KLF's live performances the KLF's role in shaping the 90s music landscape the KLF's role in the evolution of dance music the KLF's social commentary the KLF's unique marketing strategies the use of humor in music their cultural critique their cultural references their eclectic style. their impact on the 90s music scene their impact on the music landscape their unique marketing strategies. their use of technology in music production unconventional marketing using humor in music using visual art the phrase ' The Justified Ancients of Mu Mu' their commentary on fame and success their exploration of identity in music their influence on rave culture their innovative approach to music production their use of technology in music their experimental approach to music. their influence on future generations of artists their visual art contributions their contribution to the electronic genre their contribution to the rave scene their critique of the music industry their elaborate stage shows their experimental approach their experimental music videos their impact on the UK music scene their influence on club culture their influence on music videos. the phrase ' The KLF are dead'. their contribution to the acid house scene their controversial actions their controversial publicity stunts their cultural commentary through music their experimental music style their genre-blending style their impact on the rave culture their influence on electronic music culture their innovative marketing campaigns their legacy of controversy their legacy of creativity their theatrical stage shows their unique blend of music and art their unique live performances their use of visual art in performances exploring commercialism their boundary-pushing music their influence on electronic music their innovative marketing their memorable lyrics their musical experimentation their eclectic sound their experimental soundscapes their exploration of commercialism in music their visual aesthetics their use of chaos magic the KLF's collaborations the KLF's music videos multi-media projects pioneering work in music videos the KLF's mythology their innovative use of technology the KLF's 1992 performance at the BRIT Awards the KLF's book the KLF's film the KLF's remixes the KLF's sampling techniques the KLF's use of conceptual art the KLF's use of digital art the KLF's use of graphic design the KLF's use of installation art the KLF's use of literature the KLF's use of multimedia the KLF's use of photography the KLF's use of poetry the KLF's use of satire the KLF's use of visual art their controversial marketing tactics their impact on electronic music culture their unique approach to music production the 1991 BRIT Awards performance the 1992 K Foundation art project the 1992 K Foundation awards |
gptkbp:label |
gptkb:Elektra_Records
gptkb:KLF_Communications Eternal Records |
gptkbp:last_aired |
gptkb:Borough
gptkb:1992 extensive approximately 30 minutes August 1992 special guests burning of money final performance before disbanding |
gptkbp:legacy |
gptkb:political_movement
Cult following influential in electronic music social commentary cult following interdisciplinary approaches artistic experimentation cultural commentary exploration of identity influence on future artists Influence on later artists engagement with audience influence on performance art influence on music industry impact on music industry influencing pop culture influence on electronic music scene pioneering use of multimedia engagement with technology influential in the music industry subversion of expectations critique of commercialism conceptual art practices Influence on electronic music culture exploration of commercial art exploration of fame and celebrity impact on electronic music evolution Continued relevance in discussions of art and music. influential in music and art pioneers of the internet marketing |
gptkbp:live_performance |
gptkb:The_Justified_Ancients_of_Mu_Mu
electronic music theatrical |
gptkbp:major_city |
The KLF's 1992 concert at the Brit Awards
|
gptkbp:members |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
gptkbp:music_style |
Conceptual art
Avant-garde music Sample-based music |
gptkbp:music_video |
gptkb:It's_Grim_Up_North
gptkb:America:_What_Time_Is_Love? gptkb:Justified_and_Ancient gptkb:Kylie_Said_to_Jason gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? The KLF vs. The Black Angels |
gptkbp:music_video_director |
gptkb:John_E._Smith
|
gptkbp:name |
gptkb:The_Timelords
gptkb:K_Foundation gptkb:The_KLF_Communications gptkb:The_Justified_Ancients_of_Mu_Mu |
gptkbp:notable_album |
gptkb:The_KLF:_The_Album
gptkb:The_KLF:_The_Singles gptkb:Chill_Out gptkb:The_KLF:_1987-1992 gptkb:The_KLF:_The_Remixes gptkb:The_White_Room gptkb:The_KLF:_1987-1991 |
gptkbp:notable_event |
gptkb:The_BRIT_Awards_1992
gptkb:K_Foundation_Burn_a_Million_Quid gptkb:1992_BRIT_Awards gptkb:the_KLF's_1990_tour The K Foundation's art project The KLF's 1992 BRIT Awards performance created the K Foundation Burning a million pounds The KLF's art installations The KLF's last performance The KLF's media appearances burning £1 million The KLF's 1990 single release The KLF's 1990 tour The KLF's 1991 album release The KLF's 1991 single release The KLF's 1991 tour The KLF's 1992 Brit Awards performance The KLF's 1992 disbandment announcement The KLF's 1992 single release The KLF's 1993 single release The KLF's 1994 reformation announcement The KLF's 1995 single release The KLF's 1996 single release The KLF's 1998 single release The KLF's 1999 single release The KLF's 2000 single release The KLF's 2001 single release The KLF's 2002 single release The KLF's 2003 single release The KLF's 2004 single release The KLF's 2005 single release The KLF's 2006 single release The KLF's 2007 single release The KLF's 2008 single release The KLF's 2009 single release The KLF's 2010 single release The KLF's 2011 single release The KLF's 2012 single release The KLF's 2013 single release The KLF's 2014 single release The KLF's 2015 single release The KLF's 2016 single release The KLF's 2017 single release The KLF's 2018 single release The KLF's 2019 single release The KLF's 2020 single release The KLF's 2021 single release The KLF's 2022 single release The KLF's 2023 single release burning of £1 million The KLF's 1997 performance at the Glastonbury Festival the KLF's 1991 album release the KLF's 1991 tour the KLF's 1992 BRIT Awards performance the KLF's 1992 disbandment the KLF's 1994 reformation attempt the KLF's 1997 performance at the London Eye the KLF's 2017 reunion announcement the KLF's 2021 performance at the Tate Modern the KLF's 2022 art installation the KLF's ' The Manual' The K Foundation's art projects burned £1 million performed at the BRIT Awards 1992 released ' Chill Out' album released ' The White Room' album burned £1 million in cash K Foundation burning a million pounds The KLF's return in 2017 |
gptkbp:notable_for |
controversial performances
hit singles controversial performance their controversial performances |
gptkbp:notable_members |
gptkb:Bill_Drummond
gptkb:Jimmy_Cauty |
gptkbp:notable_performance |
gptkb:1994_BRIT_Awards
gptkb:The_BRIT_Awards_1992 gptkb:1991_tour gptkb:1992 gptkb:1997 gptkb:1992_BRIT_Awards gptkb:The_K_Foundation_Burn_a_Million_Quid 1990 tour The KLF's live shows The White Room film premiere The KLF's last live show |
gptkbp:notable_song |
gptkb:The_Last_Train_to_Trancentral_(Live_from_the_Lost_Continent)
gptkb:The_White_Room gptkb:It's_Grim_Up_North gptkb:America:_What_Time_Is_Love? gptkb:Justified_&_Ancient gptkb:Justified_and_Ancient gptkb:Kylie_Said_to_Jason gptkb:The_KLF_-Last_Train_to_Trancentral_(Live_from_the_Lost_Continent) gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:The_Justified_Ancients_of_Mu_Mu gptkb:What_Time_Is_Love? 3 a.m. Eternal (Live at the S. S. L.) The KLF -Justified & Ancient (Stand by the JA Ms) |
gptkbp:notable_work |
gptkb:The_KLF:_The_Singles
gptkb:Chill_Out gptkb:The_White_Room gptkb:Justified_&_Ancient gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral |
gptkbp:origin |
gptkb:England
gptkb:Liverpool,_England gptkb:Scotland gptkb:United_Kingdom |
gptkbp:performance |
gptkb:1992
gptkb:1992_BRIT_Awards theatrical |
gptkbp:performed_by |
gptkb:The_BRIT_Awards_1992
gptkb:festival gptkb:award gptkb:the_Brit_Awards gptkb:The_Brit_Awards_1992 gptkb:Reading_Festival gptkb:Brit_Awards_1992 gptkb:Stonehenge gptkb:Glasgow_Green gptkb:The_BRIT_Awards gptkb:1992_Brit_Awards gptkb:The_Brit_Awards gptkb:The_Glastonbury_Festival gptkb:The_Reading_Festival gptkb:1992_BRIT_Awards gptkb:BRIT_Awards_1992 gptkb:The_1991_KLF_tour gptkb:Bill_Drummond various festivals live shows at festivals in various countries reunion concerts at the 1992 BRIT Awards Live at the S. S. Great Britain live sheep with a live sheep at the BRIT Awards The K Foundation's art events the Brit Awards 1992 at the 1990 Reading Festival at the 1991 BRIT Awards at the 1991 Glastonbury Festival at the 1992 BRIT Awards with a controversial act at the 1992 K Foundation event at the 1992 K Foundation event in Scotland at various festivals in the UK live at the 1992 BRIT Awards The KLF's return show |
gptkbp:philosophy |
Anti-commercialism
Art as a business Subverting the music industry |
gptkbp:project |
gptkb:The_KLF:_The_Impact
|
gptkbp:rate_of_fire |
gptkb:Scottish_island_of_Jura
artistic statement |
gptkbp:record_label |
gptkb:KLF_Communications
|
gptkbp:recorded_by |
gptkb:The_Eurythmics
gptkb:Abba gptkb:television_series gptkb:The_Beach_Boys gptkb:The_Crystals gptkb:The_Doors gptkb:The_Drifters gptkb:The_Hollies gptkb:The_Jackson_5 gptkb:The_Monkees gptkb:The_Platters gptkb:The_Rolling_Stones gptkb:The_Ronettes gptkb:The_Shirelles gptkb:The_Stylistics gptkb:The_Supremes gptkb:The_Temptations gptkb:The_Velvet_Underground gptkb:The_Who gptkb:The_Isley_Brothers gptkb:The_Kinks gptkb:The_Mamas_&_the_Papas gptkb:The_Clash gptkb:The_Beatles gptkb:The_Byrds gptkb:The_Chiffons gptkb:The_Righteous_Brothers gptkb:The_B-52's |
gptkbp:reform |
gptkb:1994
gptkb:2017 |
gptkbp:released |
gptkb:The_White_Room_(film)
gptkb:The_Justified_Ancients_of_Mu_Mu_book gptkb:The_KLF:_The_White_Room_(Blu-ray) gptkb:The_KLF:_The_White_Room_(DVD) gptkb:The_KLF:_The_White_Room_(VHS) gptkb:The_KLF:_The_Singles gptkb:Chill_Out gptkb:The_Manual gptkb:The_KLF_album gptkb:The_White_Room_(album) gptkb:The_KLF:_2023_Remaster gptkb:The_KLF:_The_Singles_1988-1991 gptkb:The_KLF:_1987-1992 gptkb:The_KLF:_The_Collection gptkb:The_KLF:_The_Remixes gptkb:The_KLF:_Chill_Out_(Remastered) gptkb:The_KLF:_The_White_Room_(Remastered) gptkb:The_KLF:_The_Live gptkb:The_White_Room gptkb:The_Black_Room gptkb:The_Black_Room_(album) gptkb:album gptkb:It's_Grim_Up_North gptkb:The_KLF:_1987-1991 gptkb:America:_What_Time_Is_Love? gptkb:Justified_&_Ancient gptkb:Justified_and_Ancient gptkb:The_KLF:_The_Manual gptkb:3_a.m._Eternal gptkb:Last_Train_to_Trancentral gptkb:What_Time_Is_Love? gptkb:The_KLF:_The_Singles_1988-1991_(Remastered) numerous remixes ' Last Train to Trancentral' ' The KLF: 1987-1991' ' The White Room' ' What Time Is Love?' '3 a.m. Eternal' The KLF's greatest hits ' Chill Out' album Live at the S. S. Great Britain several compilation albums Chill Out (album) The KLF: The Complete Works The KLF: The White Room (soundtrack) ' Last Train to Trancentral' single ' The White Room' album ' What Time Is Love?' single '3 a.m. Eternal' single 1991 album 2020 single ' America: What Time Is Love?' ' Justified and Ancient' ' The KLF: The Manual' ' The KLF: 1987-1991' compilation 3 a.m. Eternal (single) America: What Time Is Love? (single) Justified & Ancient (single) Kylie Said to Jason (single) Last Train to Trancentral (single) The KLF: 1987-1992 (compilation) The KLF: The Singles 1988-1991 (compilation) What Time Is Love? (single) ' Chill Out' The KLF: 1991-1992 the ' Black Room' album the ' White Room' film ' The White Room' film The KLF: The White Room (soundtrack album) ' The KLF: The Remixes' |
gptkbp:remix |
gptkb:What_Time_Is_Love?_(The_KLF_remix)
gptkb:Last_Train_to_Trancentral_(Live_from_the_Lost_Continent) 3 a.m. Eternal (Live at the S. S. L.) Justified and Ancient (Stand by the Jams) |
gptkbp:reputation |
being ahead of their time
|
gptkbp:reunion |
gptkb:2017
gptkb:2021 |
gptkbp:style |
gptkb:postmodernism
gptkb:acid_house gptkb:artwork electronic dance music avant-garde experimental satirical house music techno art pop conceptual ironic |
gptkbp:subject |
academic studies
|
gptkbp:theme |
ritualistic elements
|
gptkbp:tour |
gptkb:1991_tour
gptkb:1990 |
gptkbp:type |
gptkb:band
gptkb:musical_group |
gptkbp:uses |
gptkb:painting
gptkb:the_K_Foundation various artists samples sampled music pseudonyms |
gptkbp:utilizes |
viral marketing
|
gptkbp:website |
klf.de
http://www.theklf.com klf.com theklf.com |
gptkbp:winner |
gptkb:award
gptkb:BRIT_Award_for_Best_British_Group |
gptkbp:year |
gptkb:1994
|