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gptkbp:instance_of
|
gptkb:fictional_character
|
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gptkbp:bfsLayer
|
5
|
|
gptkbp:bfsParent
|
gptkb:Colonel_Brandon
gptkb:Sir_John_Middleton
|
|
gptkbp:adaptation
|
gptkb:film
television adaptations
|
|
gptkbp:appears_in
|
gptkb:Sense_and_Sensibility
|
|
gptkbp:character_traits
|
emotional
pragmatic
romantic
sensible
|
|
gptkbp:child
|
three
|
|
gptkbp:conflict
|
romantic entanglements
family inheritance issues
|
|
gptkbp:created_by
|
gptkb:Jane_Austen
|
|
gptkbp:cultural_impact
|
inspired feminist readings
inspired modern adaptations
|
|
gptkbp:family
|
gptkb:Dashwood_family
|
|
gptkbp:first_appearance
|
1811
|
|
gptkbp:friend
|
with Colonel Brandon
with Edward Ferrars
with Willoughby
|
|
gptkbp:historical_context
|
Regency era
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
the Dashwood sisters
|
|
gptkbp:influence
|
romantic literature
|
|
gptkbp:location
|
Norland Park
Barton Cottage
|
|
gptkbp:name
|
gptkb:Marianne_Dashwood
gptkb:Elinor_Dashwood
gptkb:Margaret_Dashwood
|
|
gptkbp:narrative_style
|
gptkb:fictional_character
represent contrasting values
|
|
gptkbp:portrayed_by
|
various actresses
|
|
gptkbp:reader_demographic
|
critically acclaimed
widely read
adapted into various media
influential in literary studies
|
|
gptkbp:relationship
|
gptkb:family
|
|
gptkbp:setting
|
19th century England
|
|
gptkbp:significance
|
gptkb:book
social commentary
classic literature
feminist literature
|
|
gptkbp:symbolism
|
emotional intelligence
social mobility
feminine virtue
romantic idealism
|
|
gptkbp:themes
|
gptkb:class
love
sensitivity
sense
|