Statements (89)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Ang_Lee
gptkb:Emma_Thompson gptkb:Kate_Winslet gptkb:Emma |
| gptkbp:adaptation |
gptkb:television_series
gptkb:theatre gptkb:film |
| gptkbp:adapted_into |
gptkb:film
|
| gptkbp:author |
gptkb:Jane_Austen
|
| gptkbp:character |
gptkb:Fanny_Dashwood
gptkb:Colonel_Brandon gptkb:Lady_Middleton gptkb:Lucy_Steele gptkb:Mr._Dashwood gptkb:Sir_John_Middleton gptkb:Margaret_Dashwood gptkb:Edward_Ferrars Willoughby Mrs. Jennings |
| gptkbp:conflict |
social expectations
personal desires family obligations |
| gptkbp:critical_reception |
well-received
adapted into various media |
| gptkbp:cultural_impact |
influenced feminist literature
inspired adaptations influential in literature inspired merchandise influenced film adaptations inspired fan fiction inspired parodies popular among readers studied in literature courses feminist readings adapted into various media inspired sequels influenced romantic literature featured in literary criticism performed in theater inspired retellings inspired sequels and retellings |
| gptkbp:followed_by |
gptkb:Pride_and_Prejudice
|
| gptkbp:genre |
gptkb:High_School
romance Romantic fiction romantic fiction |
| https://www.w3.org/2000/01/rdf-schema#label |
Sense and Sensibility
|
| gptkbp:influence |
gptkb:philosopher
gptkb:literary_work adaptations in popular culture inspired feminist literary criticism influenced modern romantic fiction |
| gptkbp:influenced |
modern romantic novels
|
| gptkbp:influenced_by |
18th-century literature
|
| gptkbp:inspiration |
societal norms of the time
Austen's own experiences |
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Marianne_Dashwood
gptkb:Elinor_Dashwood |
| gptkbp:motif |
gptkb:award
gptkb:poet nature money |
| gptkbp:narrative_style |
free indirect discourse
|
| gptkbp:notable_quote |
“ It is not what we say or think that defines us, but what we do.”
“ There is no charm equal to tenderness of heart.” “ Know your own happiness.” |
| gptkbp:page_count |
approximately 300
|
| gptkbp:plot |
culminates in resolutions of relationships
depicts the importance of marriage examines the constraints of social class explores themes of love and heartbreak features contrasting personalities of sisters focuses on the lives of the Dashwood sisters includes various romantic entanglements |
| gptkbp:preceded_by |
gptkb:Northanger_Abbey
|
| gptkbp:published_by |
1811
|
| gptkbp:publisher |
gptkb:Thomas_Egerton
|
| gptkbp:setting |
gptkb:England
Early 19th century England |
| gptkbp:theme |
gptkb:award
gptkb:class gptkb:political_movement love sensitivity sense |
| gptkbp:written_by |
gptkb:Jane_Austen
|