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gptkbp:instance_of
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gptkb:typeface
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gptkbp:artistic_influence
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gptkb:Erik_Spiekermann
gptkb:Matthew_Carter
gptkb:David_Carson
gptkb:Zuzana_Licko
gptkb:Jan_Tschichold
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|
gptkbp:associated_with
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gptkb:modernism
readability
legibility
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gptkbp:characteristics
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humanist letterforms
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gptkbp:created
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1950s
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gptkbp:designed_by
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gptkb:Adrian_Frutiger
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gptkbp:example
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gptkb:Frutiger
gptkb:Gill_Sans
gptkb:Segoe_UI
Optima
Myriad
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https://www.w3.org/2000/01/rdf-schema#label
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humanist typeface
|
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gptkbp:influenced_by
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gptkb:award
|
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gptkbp:is_criticized_for
|
lack of personality
can be confused with other styles
not suitable for formal documents
overly casual appearance
|
|
gptkbp:is_popular_in
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gptkb:20th_century
|
|
gptkbp:is_used_for
|
gptkb:award
gptkb:brand
user interfaces
display text
body text
|
|
gptkbp:notable_features
|
large x-height
open forms
diagonal stress
humanistic proportions
|
|
gptkbp:related_to
|
gptkb:film_production_company
gptkb:language
gptkb:typeface
gptkb:battle
visual communication
print media
graphic arts
lettering
branding design
type design
serif typeface
sans-serif typeface
|
|
gptkbp:used_in
|
gptkb:museum
|
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gptkbp:bfsParent
|
gptkb:Frutiger_Next
|
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gptkbp:bfsLayer
|
6
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