Statements (82)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:armament |
12-inch guns
|
| gptkbp:awards |
none at the time of release
|
| gptkbp:based_on |
gptkb:mutiny_on_the_battleship_Potemkin
|
| gptkbp:cinematography |
gptkb:Eduard_Tisse
|
| gptkbp:class |
gptkb:Imperial_Russian_Navy
|
| gptkbp:color |
black and white
|
| gptkbp:complement |
about 800 crew members
|
| gptkbp:conservation_efforts |
the National Film Registry
|
| gptkbp:country |
gptkb:Monarch
gptkb:Russia |
| gptkbp:cultural_impact |
considered a masterpiece
|
| gptkbp:cultural_significance |
in Soviet history
|
| gptkbp:depicted_in |
gptkb:film_Battleship_Potemkin
|
| gptkbp:depicts |
gptkb:1905_Revolution
|
| gptkbp:directed_by |
gptkb:Sergei_Eisenstein
|
| gptkbp:displacement |
14,500 tons
|
| gptkbp:fate |
scrapped
|
| gptkbp:features |
revolutionary themes
|
| gptkbp:filmography |
gptkb:Sergei_Eisenstein
|
| gptkbp:genre |
gptkb:archaeological_site
|
| gptkbp:has_influence_on |
film editing techniques
montage theory |
| gptkbp:historical_significance |
symbol of the Russian Revolution
|
| https://www.w3.org/2000/01/rdf-schema#label |
battleship Potemkin
|
| gptkbp:influenced |
gptkb:film
|
| gptkbp:inspired |
various filmmakers
|
| gptkbp:is_available_on |
gptkb:streaming_platforms
gptkb:DJ gptkb:film |
| gptkbp:is_cited_in |
film studies
|
| gptkbp:is_considered |
one of the greatest films of all time
|
| gptkbp:is_referenced_in |
gptkb:organization
|
| gptkbp:is_studied_in |
film schools
|
| gptkbp:language |
Silent film
|
| gptkbp:launched |
1900
|
| gptkbp:legacy |
in film history
|
| gptkbp:length |
182.9 meters
|
| gptkbp:music_by |
Eisenstein's collaborators
|
| gptkbp:notable_appearance |
the baby carriage on the steps
|
| gptkbp:notable_event |
gptkb:Potemkin_mutiny
|
| gptkbp:notable_for |
gptkb:Odessa_Steps_sequence
its character development its exploration of human emotions its emotional impact its historical context its artistic style its narrative structure its use of symbolism its historical accuracy its use of music its legacy in film history its political message its impact on visual culture its cinematographic techniques its revolutionary spirit its powerful imagery its influence on documentary filmmaking its artistic innovations its innovative editing its representation of the working class its contribution to film aesthetics its depiction of oppression its impact on Soviet cinema its impact on editing styles its influence on world cinema its portrayal of class struggle its role in film theory its role in the development of narrative cinema its use of visual storytelling |
| gptkbp:par |
various media
|
| gptkbp:part_of |
gptkb:Soviet_cinema
|
| gptkbp:premiered_on |
gptkb:Moscow
|
| gptkbp:release_year |
1925
|
| gptkbp:restoration |
gptkb:2005
|
| gptkbp:runtime |
75 minutes
|
| gptkbp:screenings |
film festivals
|
| gptkbp:screenplay_by |
gptkb:Sergei_Eisenstein
|
| gptkbp:speed |
18 knots
|
| gptkbp:type |
gptkb:starship
|
| gptkbp:bfsParent |
gptkb:crew_of_the_battleship_Potemkin
|
| gptkbp:bfsLayer |
6
|