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gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:armament
|
12-inch guns
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
none at the time of release
|
|
gptkbp:based_on
|
gptkb:mutiny_on_the_battleship_Potemkin
|
|
gptkbp:cinematography
|
gptkb:Eduard_Tisse
|
|
gptkbp:class
|
gptkb:Imperial_Russian_Navy
|
|
gptkbp:color
|
black and white
|
|
gptkbp:complement
|
about 800 crew members
|
|
gptkbp:country
|
gptkb:Russia
gptkb:Soviet_Union
|
|
gptkbp:cultural_impact
|
considered a masterpiece
|
|
gptkbp:cultural_significance
|
in Soviet history
|
|
gptkbp:depicted_in
|
gptkb:film_Battleship_Potemkin
|
|
gptkbp:depicts
|
gptkb:1905_Revolution
|
|
gptkbp:directed_by
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:displacement
|
14,500 tons
|
|
gptkbp:fate
|
scrapped
|
|
gptkbp:features
|
revolutionary themes
|
|
gptkbp:film_editing
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:genre
|
gptkb:historical_fiction
|
|
gptkbp:has_been_restored
|
gptkb:2005
|
|
gptkbp:has_influence_on
|
film editing techniques
montage theory
|
|
gptkbp:has_legacy
|
in film history
|
|
gptkbp:historical_significance
|
symbol of the Russian Revolution
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
battleship Potemkin
|
|
gptkbp:influenced
|
gptkb:cinema
|
|
gptkbp:inspired
|
various filmmakers
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_cited_in
|
film studies
|
|
gptkbp:is_considered
|
one of the greatest films of all time
|
|
gptkbp:is_notable_for
|
its character development
its exploration of human emotions
its emotional impact
its historical context
its artistic style
its narrative structure
its use of symbolism
its historical accuracy
its use of music
its legacy in film history
its political message
its impact on visual culture
its cinematographic techniques
its revolutionary spirit
its powerful imagery
its influence on documentary filmmaking
its artistic innovations
its innovative editing
its representation of the working class
its contribution to film aesthetics
its depiction of oppression
its impact on Soviet cinema
its impact on editing styles
its influence on world cinema
its portrayal of class struggle
its role in film theory
its role in the development of narrative cinema
its use of visual storytelling
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_studied_in
|
film schools
|
|
gptkbp:language
|
Silent film
|
|
gptkbp:launched
|
1900
|
|
gptkbp:length
|
182.9 meters
|
|
gptkbp:music_by
|
Eisenstein's collaborators
|
|
gptkbp:notable_event
|
gptkb:Potemkin_mutiny
|
|
gptkbp:notable_for
|
gptkb:Odessa_Steps_sequence
|
|
gptkbp:notable_scene
|
the baby carriage on the steps
|
|
gptkbp:parodied_in
|
various media
|
|
gptkbp:part_of
|
gptkb:Soviet_cinema
|
|
gptkbp:premiered_on
|
gptkb:Moscow
|
|
gptkbp:preserved_by
|
the National Film Registry
|
|
gptkbp:release_year
|
1925
|
|
gptkbp:runtime
|
75 minutes
|
|
gptkbp:screenings
|
film festivals
|
|
gptkbp:screenplay_by
|
gptkb:Sergei_Eisenstein
|
|
gptkbp:speed
|
18 knots
|
|
gptkbp:type
|
gptkb:battleship
|
|
gptkbp:bfsParent
|
gptkb:crew_of_the_battleship_Potemkin
|
|
gptkbp:bfsLayer
|
6
|