gptkbp:instanceOf
|
gptkb:film
|
gptkbp:alsoKnownAs
|
gptkb:Crni_talas
|
gptkbp:characteristic
|
existentialism
social criticism
political themes
experimental style
|
gptkbp:countryOfOrigin
|
gptkb:Yugoslavia
|
https://www.w3.org/2000/01/rdf-schema#label
|
Yugoslav Black Wave
|
gptkbp:influencedBy
|
gptkb:French_New_Wave
gptkb:Italian_Neorealism
|
gptkbp:language
|
gptkb:Slovenian
Serbo-Croatian
Macedonian
|
gptkbp:notableDirector
|
gptkb:Miloš_Forman
gptkb:Aleksandar_Petrović
gptkb:Dušan_Makavejev
gptkb:Želimir_Žilnik
gptkb:Lazar_Stojanović
|
gptkbp:notableFestival
|
gptkb:Cannes_Film_Festival
gptkb:Pula_Film_Festival
|
gptkbp:notableFilm
|
gptkb:I_Even_Met_Happy_Gypsies
gptkb:WR:_Mysteries_of_the_Organism
gptkb:Innocence_Unprotected
gptkb:Love_Affair,_or_the_Case_of_the_Missing_Switchboard_Operator
gptkb:When_I_Am_Dead_and_Gone
Early Works
|
gptkbp:notableWinner
|
gptkb:FIPRESCI_Prize
Wimbledon Championships
|
gptkbp:opposedBy
|
Yugoslav authorities
|
gptkbp:period
|
1960s
1970s
|
gptkbp:bfsParent
|
gptkb:Tomislav_Gotovac
gptkb:Zelimir_Zilnik
|
gptkbp:bfsLayer
|
7
|