Statements (112)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:fictional_character
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Clint_Eastwood
|
| gptkbp:age |
middle-aged
|
| gptkbp:alliance |
with the Schofield Kid
|
| gptkbp:appears_in |
gptkb:Unforgiven
|
| gptkbp:armament |
revolvers
|
| gptkbp:awards |
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama gptkb:Academy_Award_for_Best_Picture gptkb:Academy_Award_for_Best_Supporting_Actor gptkb:Golden_Globe_Award_for_Best_Director gptkb:Screen_Actors_Guild_Award_for_Outstanding_Performance_by_a_Cast_in_a_Motion_Picture |
| gptkbp:character_arc |
redemption
from ruthless killer to reluctant hero |
| gptkbp:character_development |
embraces his violent past
from ruthless killer to reluctant hero |
| gptkbp:character_relationships |
haunted by guilt
|
| gptkbp:character_traits |
determined
ruthless remorseful |
| gptkbp:children |
three
|
| gptkbp:conflict |
internal struggle
the Old West confrontation with Little Bill the bounty on the cowboys |
| gptkbp:cultural_impact |
inspired discussions on morality in film
icon of the anti-hero |
| gptkbp:decided_by |
chooses to kill again
|
| gptkbp:depicted_in |
a tragic figure
|
| gptkbp:director |
gptkb:Clint_Eastwood
|
| gptkbp:enemy |
gptkb:Little_Bill_Daggett
|
| gptkbp:famous_for |
his gunfighting skills
|
| gptkbp:famous_quote |
“ It’s a hell of a thing, killing a man.”
It's a hell of a thing, killing a man. |
| gptkbp:friend |
gptkb:Ned_Logan
|
| gptkbp:genre |
Western
|
| gptkbp:goal |
seeking redemption
to provide for his children |
| gptkbp:has_backstory |
former killer
|
| gptkbp:historical_period |
gptkb:late_19th_century
|
| https://www.w3.org/2000/01/rdf-schema#label |
William Munny
|
| gptkbp:influence |
inspired other Western films
in Western film genre |
| gptkbp:influenced_by |
his deceased wife
|
| gptkbp:is_motivated_by |
gptkb:revenge
|
| gptkbp:legacy |
a complex anti-hero
complex character study |
| gptkbp:moral |
struggles with his past actions
killing for money vs. personal ethics |
| gptkbp:narrative_style |
gptkb:fictional_character
|
| gptkbp:narrative_theme |
redemption and revenge
|
| gptkbp:notable_allies |
gptkb:Ned_Logan
|
| gptkbp:notable_appearance |
the final shootout
|
| gptkbp:notable_for |
being a retired gunslinger
becoming a changed man killing several men |
| gptkbp:occupation |
gptkb:faction
|
| gptkbp:personality_trait |
reflective
ruthless remorseful |
| gptkbp:portrayed_by |
gptkb:Clint_Eastwood
a complex character in a morally ambiguous world by Clint Eastwood in multiple roles |
| gptkbp:relationship |
with his children
with the law with his own conscience with his past deep friendship loving but troubled complicated and conflicted with his own legacy with Clara Munny with Little Bill Daggett with his deceased wife with his own mortality with the Schofield Kid with the bounty hunters with the concept of betrayal with the concept of choice with the concept of consequence with the concept of family with the concept of fate with the concept of honor with the concept of justice with the concept of legacy with the concept of loyalty with the concept of morality with the concept of redemption with the concept of revenge with the concept of survival with the lawmen with the other outlaws with the town of Big Whiskey with the townsfolk with the women in his life with violence |
| gptkbp:release_year |
gptkb:1992
|
| gptkbp:residence |
gptkb:Big_Whiskey,_Wyoming
|
| gptkbp:result |
becomes a legend
|
| gptkbp:rival |
gptkb:Little_Bill_Daggett
|
| gptkbp:significant_event |
the final shootout
the assassination of a cowboy the bounty on the cowboys the assassination of Little Bill |
| gptkbp:spouse |
Clara Munny
|
| gptkbp:symbolism |
the anti-hero archetype
the changing West |
| gptkbp:symbolizes |
the end of an era
the fading of the Old West |
| gptkbp:theme |
the consequences of violence
|
| gptkbp:writer |
gptkb:David_Webb_Peoples
|