|
gptkbp:instance_of
|
gptkb:song
gptkb:film
gptkb:film_series
|
|
gptkbp:academy_award_for_best_supporting_actor
|
gptkb:Gene_Hackman
|
|
gptkbp:acoustic_guitar
|
featured
|
|
gptkbp:album
|
gptkb:Metallica
gptkb:Yes
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:associated_act
|
gptkb:Orion
|
|
gptkbp:audience
|
Widely praised.
|
|
gptkbp:awards
|
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Supporting_Actor
gptkb:Best_Director
gptkb:Best_Supporting_Actor
gptkb:1993
gptkb:Grammy_Award
gptkb:BAFTA_Awards
gptkb:AFI's_100_Years...100_Movies
gptkb:Golden_Globe_Award
Best Picture
numerous accolades
|
|
gptkbp:based_on
|
gptkb:Unforgiven_(1992_film)
|
|
gptkbp:box_office
|
$1.2 million
$159 million
159000000
|
|
gptkbp:budget
|
$14 million
35000000
$38 million
|
|
gptkbp:character
|
gptkb:Ned_Logan
gptkb:Little_Bill_Daggett
gptkb:The_Schofield_Kid
gptkb:William_Munny
Delilah Fitzgerald
|
|
gptkbp:character_arc
|
redemption arc
William Munny's transformation
|
|
gptkbp:character_development
|
gptkb:complex
Complex characters.
|
|
gptkbp:character_motivation
|
Desire for revenge.
|
|
gptkbp:chart_position
|
#1 on Billboard Hot 100
|
|
gptkbp:cinematography
|
gptkb:Tom_Stern
gptkb:Bruce_Surtees
gptkb:Mitsuo_Degawa
|
|
gptkbp:cinematography_by
|
gptkb:Bruce_Surtees
gptkb:Jack_N._Green
|
|
gptkbp:color
|
gptkb:Color
|
|
gptkbp:country
|
gptkb:Japan
gptkb:United_States
|
|
gptkbp:cover_version
|
gptkb:Yes
|
|
gptkbp:covers
|
gptkb:Yes
|
|
gptkbp:critical_analysis
|
Examined for its themes.
examined in film studies
explores the nature of violence
questions the hero archetype
Deconstruction of the Western genre
|
|
gptkbp:critical_reception
|
Highly acclaimed
Positive
positive
highly acclaimed
|
|
gptkbp:criticism
|
Highly acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:Significant
gptkb:significant
Considered a classic
Revisionist Western
Critically acclaimed
Cinematic classic
influential film
Influenced modern Westerns
Influential Western film
|
|
gptkbp:cultural_references
|
Referenced in various media.
parodied in various media
|
|
gptkbp:cultural_significance
|
high
exploration of violence
deconstruction of Western genre
|
|
gptkbp:depicts
|
gptkb:betrayal
gptkb:justice
gptkb:revenge
gptkb:friendship
female characters
lawlessness
the Old West
morally ambiguous characters
morality questions
violence consequences
|
|
gptkbp:director
|
gptkb:Clint_Eastwood
gptkb:Lee_Sang-il
|
|
gptkbp:distributor
|
gptkb:Toho
gptkb:Warner_Bros.
|
|
gptkbp:documentary
|
gptkb:Metallica:_Through_the_Never
|
|
gptkbp:edited_by
|
gptkb:Joel_Cox
|
|
gptkbp:editing
|
gptkb:Takeshi_Seyama
gptkb:Joel_Cox
|
|
gptkbp:fan_favorite
|
gptkb:Yes
|
|
gptkbp:featured_in
|
gptkb:Guitar_Hero:_Metallica
|
|
gptkbp:film
|
Ambiguous.
|
|
gptkbp:film_appearance
|
gptkb:Metallica:_Some_Kind_of_Monster
|
|
gptkbp:film_awards
|
gptkb:Golden_Lion
multiple
Numerous
|
|
gptkbp:film_editing
|
gptkb:Joel_Cox
|
|
gptkbp:film_festival
|
gptkb:Tokyo_International_Film_Festival_2006
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:film_length
|
130 minutes
|
|
gptkbp:film_score
|
gptkb:Lennie_Niehaus
|
|
gptkbp:film_series
|
gptkb:N/_A
standalone
Unforgiven series
|
|
gptkbp:film_technique
|
Grim and realistic.
Realistic portrayal of violence.
Cited as a turning point in Western genre.
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Wyoming
gptkb:Alberta
|
|
gptkbp:first_performance
|
gptkb:1991
|
|
gptkbp:followed_by
|
gptkb:N/_A
|
|
gptkbp:follows
|
gptkb:The_Unforgiven_II
gptkb:The_Outlaw_Josey_Wales
gptkb:N/_A
retired outlaw
|
|
gptkbp:genre
|
Western
heavy metal
|
|
gptkbp:has_character
|
gptkb:Schofield_Kid
|
|
gptkbp:historical_context
|
Set in the late 19th century.
post-Vietnam War
|
|
gptkbp:home_media_release
|
gptkb:VHS
gptkb:DVD
gptkb:Blu-ray
gptkb:1993
gptkb:1998
gptkb:2008
gptkb:2013
gptkb:4_K_UHD
Digital
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Unforgiven
|
|
gptkbp:influenced
|
gptkb:Film_noir
gptkb:Film_Director
gptkb:filmmakers
Modern cinema
many artists
Modern Western films
Later Western films
modern Western films
Modern Western films.
modern Westerns
|
|
gptkbp:influenced_artists
|
gptkb:Bob_Dylan
The Wall by Pink Floyd
metal ballads
|
|
gptkbp:influenced_by
|
gptkb:High_Noon
gptkb:John_Ford
gptkb:Sergio_Leone
gptkb:Sam_Peckinpah
gptkb:Shane
gptkb:The_Good,_the_Bad_and_the_Ugly
gptkb:Spaghetti_Westerns
Classic Westerns
spaghetti westerns
Classic Westerns.
|
|
gptkbp:influences
|
gptkb:Spaghetti_Westerns
Classic Westerns
classic Westerns
revisionist Westerns
|
|
gptkbp:inspiration
|
personal experiences
Real-life events
real-life events
Western genre
Clint Eastwood's career
|
|
gptkbp:inspired_by
|
gptkb:The_Good,_the_Bad_and_the_Ugly
|
|
gptkbp:key
|
E minor
|
|
gptkbp:language
|
gptkb:Japanese
English
|
|
gptkbp:language_spoken
|
notable
|
|
gptkbp:legacy
|
considered a classic
Considered a classic.
Influential film
Influential Western film
|
|
gptkbp:length
|
6:27
|
|
gptkbp:live_performance
|
gptkb:Yes
|
|
gptkbp:lyrical_themes
|
struggle against society
|
|
gptkbp:music
|
gptkb:Taro_Iwashiro
gptkb:Lennie_Niehaus
|
|
gptkbp:music_by
|
gptkb:Lennie_Niehaus
|
|
gptkbp:music_composer
|
gptkb:Lennie_Niehaus
|
|
gptkbp:music_style
|
gptkb:choir
verse-chorus form
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:music_video_director
|
gptkb:Bill_Pope
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
Non-linear
non-linear
|
|
gptkbp:notable_games
|
gptkb:Guitar_Hero_Live
gptkb:Rock_Band_4
gptkb:Rocksmith_2014
|
|
gptkbp:notable_quote
|
“ It’s a hell of a thing, killing a man.”
Deserve's got nothing to do with it.
It's a hell of a thing, killing a man.
We all have it coming, kid.
“ Deserve's got nothing to do with it.”
“ I’m not like them.”
“ We all have it coming, kid.”
“ You just killed the wrong man.”
|
|
gptkbp:notable_song
|
I still search for a light.
Never cared for games they play
Never cared for what they say
What I've felt, what I've known
|
|
gptkbp:parodied_in
|
various media
|
|
gptkbp:performance
|
gptkb:2023
|
|
gptkbp:performed_by
|
gptkb:Metallica
|
|
gptkbp:performers
|
6 minutes 27 seconds
|
|
gptkbp:piano
|
featured
|
|
gptkbp:plot
|
A retired gunslinger seeks revenge.
A retired outlaw takes on one last job.
|
|
gptkbp:precedes
|
gptkb:The_Unforgiven_III
gptkb:N/_A
gptkb:The_Unforgiven_(1960)
|
|
gptkbp:premiere
|
gptkb:1992_Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Tokyo_International_Film_Festival
|
|
gptkbp:producer
|
gptkb:Bob_Rock
|
|
gptkbp:production_company
|
gptkb:Malpaso_Productions
|
|
gptkbp:rating
|
gptkb:R
|
|
gptkbp:record_label
|
gptkb:Elektra_Records
|
|
gptkbp:recording_location
|
gptkb:One_on_One_Recording_Studios
|
|
gptkbp:recording_year
|
gptkb:1990
|
|
gptkbp:release_country
|
gptkb:Japan
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:1992
gptkb:2000
gptkb:2006
1992-08-07
August 7, 1992
|
|
gptkbp:release_format
|
gptkb:DVD
gptkb:Blu-ray
gptkb:single
Theatrical
theatrical
|
|
gptkbp:release_year
|
gptkb:1992
|
|
gptkbp:released_in
|
gptkb:1991
|
|
gptkbp:remake
|
gptkb:None
gptkb:none
gptkb:N/_A
no known remakes
|
|
gptkbp:remastered
|
gptkb:Yes
yes
|
|
gptkbp:remix
|
gptkb:Yes
|
|
gptkbp:runtime
|
130 minutes
135 minutes
131 minutes
|
|
gptkbp:screenings
|
gptkb:Cannes_Film_Festival_1992
|
|
gptkbp:screenplay
|
gptkb:David_Webb_Peoples
|
|
gptkbp:screenplay_by
|
gptkb:David_Webb_Peoples
|
|
gptkbp:sequel
|
gptkb:None
gptkb:none
gptkb:N/_A
|
|
gptkbp:set_in
|
gptkb:Wyoming
|
|
gptkbp:setting
|
gptkb:Wyoming
|
|
gptkbp:soundtrack
|
gptkb:original_score
Composed by Lennie Niehaus
Released in 1992
|
|
gptkbp:special_features
|
gptkb:interviews
gptkb:commentary
behind-the-scenes
|
|
gptkbp:starring
|
gptkb:Ken_Watanabe
gptkb:Clint_Eastwood
gptkb:Richard_Harris
gptkb:Morgan_Freeman
gptkb:Gene_Hackman
gptkb:Daisuke_Ryu
gptkb:Jaimz_Woolvett
Daisuke Miyagawa
|
|
gptkbp:symbolism
|
The graveyard scene
the bounty as a moral dilemma
the gun as a tool of violence
The bounty
The graveyard
The gun
The Schofield Kid's innocence
|
|
gptkbp:tempo
|
72 BPM
|
|
gptkbp:theme
|
gptkb:Redemption
gptkb:Violence
gptkb:Revenge
Morality
redemption
|
|
gptkbp:themes
|
gptkb:Redemption
gptkb:Violence
Morality
morality
redemption
violence
|
|
gptkbp:time_period
|
1880s
|
|
gptkbp:vocalization
|
clean vocals
|
|
gptkbp:writer
|
gptkb:James_Hetfield
gptkb:Lars_Ulrich
gptkb:Kirk_Hammett
gptkb:David_Webb_Peoples
gptkb:Nobuo_Takagi
|
|
gptkbp:bfsParent
|
gptkb:1993_Academy_Awards
gptkb:Logan
gptkb:Clint_Eastwood
gptkb:Sting
gptkb:World_Wrestling_Federation
gptkb:Gene_Hackman
gptkb:adventure
|
|
gptkbp:bfsLayer
|
4
|