Properties (46)
Predicate | Object |
---|---|
gptkbp:instanceOf |
playwright
theatre manager |
gptkbp:associatedWith |
gptkb:The_King's_Company
The_Royalist_cause Davenant's_Company |
gptkbp:birthDate |
1606-02-03
|
gptkbp:bornIn |
gptkb:Oxford
|
gptkbp:burialPlace |
gptkb:St._Paul's_Cathedral
|
gptkbp:child |
William_D'Avenant_Jr.
|
gptkbp:contributedTo |
theatrical productions
Restoration theatre English_drama |
gptkbp:deathDate |
1668-04-07
|
gptkbp:founded |
gptkb:The_Duke's_Company
Davenant's_Company |
https://www.w3.org/2000/01/rdf-schema#label |
William D'Avenant
|
gptkbp:influenced |
the role of women in theatre
the establishment of theatre as a legitimate art form the emergence of the Restoration comedy. the integration of spectacle in theatre the popularity of heroic drama the professionalization of acting the rise of the actor-manager model the use of elaborate stage machinery the use of music in plays theatrical adaptations of classical works the_development_of_English_opera |
gptkbp:influencedBy |
gptkb:Shakespeare
gptkb:Ben_Jonson |
gptkbp:knownFor |
gptkb:The_Siege_of_Rhodes
The_Cruelty_of_the_Spaniards_in_Peru The_History_of_Sir_Francis_Drake |
gptkbp:nationality |
English
|
gptkbp:notableWork |
gptkb:The_Tempest
gptkb:The_Siege_of_Rhodes The Man from the Moon The Playhouse to Be Let The Fair Penitent The_Cruelty_of_the_Spaniards_in_Peru The_History_of_Sir_Francis_Drake The_Wits |
gptkbp:occupation |
poet
actor |
gptkbp:placeOfBirth |
gptkb:Oxford
|
gptkbp:placeOfDeath |
gptkb:London
|
gptkbp:spouse |
gptkb:Mary_D'Avenant
|