Properties (54)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
play
|
| gptkbp:adaptation |
film adaptation
ballet adaptation opera adaptation |
| gptkbp:character |
gptkb:Ferdinand
Sebastian Antonio Miranda Gonzalo Trinculo Stephano |
| gptkbp:criticalReception |
analyzed for its feminist interpretations
analyzed for its postcolonial interpretations explored themes of power and control subject of numerous critical analyses widely_regarded_as_one_of_Shakespeare's_greatest_works |
| gptkbp:culturalImpact |
explored in academic research
studied in schools inspired various interpretations part of the Western literary canon influenced postcolonial studies |
| gptkbp:genre |
tragedy
|
| gptkbp:hasPerformance |
1611
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Tempest
|
| gptkbp:influence |
inspired many artists
inspired many filmmakers inspired many writers |
| gptkbp:language |
English
|
| gptkbp:mainCharacter |
gptkb:Caliban
gptkb:Ariel Prospero |
| gptkbp:notableFeature |
performed in various languages
adapted for radio adapted for television performed_at_the_Globe_Theatre performed_at_the_Blackfriars_Theatre |
| gptkbp:notableQuote |
All the world's a stage.
The isle is full of noises. We are such stuff as dreams are made on. What’s past is prologue. |
| gptkbp:performance |
performed in theaters worldwide
often adapted for modern audiences |
| gptkbp:publications |
included in the First Folio
published in quarto in 1623 |
| gptkbp:setting |
an unnamed island
|
| gptkbp:symbolism |
the island
the storm the shipwreck the magic staff |
| gptkbp:theme |
betrayal
colonialism magic forgiveness |
| gptkbp:wrote |
gptkb:William_Shakespeare
|