|
gptkbp:instance_of
|
gptkb:painting
|
|
gptkbp:acquisition
|
purchased by museum
|
|
gptkbp:art_style
|
geometric abstraction
large-scale painting
|
|
gptkbp:artist
|
gptkb:Barnett_Newman
|
|
gptkbp:artistic_controversy
|
debate over artistic merit
|
|
gptkbp:artistic_exploration
|
boundaries of abstraction
|
|
gptkbp:artistic_expression
|
emotional response
1960s art scene
|
|
gptkbp:artistic_influence
|
significant in art history
post-war art movements
|
|
gptkbp:artistic_innovation
|
new approaches to color
|
|
gptkbp:artistic_legacy
|
influential in modernism
|
|
gptkbp:artistic_philosophy
|
art for art's sake
|
|
gptkbp:artistic_technique
|
layering of paint
|
|
gptkbp:artistic_vision
|
widely discussed in art circles
exploration of color
Newman's perspective on color
|
|
gptkbp:associated_with
|
American art
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:challenges
|
traditional art norms
traditional notions of art
|
|
gptkbp:collection
|
Stedelijk Museum collection
|
|
gptkbp:color_palette
|
red, yellow, blue
|
|
gptkbp:contributed_to
|
artistic dialogue
|
|
gptkbp:controversy
|
censorship incident
|
|
gptkbp:created_by
|
gptkb:Barnett_Newman
|
|
gptkbp:created_in
|
gptkb:New_York_City
|
|
gptkbp:cultural_impact
|
debate on art and censorship
|
|
gptkbp:cultural_significance
|
debate on art and politics
|
|
gptkbp:depicts
|
abstract forms
|
|
gptkbp:dimensions
|
240 x 540 cm
|
|
gptkbp:evokes
|
emotional responses
|
|
gptkbp:exhibited_at
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:exhibition
|
gptkb:Newman_retrospective
gptkb:documenta_5
|
|
gptkbp:explores
|
color relationships
|
|
gptkbp:featured_in
|
art documentaries
|
|
gptkbp:has_reception
|
mixed reviews
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Who's Afraid of Red, Yellow and Blue?
|
|
gptkbp:influence
|
gptkb:Color_Field_painting
|
|
gptkbp:influenced
|
artistic expression
contemporary artists
subsequent artists
contemporary art movements
|
|
gptkbp:influenced_by
|
gptkb:European_modernism
gptkb:Piet_Mondrian
gptkb:Surrealism
|
|
gptkbp:inspired
|
modern art discussions
|
|
gptkbp:is_analyzed_in
|
art theory
|
|
gptkbp:is_considered_as
|
iconic artwork
|
|
gptkbp:is_discussed_in
|
art literature
|
|
gptkbp:is_examined_in
|
gptkb:art_critics
art history courses
|
|
gptkbp:is_recognized_as
|
landmark piece
|
|
gptkbp:location
|
gptkb:Stedelijk_Museum
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:movement
|
gptkb:Abstract_Expressionism
|
|
gptkbp:narrative
|
between artists and critics
|
|
gptkbp:notable_exhibition
|
gptkb:The_New_American_Painting
|
|
gptkbp:notable_feature
|
large color fields
|
|
gptkbp:part_of
|
gptkb:artistic_legacy
Newman series
Newman’s series of works
|
|
gptkbp:related_to
|
artistic freedom
|
|
gptkbp:represents
|
post-war art
|
|
gptkbp:significance
|
pioneering work in color theory
|
|
gptkbp:style
|
minimalism
|
|
gptkbp:symbolism
|
gptkb:freedom_of_expression
|
|
gptkbp:symbolizes
|
gptkb:freedom_of_expression
|
|
gptkbp:technique
|
color blocking
color application
|
|
gptkbp:themes
|
color theory
identity and perception
|
|
gptkbp:year_created
|
gptkb:1966
|