|
gptkbp:instance_of
|
gptkb:art_movement
|
|
gptkbp:artistic_vision
|
to create immersive experiences
to challenge perception
to evoke contemplation
|
|
gptkbp:associated_with
|
gptkb:Abstract_Expressionism
gptkb:Post-painterly_abstraction
abstract expressionism
|
|
gptkbp:challenges
|
traditional art forms
|
|
gptkbp:characterized_by
|
minimalist approach
large areas of color
large areas of solid color
|
|
gptkbp:criticism
|
seen as overly simplistic
seen as emotional
seen as anti-figurative
sometimes viewed as simplistic
seen as lacking form
|
|
gptkbp:cultural_impact
|
Influenced fashion design
Influenced graphic design
Influenced interior design
|
|
gptkbp:developed_by
|
1940s
1950s
|
|
gptkbp:emphasizes
|
emotional resonance
the emotional response to color
the viewer's experience
|
|
gptkbp:exemplified_by
|
gptkb:Rothko's_color_blocks
gptkb:Rothko_Chapel
gptkb:Newman's_zip_paintings
gptkb:Vir_Heroicus_Sublimis
gptkb:Still's_color_fields
gptkb:Frankenthaler's_soak-stain_technique
large canvases
Newman’s zip paintings
The Unfinished Painting
|
|
gptkbp:exemplifies
|
the use of color as subject
|
|
gptkbp:exhibited_at
|
gptkb:Los_Angeles
gptkb:New_York_City
gptkb:Washington_D._C.
art fairs
major art museums
|
|
gptkbp:exhibition
|
gptkb:The_Guggenheim_Museum
gptkb:The_Museum_of_Modern_Art
|
|
gptkbp:explores
|
the relationship between color and space
|
|
gptkbp:focuses_on
|
emotional resonance
spiritual experience
|
|
gptkbp:historical_context
|
gptkb:Post-World_War_II_America
Cold War era
Rise of consumer culture
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Color Field painting
|
|
gptkbp:impact
|
gptkb:contemporary_art
gptkb:performance_art
gptkb:installation_art
|
|
gptkbp:influenced
|
gptkb:installation_art
Contemporary art
|
|
gptkbp:influenced_by
|
gptkb:European_modernism
Color Theory
American regionalism
|
|
gptkbp:inspired
|
gptkb:Color_Field_sculpture
|
|
gptkbp:inspired_by
|
gptkb:attraction
gptkb:light
gptkb:Nature
gptkb:philosophy
gptkb:spirituality
nature
|
|
gptkbp:is_associated_with
|
gptkb:the_New_York_School
gptkb:spirituality
|
|
gptkbp:is_celebrated_in
|
art exhibitions
art enthusiasts
|
|
gptkbp:is_characterized_by
|
flatness of color
|
|
gptkbp:is_compared_to
|
Geometric abstraction
Action painting
|
|
gptkbp:is_considered
|
a major art movement
|
|
gptkbp:is_considered_as
|
a reaction to Abstract Expressionism
|
|
gptkbp:is_considered_to_be
|
a significant movement in art history
|
|
gptkbp:is_criticized_for
|
lack of narrative
|
|
gptkbp:is_critiqued_by
|
gptkb:art_critics
|
|
gptkbp:is_defined_by
|
color relationships
its focus on color over form
|
|
gptkbp:is_documented_in
|
art literature
|
|
gptkbp:is_essential_for
|
visual impact
|
|
gptkbp:is_explored_in
|
gptkb:art_critics
art theory
art documentaries
|
|
gptkbp:is_influenced_by
|
gptkb:Post-Painterly_Abstraction
gptkb:Surrealism
|
|
gptkbp:is_influential_in
|
art education
contemporary art practices
|
|
gptkbp:is_linked_to
|
emotional experience
the rise of minimalism
|
|
gptkbp:is_noted_for
|
its simplicity
|
|
gptkbp:is_often_associated_with
|
the 1960s art scene
|
|
gptkbp:is_often_compared_to
|
gptkb:Color_Field_sculpture
Action painting
|
|
gptkbp:is_often_seen_in
|
a reaction against traditional painting techniques
|
|
gptkbp:is_often_used_in
|
non-representational forms
|
|
gptkbp:is_part_of
|
Modern art
the evolution of abstract art
the broader context of modern art
|
|
gptkbp:is_prominent_in
|
American art
art collections
|
|
gptkbp:is_recognized_as
|
a significant movement
|
|
gptkbp:is_recognized_by
|
gptkb:art_critics
art institutions
|
|
gptkbp:is_recognized_for
|
its impact on modern art
|
|
gptkbp:is_reflected_in
|
gptkb:popular_culture
|
|
gptkbp:is_related_to
|
gptkb:Minimalism
|
|
gptkbp:is_respected_by
|
gptkb:art_historians
|
|
gptkbp:is_studied_in
|
gptkb:art_historians
art history courses
|
|
gptkbp:is_valued_for
|
its aesthetic qualities
its meditative quality
|
|
gptkbp:is_widely_exhibited
|
in galleries worldwide
|
|
gptkbp:legacy
|
Continues to influence artists today
Part of art history curriculum
Recognized in art criticism
|
|
gptkbp:notable_artists
|
gptkb:Barnett_Newman
gptkb:Helen_Frankenthaler
gptkb:Mark_Rothko
gptkb:Morris_Louis
gptkb:Kenneth_Noland
gptkb:Clyfford_Still
|
|
gptkbp:notable_exhibitions
|
gptkb:The_New_American_Painting
gptkb:The_Venice_Biennale
The Whitney Biennial
|
|
gptkbp:notable_works
|
gptkb:The_River_by_Still
No. 61 (Rust and Blue) by Rothko
Vir Heroicus Sublimis by Newman
|
|
gptkbp:often_includes
|
gptkb:tachymetric_scale
gptkb:artistic_legacy
gptkb:composition
gptkb:historical_significance
flatness
cultural context
emotional response
non-representational forms
texture
visual perception
light interaction
translucency
layering of colors
large canvases
spatial dynamics
color relationships
artistic intent
|
|
gptkbp:popularized_by
|
gptkb:Barnett_Newman
gptkb:Mark_Rothko
gptkb:Clyfford_Still
|
|
gptkbp:premiered_on
|
gptkb:Abstract_Expressionism
|
|
gptkbp:rating
|
mixed reviews
|
|
gptkbp:related_to
|
gptkb:Minimalism
gptkb:Post-painterly_Abstraction
gptkb:Post-painterly_abstraction
Color theory
Color Theory
|
|
gptkbp:technique
|
staining
layering of paint
use of oil paint
pouring paint
staining canvas
use of acrylic paint
|
|
gptkbp:utilizes
|
non-representational forms
|
|
gptkbp:bfsParent
|
gptkb:Gerhard_Richter
gptkb:The_Water_Lilies
gptkb:Henri_Matisse
gptkb:Jackson_Pollock
gptkb:Kazimir_Malevich
gptkb:Robert_Motherwell
gptkb:Mark_Rothko
gptkb:Alfred_Sisley
gptkb:Claude_Monet
gptkb:Paul_Cézanne
gptkb:Paul_Klee
gptkb:Takashi_Murakami
gptkb:Frank_Stella
gptkb:The_New_York_School
gptkb:Ellsworth_Kelly
gptkb:Brice_Marden
gptkb:frescoes
gptkb:Cézanne
gptkb:The_Black_Paintings
gptkb:Abstract_Expressionism
gptkb:František_Kupka
|
|
gptkbp:bfsLayer
|
4
|