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gptkbp:instance_of
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gptkb:art_exhibition
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
|
gptkb:2002:_The_2002_Whitney_Biennial
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gptkbp:artwork
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over 100
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|
gptkbp:attendance
|
approximately 100,000
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gptkbp:closing_date
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September 5, 2022
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gptkbp:curator
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gptkb:Adrienne_Edwards
gptkb:David_Breslin
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gptkbp:exhibition
|
biennial
4 months
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gptkbp:focus
|
gptkb:soundtrack
|
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gptkbp:followed_by
|
gptkb:Whitney_Biennial_2023
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|
https://www.w3.org/2000/01/rdf-schema#label
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Whitney Biennial 2022
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gptkbp:impact
|
exploration of identity
engagement with community
discussion on social issues
increased visibility for underrepresented artists
critique of contemporary culture
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|
gptkbp:is_featured_in
|
gptkb:benchmark
gptkb:painting
gptkb:music_video
gptkb:art_installation
gptkb:artwork
|
|
gptkbp:launch_date
|
April 6, 2022
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gptkbp:location
|
gptkb:Whitney_Museum_of_American_Art
|
|
gptkbp:notable_album
|
gptkb:Maya_Lin's_'_What_is_Missing?'
Jasmine Wahi's ' The Black Woman's Narrative'.
Jesse Krimes' ' Prisoner Exchange'.
Megan Thee Stallion's ' Hottieween'.
Mickalene Thomas' ' The Garden Party'.
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|
gptkbp:notable_artists
|
gptkb:Jasmine_Wahi
gptkb:H._E._Megan_Thee_Stallion
gptkb:Maya_Lin
gptkb:Mickalene_Thomas
Jesse Krimes
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gptkbp:notable_performance
|
gptkb:63
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|
gptkbp:preceded_by
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gptkb:Whitney_Biennial_2021
|
|
gptkbp:sponsor
|
gptkb:The_Andy_Warhol_Foundation
gptkb:The_Ford_Foundation
gptkb:The_New_York_State_Council_on_the_Arts
gptkb:The_National_Endowment_for_the_Arts
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gptkbp:theme
|
American art
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gptkbp:year
|
gptkb:2022
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