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gptkbp:instance_of
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gptkb:art_exhibition
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gptkbp:art_movement
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gptkb:Color_Field_Painting
gptkb:Pop_Art
gptkb:political_organization
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gptkbp:attendance
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high
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gptkbp:critical_reception
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generally positive
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gptkbp:cultural_impact
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reflected societal changes
promoted diversity in art
highlighted emerging artists
influenced American art scene
encouraged experimental art forms
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gptkbp:curator
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gptkb:Edward_Hopper
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gptkbp:exhibition
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biennial
several months
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gptkbp:focus
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American art
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gptkbp:followed_by
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gptkb:Whitney_Biennial_1956
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https://www.w3.org/2000/01/rdf-schema#label
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Whitney Biennial 1954
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gptkbp:influenced
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future biennials
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gptkbp:is_a_venue_for
|
gptkb:Borough
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gptkbp:legacy
|
inspired future exhibitions
contributed to the rise of contemporary art
established as a key event in American art
recognized for its role in art history
set a precedent for biennial exhibitions
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gptkbp:location
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gptkb:Whitney_Museum_of_American_Art
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gptkbp:media_coverage
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extensive
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gptkbp:notable_artists
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gptkb:Helen_Frankenthaler
gptkb:Jasper_Johns
gptkb:Robert_Rauschenberg
gptkb:Louise_Nevelson
gptkb:Franz_Kline
|
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gptkbp:notable_work
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gptkb:Flag_by_Jasper_Johns
Chief by Franz Kline
Mountains and Sea by Helen Frankenthaler
Erased de Kooning Drawing by Robert Rauschenberg
Sky Cathedral by Louise Nevelson
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gptkbp:part_of
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gptkb:Whitney_Biennial
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gptkbp:preceded_by
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gptkb:Whitney_Biennial_1952
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|
gptkbp:significance
|
showcased contemporary American artists
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gptkbp:year
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gptkb:1954
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gptkbp:bfsParent
|
gptkb:The_Whitney_Biennial_1952
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gptkbp:bfsLayer
|
6
|