|
gptkbp:instance_of
|
gptkb:art_exhibition
|
|
gptkbp:art_movement
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gptkb:political_organization
|
|
gptkbp:associated_with
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gptkb:soundtrack
modern art
American modernism
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|
gptkbp:attendance
|
high
|
|
gptkbp:critical_reception
|
positive
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gptkbp:cultural_impact
|
influenced future biennials
|
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gptkbp:curator
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gptkb:Lloyd_Goodrich
|
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gptkbp:exhibition
|
biennial
several months
|
|
gptkbp:focus
|
American art
|
|
gptkbp:followed_by
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gptkb:Whitney_Biennial_1954
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gptkbp:historical_context
|
post-World War II America
rise of Abstract Expressionism
development of American art scene
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|
https://www.w3.org/2000/01/rdf-schema#label
|
Whitney Biennial 1952
|
|
gptkbp:influenced_by
|
gptkb:New_York_School
|
|
gptkbp:is_a_venue_for
|
gptkb:Borough
|
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gptkbp:is_featured_in
|
No. 61 (Rust and Blue) by Mark Rothko
Chief by Franz Kline
Mountains and Sea by Helen Frankenthaler
White Painting by Robert Rauschenberg
Mural by Jackson Pollock
|
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gptkbp:legacy
|
inspired future generations of artists
influenced art criticism
contributed to art discourse
established Whitney Biennial as a key event
highlighted American artists on global stage
|
|
gptkbp:location
|
gptkb:Whitney_Museum_of_American_Art
|
|
gptkbp:notable_artists
|
gptkb:Helen_Frankenthaler
gptkb:Jackson_Pollock
gptkb:Mark_Rothko
gptkb:Robert_Rauschenberg
gptkb:Franz_Kline
|
|
gptkbp:notable_feature
|
diverse artistic styles
emphasis on innovation
emphasis on experimentation
|
|
gptkbp:part_of
|
gptkb:Whitney_Biennial
|
|
gptkbp:preceded_by
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gptkb:Whitney_Biennial_1950
|
|
gptkbp:significance
|
showcased contemporary American artists
|
|
gptkbp:year
|
gptkb:1952
|
|
gptkbp:bfsParent
|
gptkb:The_Whitney_Biennial_1950
gptkb:The_Whitney_Biennial_1954
|
|
gptkbp:bfsLayer
|
6
|