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gptkbp:instance_of
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gptkb:art_exhibition
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gptkbp:art_style
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gptkb:modernism
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|
gptkbp:associated_with
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modern art movement
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gptkbp:attendance
|
high
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gptkbp:critical_reception
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positive
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gptkbp:cultural_impact
|
influenced future biennials
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gptkbp:curator
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gptkb:Julian_Levy
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gptkbp:exhibition
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biennial
several months
published
included artist statements
included essays
included images of artworks
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|
gptkbp:focus
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American art
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gptkbp:followed_by
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gptkb:Whitney_Biennial_1952
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gptkbp:historical_context
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post-World War II America
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https://www.w3.org/2000/01/rdf-schema#label
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Whitney Biennial 1950
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gptkbp:influenced_by
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gptkb:political_organization
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|
gptkbp:is_a_venue_for
|
gptkb:Borough
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|
gptkbp:is_featured_in
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Chief by Franz Kline
No. 5, 1948 by Jackson Pollock
Woman I by Willem de Kooning
Elegy to the Spanish Republic No. 110 by Robert Motherwell
Untitled by Mark Rothko
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gptkbp:legacy
|
established a precedent for future exhibitions.
|
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gptkbp:location
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gptkb:Whitney_Museum_of_American_Art
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|
gptkbp:media_coverage
|
extensive
|
|
gptkbp:notable_artists
|
gptkb:Jackson_Pollock
gptkb:Robert_Motherwell
gptkb:Mark_Rothko
gptkb:William_de_Kooning
gptkb:Franz_Kline
|
|
gptkbp:part_of
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gptkb:Whitney_Biennial
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|
gptkbp:preceded_by
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gptkb:Whitney_Biennial_1948
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|
gptkbp:significance
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showcased contemporary American artists
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|
gptkbp:themes
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gptkb:TV_series
gptkb:language
freedom
innovation
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gptkbp:year
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1950
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gptkbp:bfsParent
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gptkb:The_Whitney_Biennial_1952
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gptkbp:bfsLayer
|
6
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