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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:based_on
|
original story by Kōji Wakamatsu
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|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
female protagonist
male antagonist
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography_by
|
gptkb:Masahiro_Shinoda
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:Japan
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
significant in Japan
|
|
gptkbp:depicts
|
post-war Japan
social struggles
|
|
gptkbp:directed_by
|
gptkb:Kōji_Wakamatsu
|
|
gptkbp:distributor
|
gptkb:Wakamatsu_Productions
|
|
gptkbp:edited_by
|
gptkb:Kōji_Wakamatsu
|
|
gptkbp:features
|
experimental techniques
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
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gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
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White Flower (1965)
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gptkbp:influenced
|
gptkb:cinema
gptkb:film
art house cinema
documentary filmmaking
future filmmakers
avant-garde filmmakers
future genres
later Japanese cinema
|
|
gptkbp:influenced_by
|
gptkb:historical_events
gptkb:French_New_Wave
gptkb:Japanese_New_Wave
gptkb:literary_work
cultural movements
art movements
social issues of the time
political climate of the 1960s
|
|
gptkbp:language
|
gptkb:Japanese
|
|
gptkbp:music_by
|
gptkb:Tōru_Takemitsu
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_for
|
gptkb:character_development
cultural significance
social commentary
cinematic techniques
emotional impact
character arcs
controversial content
thematic depth
visual style
|
|
gptkbp:notable_scene
|
opening sequence
climactic confrontation
final shot
|
|
gptkbp:premiere
|
gptkb:Tokyo_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Kōji_Wakamatsu
|
|
gptkbp:released
|
gptkb:1965
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Kōji_Wakamatsu
|
|
gptkbp:setting
|
urban Japan
|
|
gptkbp:starring
|
gptkb:Yoshiko_Matsumoto
|
|
gptkbp:themes
|
love and betrayal
|
|
gptkbp:bfsParent
|
gptkb:Agnes_Martin
|
|
gptkbp:bfsLayer
|
5
|