Statements (100)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:music
|
| gptkbp:contrastsWith |
non-Western music theory
|
| gptkbp:focusesOn |
practices of Western art music
|
| gptkbp:hasConcept |
gptkb:theme_and_variations
gptkb:historical_period gptkb:orchestra gptkb:set_theory gptkb:Schenkerian_analysis gptkb:circle_of_fifths gptkb:figured_bass gptkb:neo-Riemannian_theory gptkb:Metric gptkb:Motif dynamics minimalism suspension modulation syncopation dominant improvisation neighbor tone passing tone species counterpoint equal temperament just intonation ornamentation polytonality consonance dissonance serialism sonata form atonality twelve-tone technique modality tempo extended techniques binary form ternary form chromaticism Roman numeral analysis aleatoric music antecedent and consequent appoggiatura articulation chord progression enharmonic equivalence functional harmony harmonic rhythm leading tone melodic contour microtones ostinato part writing pedal point phrase structure pivot chord polyrhythm secondary dominant subdominant tonic transposition voice leading rules |
| gptkbp:historicalSignificance |
Baroque music
Renaissance music Classical music Romantic music 20th-century music Ancient Greek music theory medieval church music |
| gptkbp:includes |
gptkb:form
gptkb:music gptkb:syntax harmony modulation counterpoint modes voice leading scales chords intervals rhythm tonality atonality key signatures time signatures cadences |
| gptkbp:originatedIn |
gptkb:Europe
|
| gptkbp:studiedBy |
gptkb:musician
musicologists composers music theorists |
| gptkbp:usedIn |
gptkb:musical_composition
gptkb:musical music education music analysis |
| gptkbp:bfsParent |
gptkb:Music_of_the_Spheres
gptkb:Harmony_of_the_Spheres gptkb:Pythagorean_theory_of_music |
| gptkbp:bfsLayer |
6
|
| https://www.w3.org/2000/01/rdf-schema#label |
Western music theory
|