Statements (100)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
gptkb:music
|
| gptkbp:contrastsWith |
non-Western music theory
|
| gptkbp:focusesOn |
practices of Western art music
|
| gptkbp:hasConcept |
gptkb:historical_period
gptkb:orchestra gptkb:set_theory gptkb:Schenkerian_analysis gptkb:circle_of_fifths gptkb:figured_bass gptkb:neo-Riemannian_theory gptkb:Metric dynamics minimalism suspension theme and variations modulation syncopation dominant improvisation neighbor tone passing tone species counterpoint equal temperament just intonation ornamentation polytonality consonance dissonance serialism sonata form atonality twelve-tone technique modality Motif tempo extended techniques binary form ternary form chromaticism Roman numeral analysis aleatoric music antecedent and consequent appoggiatura articulation chord progression enharmonic equivalence functional harmony harmonic rhythm leading tone melodic contour microtones ostinato part writing pedal point phrase structure pivot chord polyrhythm secondary dominant subdominant tonic transposition voice leading rules |
| gptkbp:historicalSignificance |
Baroque music
Renaissance music Classical music Romantic music 20th-century music Ancient Greek music theory medieval church music |
| https://www.w3.org/2000/01/rdf-schema#label |
Western music theory
|
| gptkbp:includes |
gptkb:music
gptkb:syntax harmony modulation counterpoint modes voice leading scales chords intervals rhythm tonality form atonality key signatures time signatures cadences |
| gptkbp:originatedIn |
gptkb:Europe
|
| gptkbp:studiedBy |
gptkb:musician
musicologists composers music theorists |
| gptkbp:usedIn |
gptkb:musical
musical composition music education music analysis |
| gptkbp:bfsParent |
gptkb:Music_of_the_Spheres
gptkb:Harmony_of_the_Spheres gptkb:Pythagorean_theory_of_music |
| gptkbp:bfsLayer |
6
|