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gptkbp:instance_of
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gptkb:theatre
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gptkbp:bfsLayer
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4
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gptkbp:bfsParent
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gptkb:Federal_Theatre_Project
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gptkbp:adaptation
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reimagined characters
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gptkbp:adapted_into
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gptkb:William_Shakespeare's_Macbeth
different cultural contexts
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gptkbp:based_on
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gptkb:Macbeth
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gptkbp:cast
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gptkb:Dr._Paul_Robeson
gptkb:Muriel_Rahn
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gptkbp:contributed_to
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the development of modern theater
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gptkbp:created_by
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gptkb:Orson_Welles
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gptkbp:critical_reception
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mixed reviews
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gptkbp:cultural_impact
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influenced future theater productions
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gptkbp:design
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gptkb:Martha_Graham
gptkb:Lorraine_Hansberry
gptkb:Eugene_O'_Neill
gptkb:Toni_Morrison
gptkb:Robert_Edmond_Jones
gptkb:Alice_Walker
gptkb:James_Baldwin
gptkb:W._E._B._Du_Bois
gptkb:Zadie_Smith
gptkb:Chimamanda_Ngozi_Adichie
gptkb:Langston_Hughes
gptkb:Richard_Wright
gptkb:Zora_Neale_Hurston
gptkb:James_Weldon_Johnson
gptkb:Gwendolyn_Brooks
gptkb:John_Gielgud
gptkb:Amiri_Baraka
gptkb:Alfredo_Antonini
gptkb:Ntozake_Shange
gptkb:John_Houseman
gptkb:Charles_Laughton
gptkb:Paul_Laurence_Dunbar
gptkb:Hugh_Mc_Gowan
gptkb:August_Wilson
gptkb:William_D._Leavitt
gptkb:George_Schaefer
Robert Lewis
Miriam O' Leary
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gptkbp:directed_by
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gptkb:Orson_Welles
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gptkbp:director
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gptkb:Orson_Welles
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gptkbp:explores
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themes of power and ambition
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gptkbp:features
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voodoo rituals
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gptkbp:features_character
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gptkb:spell
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gptkbp:genre
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gptkb:High_School
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gptkbp:has_influence_on
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subsequent theater productions
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gptkbp:historical_context
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gptkb:Great_Depression
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|
https://www.w3.org/2000/01/rdf-schema#label
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Voodoo Macbeth
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gptkbp:influenced
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African American theater
experimental theater
political theater
postcolonial theater
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gptkbp:influenced_by
|
African American culture
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gptkbp:inspired
|
future adaptations of Shakespeare's works
subsequent adaptations of Shakespeare's works
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gptkbp:is_a
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gptkb:archaeological_site
reinterpretation of a classic play
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gptkbp:is_associated_with
|
the Federal Theatre Project's mission
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|
gptkbp:is_cited_in
|
theater criticism
|
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gptkbp:is_considered
|
a classic of American theater
a significant work in the history of American drama
a landmark production in American theater
|
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gptkbp:is_considered_as
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a pioneering work in American avant-garde theater
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gptkbp:is_influential_in
|
the field of performance studies
|
|
gptkbp:is_noted_for
|
its bold artistic choices
|
|
gptkbp:is_part_of
|
gptkb:the_Harlem_Renaissance
the legacy of Orson Welles
|
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gptkbp:is_recognized_by
|
theater historians
|
|
gptkbp:is_recognized_for
|
its cultural significance
|
|
gptkbp:is_studied_in
|
theater courses
|
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gptkbp:language
|
English
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gptkbp:location
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gptkb:Borough
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gptkbp:notable_for
|
its innovative use of voodoo themes
its unique interpretation of the original play
its innovative use of Voodoo themes
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gptkbp:notable_production
|
revived in 1990s
revived in 2000s
revived in 2010s
revived in 1970s
performed in 1936
|
|
gptkbp:performed_by
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gptkb:Borough
gptkb:Federal_Theatre_Project
gptkb:the_Negro_Theatre_Unit
theater companies worldwide
|
|
gptkbp:premiered_on
|
1936
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|
gptkbp:received
|
critical acclaim
|
|
gptkbp:restoration
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gptkb:television_series
|
|
gptkbp:set_in
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gptkb:Haiti
a Caribbean context
|
|
gptkbp:significance
|
its all-Black cast
first major production of Shakespeare by an African American cast
|
|
gptkbp:style
|
expressionism
|
|
gptkbp:themes
|
supernatural elements
fate and free will
power and ambition
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|
gptkbp:utilizes
|
African music and dance
|